Spain Box Office for Todas somos Jane (2022)
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| Theatrical Performance (US$) | ||
| Spain Box Office | $42,139 | Details |
| Worldwide Box Office | $668,503 | Details |
| Further financial details... | ||
Synopsis
Chicago, 1968. As the city and the nation are poised on the brink of political upheaval, suburban housewife Joy leads an ordinary life with her husband and daughter. When Joy’s pregnancy leads to a life-threatening heart condition, she must navigate an all-male medical establishment unwilling to terminate her pregnancy in order to save her life. Her journey for a solution leads her to Virginia, an independent visionary fiercely committed to women’s health, and Gwen, an activist who dreams of a day when all women will have access to abortion, regardless of their ability to pay. Joy is so inspired by their work, she decides to join forces with them, putting every aspect of her life on the line.
Metrics
Movie Details
| Spain Releases: | August 4th, 2023 (Wide), released as Todas somos Jane |
| Video Release: | December 6th, 2022 by Lionsgate Home Entertainment |
| MPAA Rating: | R for some language and brief drug use. (Rating bulletin 2725 (cert #53683), 3/30/2022) |
| Running Time: | 121 minutes |
| Keywords: | Sundance Film Festival 2022, 1960s, Historical Drama, Abortion, Women’s Rights, Filmed in Hartford, CT. |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Ingenious Media, Robbie Brenner Productions, Protagonist Pictures, UTA Independent Film Group, First Generation Films, Redline Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: Prey for the Devil won’t challenge Black Adam at the top
October 28th, 2022
After a solid $67-million opening, Black Adam will continue at the top of the box office chart this weekend, even with a steep drop in its second outing. Prey for the Devil looks likely to finish in third place this weekend, although its box office prospects may improve a little as the weekend goes on and Halloween draws closer.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/08/04 | 14 | $18,677 | 42 | $445 | $18,677 | 1 | |
| 2023/08/11 | - | $6,016 | -68% | 23 | $262 | $42,139 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Croatia | 11/24/2022 | $1,181 | 18 | 18 | 18 | $1,181 | 12/2/2022 |
| Germany | 12/1/2022 | $0 | 0 | 0 | 0 | $0 | |
| Japan | 3/22/2024 | $0 | 0 | 0 | 0 | $0 | |
| North America | 10/28/2022 | $244,469 | 1,068 | 1,068 | 1,529 | $512,770 | |
| Portugal | 3/23/2023 | $3,122 | 20 | 20 | 20 | $3,122 | 3/28/2023 |
| Romania | 12/9/2022 | $27,144 | 22 | 22 | 41 | $30,012 | 1/11/2023 |
| Russia (CIS) | 11/10/2022 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 3/8/2023 | $9,203 | 68 | 68 | 90 | $28,930 | 3/22/2023 |
| Spain | 8/4/2023 | $18,677 | 42 | 42 | 65 | $42,139 | 8/17/2023 |
| Turkey | 12/2/2022 | $930 | 21 | 21 | 34 | $2,409 | 12/16/2022 |
| United Kingdom | 11/4/2022 | $47,940 | 243 | 243 | 243 | $47,940 | 11/9/2022 |
| Worldwide Total | $668,503 | 8/17/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Elizabeth Banks | Joy |
| Sigourney Weaver | Virginia |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Phyllis Nagy | Director |
| Hayley Schore | Screenwriter |
| Roshan Sethi | Screenwriter |
| Robbie Brenner | Producer |
| David Wulf | Producer |
| Kevin McKeon | Producer |
| Lee Broda | Producer |
| Claude Amadeo | Producer |
| Michael D’Alto | Producer |
| Peter Touche | Executive Producer |
| Christelle Conan | Executive Producer |
| Judy Bart | Executive Producer |
| Erica Kahn | Executive Producer |
| Chris Triana | Executive Producer |
| Randall B. Sandler | Executive Producer |
| Joseph Lanius | Executive Producer |
| Leal Naim | Executive Producer |
| Michelle Campbell Mason | Executive Producer |
| Jeffrey Hecktman | Executive Producer |
| Patricia Lawley | Executive Producer |
| Iris Smith | Executive Producer |
| Gretchen Sisson | Executive Producer |
| Amanda Kiely | Executive Producer |
| Tai Lopez | Executive Producer |
| Thomas R. Burke | Executive Producer |
| Jeff Rice | Executive Producer |
| Greta Zozula | Cinematographer |
| Jona Tochet | Production Designer |
| Julie Weiss | Costume Designer |
| Peter McNulty | Editor |
| Sheila Jaffe | Casting Director |
| Bryan Riley | Casting Director |