Austria Box Office for BrightBurn (2019)
Theatrical Performance (US$) | ||
Austria Box Office | $125,949 | Details |
Worldwide Box Office | $33,183,640 | Details |
Home Market Performance | ||
North America DVD Sales | $1,512,086 | Details |
North America Blu-ray Sales | $3,164,985 | Details |
Total North America Video Sales | $4,677,071 | |
Further financial details... |
Synopsis
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?
Metrics
Movie Details
Production Budget: | $7,000,000 |
Austria Releases: | June 21st, 2019 (Wide) |
Video Release: | August 6th, 2019 by Sony Pictures Home Entertainment October 21st, 2019 by Sony Pictures |
MPAA Rating: | R for horror violence/bloody images, and language. (Rating bulletin 2572 (Cert #52113), 4/3/2019) |
Running Time: | 90 minutes |
Keywords: | Set in Kansas, Unexpected Families, Alien Encounters, Adopted Family, Scary Kids, Psychological Horror, Death of a Partner, Death of a Spouse or Fiancée / Fiancé, Familicide |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Super Hero |
Production/Financing Companies: | The H Collective, Troll Court Entertainment, Screen Gems, Stage 6 Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 20th, 2019
August 21st, 2019
I don’t like awarding the Pick of the Week to films only coming out on Video on Demand, but John Wick: Chapter 3 — Parabellum is the best release of the week and it isn’t even particularly close.
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Home Market Releases for August 6th, 2019
August 7th, 2019
Pokémon: Detective Pikachu is the biggest release of the week and it is also one of the best. Amazing Grace and Penguin Highway and better movies, but Pikachu is the only one of the three Pick of the Week contenders with significant extras on its DVD / Blu-ray release.
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Weekend Wrap-Up: Godzilla Tops Weekend Chart and Helps 2019 to Rare Win
June 4th, 2019
Godzilla: King of the Monsters didn’t live up to expectations, but it did well enough to earn first place on the weekend box office chart. King of the Monsters opened with $47.78 million, while Aladdin was right behind with $42.84 million. This helped the overall box office hold on a lot better than expected, down just 4.3% to $174 million, which is a fantastic hold for a post-holiday weekend. The box office was also a huge improvement from this weekend last year, up 63% in the year-over-year comparison. Year-to-date, 2019 has pulled in $4.54 billion, which is still 7.4% or $380 million behind last year’s pace, but a few more wins like this and that gap won’t seem so bad anymore. That said, as anyone who’s read our monthly preview will know, I’m not expecting too many weekends like this in June.
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Weekend Predictions: Will Godzilla Crush the Critics with a Massive Opening Weekend?
May 30th, 2019
Godzilla: King of the Monsters leads a trio of new releases hoping to make an impact at the box office this weekend. It will have no trouble earning first place and even the low-end of predictions are at $50 million. Rocketman has the best reviews of the week and it could continue the positive trend for musical biopics. Finally there’s MA, a psychological horror that could become a midlevel hit, but even if it fails to live up to expectations, it was inexpensive enough to break even. Meanwhile, Aladdin and John Wick: Chapter 3 - Parabellum will remain in the top five, while Avengers: Endgame could be one of six films earning more than $10 million over the weekend. This weekend last year, Adrift was the biggest new release opening with just $11.60 million, while Solo: A Star Wars Story was the number one film with $29.40 million. There should be three films that top Solo and as many as six that top Adrift. 2019 should come away with an easy win.
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Weekend Wrap-Up: Aladdin Earns $100 million Opening
May 28th, 2019
It was a great weekend for Aladdin and an okay weekend for the box office as a whole. Aladdin made more over the three-day portion of the weekend than most predicted it would make over four days. Unfortunately, not all of the rest of the films were able to pull their weight. The overall box office still grew 23% from last weekend reaching $181 million, but it slipped when compared to last year. Granted, it fell less than $1 million or 0.5% when compared to the same weekend last year, which is such a small gap that it is practically a tie. Year-to-date, 2019 has pulled in $4.31 billion, which is 9.2% or $440 million lower than 2018’s running tally of $4.75 million and this number needs to improve over the coming weeks.
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Weekend Estimates: Aladdin Goes Long with $86 million over Three-Day Weekend
May 26th, 2019
Aladdin’s box office continues to grow with Disney projecting $86.1 million over the three-day weekend, putting it on pace for $105 million including Monday. Its reviews are fine, but its A from CinemaScore is really telling a story here and it should lead to long legs, especially with school holidays starting soon. Internationally, the film earned $121.0 million, not including Monday, for a $207.1 million global debut. The film did okay in China with $18.7 million, but clearly the lack of nostalgia was hurting it here. The film was a much bigger hit in Mexico with $9.2 million, but it was also a smash in the U.K. ($8.4 million); Italy ($6.6 million); and others. More on that during our International Top Five column.
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Friday Estimates: Aladdin Has a Memorable Start with $31 Million
May 25th, 2019
Aladdin is looking stellar after a $31.0 million opening Friday. The film’s reviews are nothing special, but it scored an A from CinemaScore, so clearly audiences are loving the movie much more than critics did. The word-of-mouth should help its legs and this puts it on pace to top $100 million over the four-day weekend and even top last year’s top film, Solo: A Star Wars Story, with about $107 million. This is much better than most predictions and a return to form for live-action Disney remakes after Dumbo’s disappointing run earlier in the year. It could even help 2019 top 2018 in the year-over-year comparison, but that depends on the rest of the new releases and holdovers also matching or exceeding expectations. That doesn’t look as promising.
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Thursday Night Previews: Aladdin Opens with a Lucky $7 million - Update
May 24th, 2019
Aladdin got off to a great start, earning $7 million from previews last night. Granted, this is just half of what Solo: A Star Wars Story made during its previews last year. However, that film was the definition of the Fanboy Film, while Aladdin is clearly aimed at families and it should therefore have better legs as a result. We could also compare the film to Dumbo, which managed $2.6 million, or Beauty and the Beast with its $16.3 million in previews. If this film can have similar legs as those two films did, then it will have a great opening and top our prediction. Here’s hoping that’s the case.
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Weekend Predictions: Can Aladdin Grant the Box Office its Wish?
May 23rd, 2019
It’s Memorial Day long weekend, which is historically one of the biggest weekends of the year. However, this year there are not a lot of prime new releases to talk about. Aladdin is the only new release expected to become even a midlevel hit, while both Booksmart and Brightburn are expected to struggle in their counter-programming roles. The three new releases will be competing for spots in the top five with three holdovers, John Wick: Chapter 3 - Parabellum, Avengers: Endgame, and Pokémon: Detective Pikachu. That’s six films competing for five slots, so one of them will miss out. This weekend last year, Solo: A Star Wars Story led the way with $84.42 million over the three-day weekend. There are many who think Aladdin won’t make that much over four days. I’m a little more bullish than most, but I don’t think 2019 will get back in the winning column this weekend. Aladdin’s numbers haven’t picked up as they should have.
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2019 Preview: May
May 1st, 2019
April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall.
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Brightburn Trailer
January 14th, 2019
Super hero horror movie starring Elizabeth Banks, David Denman, and Jackson Dunn opens on May 24 ... Full Movie Details.
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/06/21 | - | $50,112 | 60 | $835 | $64,871 | 1 | |
2019/06/28 | - | $19,253 | -62% | 58 | $332 | $96,713 | 2 |
2019/07/05 | - | $8,969 | -53% | 56 | $160 | $115,642 | 3 |
2019/07/12 | - | $4,231 | -53% | 22 | $192 | $122,998 | 4 |
2019/07/19 | - | $233 | -94% | 4 | $58 | $123,766 | 5 |
2019/07/26 | - | $861 | +270% | 4 | $215 | $124,745 | 6 |
2019/08/02 | - | $403 | -53% | 3 | $134 | $125,216 | 7 |
2019/08/09 | - | $300 | -26% | 1 | $300 | $125,626 | 8 |
2019/08/16 | - | $323 | +8% | 2 | $162 | $125,949 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/23/2019 | $66,595 | 130 | 130 | 144 | $95,059 | 6/12/2019 |
Aruba | 5/23/2019 | $0 | 0 | 1 | 1 | $3,112 | 6/4/2019 |
Australia | 5/24/2019 | $521,957 | 247 | 247 | 633 | $1,118,262 | 7/3/2019 |
Austria | 6/21/2019 | $50,112 | 60 | 60 | 210 | $125,949 | 8/20/2019 |
Bahrain | 5/9/2019 | $0 | 0 | 2 | 2 | $49,111 | 6/7/2019 |
Belgium | 6/26/2019 | $47,476 | 30 | 30 | 86 | $104,217 | 7/24/2019 |
Bolivia | 5/23/2019 | $10,764 | 19 | 19 | 24 | $23,465 | 6/4/2019 |
Brazil | 5/23/2019 | $174,043 | 300 | 300 | 407 | $289,510 | 6/12/2019 |
Bulgaria | 5/10/2019 | $10,328 | 0 | 2 | 2 | $27,705 | 6/4/2019 |
Cambodia | 5/24/2019 | $13,572 | 63 | 63 | 106 | $21,812 | 6/12/2019 |
Central America | 5/23/2019 | $81,446 | 114 | 114 | 138 | $124,707 | 6/12/2019 |
Chile | 5/23/2019 | $45,615 | 47 | 47 | 58 | $66,578 | 6/12/2019 |
Colombia | 5/16/2019 | $0 | 0 | 15 | 15 | $174,584 | 5/29/2019 |
Croatia | 5/23/2019 | $18,960 | 60 | 60 | 100 | $35,971 | 6/18/2019 |
Curacao | 5/23/2019 | $1,967 | 3 | 3 | 7 | $4,601 | 6/12/2019 |
Czech Republic | 5/24/2019 | $38,078 | 112 | 112 | 166 | $72,001 | 10/19/2022 |
Denmark | 5/23/2019 | $26,565 | 45 | 45 | 80 | $74,832 | 6/18/2019 |
East Africa | 5/10/2019 | $0 | 0 | 1 | 2 | $1,374 | 6/4/2019 |
Ecuador | 5/23/2019 | $51,155 | 37 | 37 | 106 | $138,148 | 6/18/2019 |
Egypt | 6/12/2019 | $17,461 | 1 | 5 | 6 | $24,141 | 6/25/2019 |
Estonia | 5/24/2019 | $9,889 | 15 | 15 | 32 | $23,225 | 6/18/2019 |
France | 6/26/2019 | $418,302 | 221 | 221 | 657 | $1,054,761 | 7/24/2019 |
Germany | 6/20/2019 | $270,833 | 413 | 413 | 1275 | $585,590 | 8/11/2019 |
Ghana | 5/24/2019 | $683 | 4 | 4 | 8 | $1,187 | 6/4/2019 |
Greece | 5/23/2019 | $6,565 | 82 | 82 | 99 | $66,827 | 6/7/2019 |
Hong Kong | 5/23/2019 | $12,099 | 105 | 105 | 133 | $157,130 | 6/18/2019 |
Hungary | 5/9/2019 | $0 | 0 | 29 | 40 | $110,520 | 6/7/2019 |
Iceland | 5/22/2019 | $7,583 | 7 | 7 | 17 | $24,107 | 7/3/2019 |
India | 5/24/2019 | $85,778 | 266 | 266 | 277 | $124,443 | 6/4/2019 |
Indonesia | 5/10/2019 | $0 | 0 | 76 | 76 | $756,610 | 5/29/2019 |
Iraq | 5/9/2019 | $0 | 0 | 7 | 13 | $19,671 | 6/7/2019 |
Israel | 5/23/2019 | $34,317 | 18 | 18 | 48 | $81,363 | 7/3/2019 |
Italy | 5/23/2019 | $282,966 | 0 | 16 | 23 | $502,399 | 7/3/2019 |
Jamaica | 5/24/2019 | $3,120 | 1 | 1 | 1 | $3,120 | 5/29/2019 |
Japan | 11/15/2019 | $328,852 | 0 | 0 | 0 | $454,661 | 11/24/2019 |
Jordan | 5/9/2019 | $0 | 0 | 3 | 3 | $15,741 | 6/4/2019 |
Kenya | 5/24/2019 | $1,552 | 13 | 13 | 21 | $2,838 | 6/12/2019 |
Kuwait | 6/13/2019 | $41,951 | 10 | 10 | 13 | $70,581 | 6/25/2019 |
Latvia | 5/24/2019 | $6,264 | 9 | 9 | 23 | $18,946 | 7/16/2019 |
Lebanon | 5/9/2019 | $0 | 0 | 5 | 8 | $30,870 | 6/4/2019 |
Lithuania | 5/24/2019 | $9,709 | 80 | 80 | 96 | $20,901 | 10/19/2022 |
Malaysia | 5/9/2019 | $0 | 0 | 140 | 145 | $325,212 | 6/4/2019 |
Mexico | 5/17/2019 | $757,635 | 0 | 248 | 259 | $1,606,989 | 6/12/2019 |
Middle East Region | 6/13/2019 | $101,538 | 6 | 6 | 7 | $193,811 | 6/25/2019 |
Netherlands | 5/24/2019 | $125,197 | 62 | 62 | 175 | $296,298 | 6/25/2019 |
New Zealand | 5/23/2019 | $44,945 | 41 | 41 | 91 | $102,308 | 6/18/2019 |
Nigeria | 5/24/2019 | $4,412 | 40 | 40 | 77 | $14,987 | 6/12/2019 |
North America | 5/24/2019 | $7,845,658 | 2,607 | 2,607 | 6,629 | $17,259,427 | 5/12/2020 |
Norway | 5/24/2019 | $49,960 | 102 | 102 | 102 | $49,960 | 5/29/2019 |
Oman | 5/9/2019 | $0 | 0 | 2 | 4 | $21,053 | 6/4/2019 |
Pakistan | 5/17/2019 | $0 | 0 | 14 | 24 | $11,048 | 6/12/2019 |
Paraguay | 5/23/2019 | $531 | 13 | 13 | 16 | $10,044 | 10/19/2022 |
Peru | 5/16/2019 | $0 | 0 | 18 | 19 | $209,625 | 6/7/2019 |
Philippines | 5/29/2019 | $84,693 | 146 | 146 | 150 | $106,742 | 6/12/2019 |
Poland | 5/24/2019 | $50,944 | 105 | 105 | 271 | $132,577 | 10/19/2022 |
Portugal | 5/24/2019 | $38,859 | 42 | 42 | 114 | $97,401 | 10/19/2022 |
Qatar | 6/13/2019 | $22,025 | 12 | 12 | 13 | $31,545 | 6/25/2019 |
Romania | 5/10/2019 | $0 | 0 | 42 | 93 | $155,280 | 7/10/2019 |
Russia (CIS) | 5/23/2019 | $764,315 | 905 | 905 | 1877 | $1,398,331 | 6/26/2019 |
Serbia and Montenegro | 5/23/2019 | $10,253 | 29 | 29 | 60 | $22,293 | 7/10/2019 |
Singapore | 5/9/2019 | $0 | 0 | 5 | 6 | $158,499 | 6/4/2019 |
Slovakia | 5/17/2019 | $20,939 | 64 | 64 | 113 | $47,670 | 6/4/2019 |
Slovenia | 5/23/2019 | $7,676 | 13 | 13 | 29 | $13,531 | 6/18/2019 |
South Africa | 5/31/2019 | $13,558 | 23 | 23 | 47 | $34,525 | 6/25/2019 |
South Korea | 5/23/2019 | $406,768 | 509 | 509 | 546 | $670,974 | 6/26/2019 |
Spain | 5/24/2019 | $398,937 | 290 | 318 | 948 | $1,180,154 | 7/31/2019 |
Suriname | 5/23/2019 | $947 | 1 | 1 | 3 | $2,889 | 6/12/2019 |
Sweden | 5/24/2019 | $61,003 | 115 | 115 | 202 | $138,396 | 7/3/2019 |
Switzerland | 6/20/2019 | $27,036 | 25 | 27 | 79 | $72,383 | 8/14/2019 |
Syria | 5/9/2019 | $0 | 0 | 1 | 2 | $2,430 | 6/4/2019 |
Taiwan | 8/7/2019 | $58,858 | 67 | 67 | 115 | $138,194 | 8/28/2019 |
Thailand | 8/22/2019 | $104,026 | 94 | 94 | 182 | $361,753 | 10/19/2022 |
Trinidad | 5/22/2019 | $15,889 | 13 | 13 | 27 | $31,535 | 6/12/2019 |
Ukraine | 5/23/2019 | $76,735 | 241 | 241 | 400 | $129,270 | 6/12/2019 |
United Arab Emirates | 5/9/2019 | $0 | 0 | 9 | 12 | $192,190 | 6/4/2019 |
United Kingdom | 6/19/2019 | $646,634 | 451 | 451 | 934 | $1,156,178 | 7/24/2019 |
Uruguay | 5/23/2019 | $4,661 | 13 | 13 | 21 | $8,244 | 7/16/2019 |
Venezuela | 5/24/2019 | $4,404 | 47 | 47 | 74 | $10,904 | 6/18/2019 |
Rest of World | $88,360 | ||||||
Worldwide Total | $33,183,640 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jackson Dunn | Brandon Breyer/Brightburn |
Supporting Cast
Elizabeth Banks | Mrs. Breyer |
David Denman | Mr. Breyer |
Matt Jones | Noah McNichol |
Meredith Hagner | Merilee McNichol |
Becky Wahlstrom | Erica |
Emmie Hunter | Caitlyn |
Gregory Alan Williams | Chief Deputy Deever |
Annie Humphrey | Deputy Ayres |
Jennifer Abu Hollander | Ms. Espenschied |
Terence Rosemore | P.E. Teacher |
Elizabeth Becka | Principal |
Steve Agee | EJ |
Stephen Blackehart | Travis |
Michael Dunston | Reporter |
Christian Finlayson | Fauxhawk |
Michael Rooker | The Mr T |
Gwen Parrish | Middle School Kid |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
David Yarovesky | Director |
Brian Gunn | Screenwriter |
Mark Gunn | Screenwriter |
James Gunn | Producer |
Kenneth Huang | Producer |
Brian Gunn | Executive Producer |
Mark Gunn | Executive Producer |
Dan Clifton | Executive Producer |
Nic Crawley | Executive Producer |
Simon Hatt | Executive Producer |
Kenneth Huang | Executive Producer |
Matthew Medlin | Co-Producer |
Michael Dallatorre | Director of Photography |
Patrick M. Sullivan, Jr. | Production Designer |
Andrew S. Eisen | Editor |
Peter Gvozdas | Editor |
Rich Delia | Casting Director |
Tim Williams | Composer |
Trygge Toven | Music Supervisor |
Shannon Murphy | Music Supervisor |
Autumn Steed | Costume Designer |
Dan Clifton | Unit Production Manager |
Jacques Terblanche | First Assistant Director |
Gene M. Smith | Second Assistant Director |
Ali Jazayeri | Executive Producer |
David Gendron | Executive Producer |
Tessie Groff | Associate Producer |
Lonnie R. Smith | Stunt Coordinator |
Christian Snell | Art Director |
Kassandra Deangelis | Set Decorator |
Erik H. Magnus | Sound Mixer |
Won Chung | Production Supervisor |
Jana Davis | Script Supervisor |
Michael Woodruff | Location Manager |
Melanie DeForrest | Key Make Up Artist |
Briky Stone | Make up |
Jack Lazzaro | Make up |
Anna Quinn | Hairstylist |
Heather M. Morris | Hairstylist |
Renee Minasian | Post-Production Supervisor |
Robert Lee | First Assistant Editor |
Yu Jung Hou | First Assistant Editor |
P.K. Hooker | Supervising Sound Editor |
P.K. Hooker | Sound Designer |
Ken McGill | Sound Effects Editor |
Andrew Twite | Sound Effects Editor |
Trevor Gates | Sound Effects Editor |
Diego Perez | Sound Editor |
Rustam Gimadiev | Foley Mixer |
Sergey Timoschuk | Foley Editor |
Andrey Medvedkov | Foley Editor |
Tom Myers | Re-recording Mixer |
Nicholas Cochran | Re-recording Mixer |
Nate Hill | Music Editor |
Dietrich Hasse | Visual Effects Supervisor |
Christine Resch | Visual Effects Producer |
Franzisca Puppe | Visual Effects Producer |
Claudius Urban | Animation Supervisor |
Marc Steinberg | Visual Effects Producer |
Alan Meyerson | Score Mixer |
Gordon Davidson | Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.