Portugal Box Office for Bring the Soul: The Movie (2019)

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Bring the Soul: The Movie
Theatrical Performance (US$)
Portugal Box Office $48,967Details
Worldwide Box Office $12,991,032Details
Further financial details...

Synopsis

The third film from BTS following 2018’s record breaking release of Burn the Stage the Movie, which reached a box office of $18.5m, cementing itself as the highest grossing global event cinema release of all time and 2019’s Love Yourself in Seoul, which brought fans together again to celebrate the most sought-after concert of 2018.

Metrics

Movie Details

Portugal Releases: August 2nd, 2019 (Wide)
MPAA Rating: Not Rated
Running Time: 103 minutes
Franchise: BTS
Keywords: Social and Cultural Documentary, Set in South Korea, Pop Music
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Big Hit Entertainment, Camp Entertainment
Production Countries: Republic of Korea
Languages: Korean

Theater Averages: Falcon Soars to Top Spot

August 15th, 2019

The Peanut Butter Falcon

It was a good weekend for limited releases, as three of them opened in the $10,000 club. This group was led by The Peanut Butter Falcon with an average of $12,047 in 17 theaters. This is not as high an average as we’ve seen from other limited releases this year, but it was playing in 17 theaters, which is a lot for an opening weekend. Jay Myself was the only holdover in the $10,000 club earning $10,828 in one theater. Up next was One Child Nation, which managed an average of $10,262 in two theaters, while After the Wedding was right behind with an average of $10,053 in five. More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/08/09 10 $22,444   8 $2,806   $37,649 2
2020/08/28 17 $931   3 $310   $48,967 57

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/2/2019 $0 0 82 110 $265,879 8/25/2019
Australia 8/2/2019 $0 0 106 176 $420,027 12/4/2020
Germany 8/9/2019 $453,970 0 0 0 $654,829 8/17/2019
Italy 8/7/2019 $260,083 0 0 0 $457,778 10/19/2022
New Zealand 8/7/2019 $46,116 30 30 35 $66,785 10/19/2022
North America 8/7/2019 $2,296,491 873 873 1,227 $4,809,800
Portugal 8/2/2019 $0 0 8 11 $48,967 9/1/2020
Russia (CIS) 8/7/2019 $344,430 458 458 636 $786,522 10/19/2022
South Korea 8/7/2019 $886,765 515 515 740 $2,458,037 9/2/2020
Spain 8/9/2019 $139,755 144 144 179 $361,688 8/22/2019
Turkey 8/7/2019 $48,345 172 172 289 $128,789 10/19/2022
United Kingdom 8/2/2019 $0 0 304 518 $910,540 9/2/2020
 
Rest of World $1,621,391
 
Worldwide Total$12,991,032 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Jun-Soo Park Director