Lithuania Box Office for Čia buvo Brita Marija (2019)
![Britt-Marie var här](https://www.the-numbers.com/images/movies/opusdata/Britt-Marie-var-har-(Sweden)-(2019).jpg)
Theatrical Performance (US$) | ||
Lithuania Box Office | $5,994 | Details |
Worldwide Box Office | $74,039 | Details |
Further financial details... |
Synopsis
Britt-Marie, age 63, is suddenly reconsidering her purpose in life after she discovers her husband of 40 years has been cheating on her. Accepting a supremely unglamorous job at a ramshackle youth center in the backwater town of Borg, she reluctantly takes on the impossible task of coaching the children’s soccer team to victory. Despite having no experience and no resources, Britt-Marie is invigorated by the team's infectious energy and, for the first time maybe ever, allows herself to step out of her comfort zone—and into a potential romance with a charming local police officer.
Metrics
Movie Details
Lithuania Releases: | November 22nd, 2019 (Wide), released as Čia buvo Brita Marija |
Video Release: | January 14th, 2020 by Cohen Media Group |
MPAA Rating: | Not Rated |
Running Time: | 100 minutes |
Source: | Based on Fiction Book/Short Story |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | SF Studios, Film i Vast, TV4 Entertainment, Nordsvensk, Filmkameratene AS, Cohen Media Group |
Production Countries: | Sweden |
Languages: | Swedish |
Theater Averages: Where’s The $10,000 Club?
September 26th, 2019
The $10,000 Club didn’t have many members this week and none of them were really able to shine. Where’s My Roy Cohn? did the best with an average of $10,591 in four theaters. Meanwhile the overall number one film, Downton Abbey, was close behind with an average of $10,079.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/11/29 | 17 | $559 | 4 | $140 | $5,626 | 2 | |
2019/12/06 | 25 | $213 | -62% | 3 | $71 | $5,994 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Lithuania | 11/22/2019 | $0 | 0 | 4 | 7 | $5,994 | 12/10/2019 |
New Zealand | 7/30/2020 | $4,280 | 18 | 20 | 73 | $16,978 | 9/21/2020 |
North America | 9/20/2019 | $4,090 | 3 | 11 | 23 | $37,127 | |
Russia (CIS) | 3/8/2019 | $6,599 | 34 | 34 | 65 | $13,940 | 5/4/2019 |
Worldwide Total | $74,039 | 9/21/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Pernilla August | Britt-Marie |
Supporting Cast
Peter Haber | Kent |
Anders Mossling | Policeman/Sven |
Malin Levanon | Bank |
Stella Oyoko Bengtsson | Vega |
Lance Ncube | Sami |
Olle Sarri | Fredrik |
Vera Vitali | Anna |
Mahmut Suvakci | Memo |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tuva Novotny | Director |
Anders August | Screenwriter |
Øystein Karlsen | Screenwriter |
Jonas Alarik | Director of Photography |
Fredrik Backman | Story by |
Nicklas Wikstrom Nicastro | Producer |
Gustav Oldén | Producer |
Peter Possne | Co-Producer |
Jenny Stjernströmer Björk | Co-Producer |
Suzanne Glansborg | Co-Producer |
Josefine Tengblad | Co-Producer |
Per Bouveng | Co-Producer |
Fredrik Wikstrom | Executive Producer |
Annika Sucksdorff | Executive Producer |
John M. Jacobsen | Executive Producer |
Tuva Novotny | Screenwriter |
Morten Egholm | Editor |
Frederik Strunk | Editor |
Hakan Karlsson | Editor |