Spain Box Office for Candyman (2021)
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| Theatrical Performance (US$) | ||
| Spain Box Office | $1,105,915 | Details |
| Worldwide Box Office | $77,386,663 | Details |
| Home Market Performance | ||
| North America DVD Sales | $318,597 | Details |
| North America Blu-ray Sales | $1,708,321 | Details |
| Total North America Video Sales | $2,026,918 | |
| Further financial details... | ||
Synopsis
Don’t say his name. For as long as residents can remember, the housing projects of Chicago’s Cabrini Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy and his girlfriend, gallery director Brianna Cartwright, move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials. With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini Green old-timer exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio as fresh grist for paintings, unknowingly opening a door to a complex past that unravels his own sanity and unleashes a terrifyingly wave of violence that puts him on a collision course with destiny.
Metrics
Movie Details
| Spain Releases: | August 27th, 2021 (Wide) |
| Video Release: | November 2nd, 2021 by Universal Home Entertainment |
| MPAA Rating: | R for bloody horror violence, and language including some sexual references. (Rating bulletin 2639 (Cert #52813), 7/22/2020) |
| Running Time: | 91 minutes |
| Franchise: | Candyman |
| Keywords: | Supernatural |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Monkeypaw Pictures, Metro-Goldwyn-Mayer Pictures, Universal Pictures, Bron Creative |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Candyman lands with strong $22.37-million opening
August 29th, 2021
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Candyman went into the weekend a firm favorite for top spot at the box office after posting $1.9 million in previews on Thursday. That number pointed to a weekend just shy of $20 million, but the film posted an excellent $9.14 million on Friday, and will hold on for an opening weekend projected at $22.37 million by Universal this morning. While that’s only the third-best weekend in August, after Free Guy’s $28.4-million debut and The Suicide Squad’s $26.2-million opening, it comfortably out-performs our model’s prediction, and it gives the theatrical market a welcome, and much-needed, boost.
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Weekend predictions: Candyman favorite to win the weekend
August 27th, 2021
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When theater counts came out on Thursday, it looked like we were heading towards a tight race at the top of the box office chart between newcomer Candyman, which is launching in 3,569 theaters, the returning champ Free Guy, which has shown good legs so far, and PAW Patrol: The Movie, which debuted in second place last weekend and should enjoy a good hold given its family audience. With preview figures for Candyman now in, it goes into the weekend the clear favorite, although an upset is still possible.
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Candyman Trailer
February 28th, 2020
Supernatural horror movie from Jordan Peele, starring Yahya Abdul-Mateen II opens June 12 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/08/27 | 3 | $367,384 | 293 | $1,254 | $367,384 | 1 | |
| 2021/09/03 | 8 | $135,754 | -63% | 284 | $478 | $844,774 | 2 |
| 2021/09/10 | 15 | $64,186 | -53% | 212 | $303 | $1,042,894 | 3 |
| 2021/09/17 | - | $22,488 | -65% | 106 | $212 | $1,105,915 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/26/2021 | $108,208 | 103 | 109 | 724 | $578,228 | 10/20/2022 |
| Brazil | 8/26/2021 | $171,000 | 400 | 400 | 400 | $171,000 | 10/20/2022 |
| Czech Republic | 8/27/2021 | $37,374 | 82 | 82 | 127 | $73,290 | 10/20/2022 |
| Finland | 10/8/2021 | $36,814 | 41 | 41 | 118 | $112,826 | 10/20/2022 |
| France | 9/29/2021 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 8/26/2021 | $287,000 | 252 | 252 | 738 | $670,000 | 10/20/2022 |
| Hong Kong | 8/26/2021 | $71,008 | 0 | 0 | 0 | $71,008 | 9/3/2021 |
| Iceland | 8/27/2021 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 8/6/2021 | $0 | 0 | 0 | 0 | $189,033 | 9/17/2021 |
| Japan | 10/15/2021 | $0 | 0 | 0 | 0 | $0 | |
| Lithuania | 8/27/2021 | $7,943 | 14 | 14 | 28 | $20,332 | 11/3/2021 |
| Mexico | 8/26/2021 | $351,450 | 0 | 0 | 0 | $643,572 | 10/20/2022 |
| Mongolia | 9/24/2021 | $5,000 | 11 | 11 | 11 | $5,000 | 10/20/2022 |
| Netherlands | 8/26/2021 | $211,289 | 75 | 75 | 320 | $597,109 | 9/29/2021 |
| New Zealand | 8/26/2021 | $0 | 0 | 29 | 120 | $48,198 | 10/20/2022 |
| North America | 8/27/2021 | $22,001,750 | 3,569 | 3,569 | 21,271 | $61,186,570 | |
| Peru | 9/2/2021 | $15,000 | 67 | 67 | 67 | $15,000 | 10/20/2022 |
| Portugal | 8/27/2021 | $47,637 | 58 | 58 | 140 | $143,609 | 10/20/2022 |
| Romania | 8/27/2021 | $34,574 | 69 | 69 | 196 | $122,780 | 10/20/2022 |
| Russia (CIS) | 8/26/2021 | $348,572 | 986 | 986 | 2436 | $805,012 | 10/20/2022 |
| Singapore | 9/24/2021 | $26,000 | 25 | 25 | 25 | $26,000 | 9/27/2021 |
| Slovakia | 8/27/2021 | $26,235 | 54 | 54 | 86 | $49,003 | 9/21/2021 |
| South Korea | 9/22/2021 | $158,957 | 521 | 521 | 630 | $419,291 | 10/13/2021 |
| Spain | 8/27/2021 | $367,384 | 293 | 293 | 895 | $1,105,915 | 9/24/2021 |
| Taiwan | 9/10/2021 | $46,000 | 91 | 91 | 91 | $46,000 | 10/20/2022 |
| Turkey | 8/27/2021 | $25,089 | 204 | 204 | 370 | $91,710 | 10/20/2022 |
| United Kingdom | 8/27/2021 | $1,529,000 | 605 | 617 | 2669 | $6,499,000 | 9/27/2021 |
| Uruguay | 9/3/2021 | $5,000 | 18 | 18 | 18 | $5,000 | 10/20/2022 |
| Rest of World | $3,692,177 | ||||||
| Worldwide Total | $77,386,663 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Yahya Abdul-Mateen II | Anthony McCoy |
Supporting Cast
| Teyonah Parris | Brianna Cartwright |
| Nathan Stewart-Jarrett | Troy Cartwright |
| Colman Domingo | William Burke |
| Kyle Kaminsky | Grady Greenberg |
| Vanessa Williams | Anne-Marie McCoy |
| Brian King | Clive Privler |
| Miriam Moss | Jerrica Cooper |
| Rebecca Spence | Finley Stephens |
| Carl Clemons-Hopkins | Jameson |
| Christiana Clark | Danielle Harrington |
| Michael Hargrove | Sherman Fields |
| Rodney L. Jones III | Billy |
| Heidi Grace Engerman | Haley |
| Ireon Roach | Trina |
| Breanna Lind | Annika |
| Malic White | Boof |
| Sarah Wisterman | Celine |
| Sarah Lo | Samantha |
| Mark Montgomery | Detective Lipez |
| Torrey Hanson | Jack Hyde |
| Cassie Kramer | Librarian |
| Cedric Mays | Gil Cartwright |
| Hannah Love Jones | Young Brianna |
| Genesis Denise Hale | Sabrina |
| J. Nicole Brooks | Dr. Collins |
| Pam Jones | Reporter Devlin Sharpe |
| Tien Tran | Jane Ji |
| Katherine Purdy | Haley’s Mom |
| Mike Geraghty | Police Officer Jones |
| Aaron Crippen | Police Officer Smith |
| Dan Fierro | Police Officer Rooney |
| Nancy Pender | TV News Anchor |
| Johnny Westmoreland | Samuel Evans |
| Guy Spencer | John Crawley |
| Daejon Staeker | “The Kid” |
| Graham Carlson | Video Installation Child |
| Teagan Crostreet | Video Installation Child |
| Chandlyr Davis | Video Installation Child |
| Jazlynn Givens | Video Installation Child |
| Teslyn Johnson | Video Installation Child |
| Danica Von Kampen | Video Installation Child |
| Avery Moss | Video Installation Child |
| Breje Odom | Video Installation Child |
| Brandon Pelayo | Video Installation Child |
| Nicholas Russell | Video Installation Child |
| Logan Vosburgh | Video Installation Child |
| Virginia Madsen | Helen Lyle |
| Tony Todd | Daniel Robitaille |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Nia DaCosta | Director |
| Jordan Peele | Screenwriter |
| Win Rosenfeld | Screenwriter |
| Clive Barker | Story by |
| Jordan Peele | Producer |
| Win Rosenfeld | Producer |
| Ian Cooper | Producer |
| Aaron L. Gilbert | Executive Producer |
| Jason Cloth | Executive Producer |
| David Kern | Executive Producer |
| Cara Brower | Production Designer |
| Catrin Hedstrom | Editor |
| Robert Aiki Aubrey Lowe | Composer |
| John Guleserian | Director of Photography |
| James McQuaide | Visual Effects Supervisor |
| Lizzie Cook | Costume Designer |
| Claire Simon | Casting Director |
| Christina Carotsis | Unit Production Manager |
| David Kern | Unit Production Manager |
| Adam Druxman | First Assistant Director |
| Dawn Terashima | Second Assistant Director |
| Brittany Klesic | Co-Producer |
| Daniel Larson | Associate Producer |
| Jami Primmer | Art Director |
| Arifa Chand | Set Designer |
| Lisa Korpan | Set Designer |
| Anita Gallo | Set Designer |
| Samia Malik | Set Designer |
| Ryan Watson | Set Decorator |
| J.T. Mueller | Sound Mixer |
| Ryan Evans | Special Effects Coordinator |
| Lana McAllister | Costume Supervisor |
| Aimee Lippert | Make up |
| J. Anthony Kosar | Special Make-up Effects |
| Jessi Dean | Hairstylist |
| Ryan Burrell | Hairstylist |
| Sarah Schooley | Script Supervisor |
| Nick Rafferty | Location Manager |
| Trudy Yee | First Assistant Editor |
| Michael Babcock | Re-recording Mixer |
| James McQuaide | Second Unit Director |
| Michael Babcock | Supervising Sound Editor |
| Michael Babcock | Sound Designer |
| Chris Diebold | Sound Designer |
| Larry Goeb | Dialogue Editor |
| Kevin Schultz | Foley Mixer |
| Cory Milano | Music Editor |
| Robert Aiki Aubrey Lowe | Score Producer |
| Randall Dunn | Score Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.