Australia Box Office for My Hero Academia: Two Heros (2018)
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| Theatrical Performance (US$) | ||
| Australia Box Office | $280,650 | Details |
| Worldwide Box Office | $27,507,549 | Details |
| Home Market Performance | ||
| North America DVD Sales | $737,412 | Details |
| North America Blu-ray Sales | $4,548,532 | Details |
| Total North America Video Sales | $5,285,944 | |
| Further financial details... | ||
Metrics
Movie Details
| Australia Releases: | September 28th, 2018 (Wide), released as My Hero Academia: Two Heros |
| Video Release: | March 26th, 2019 by Funimation Productions |
| MPAA Rating: | PG-13 for some violent material/bloody images. (Rating bulletin 2572 (Cert #52132), 4/3/2019) |
| Running Time: | 96 minutes |
| Franchise: | My Hero Academia |
| Keywords: | Anime, Scene in End Credits, Surprise Twist, Inventor, Hostage, Terrorism, Super Villains, Action Adventure |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Home Market Releases for April 9th, 2019
April 11th, 2019
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We’ve hit the summer doldrums on the home market, as there are no major winter releases that haven’t come out and none of 2019’s early releases were amazing, so there’s going to be a large gap between monster hits. One of the biggest hits is On the Basis of Sex, which is also one of the best. Another contender for Pick of the Week is Mirai while last week’s Archer: The Complete Season Nine: Danger Island would have been a contender last week, if the screener had arrived on time. In the end, it wasn’t a particularly close race and the Oscar-nominated movie won.
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Home Market Releases for March 26th, 2019
March 27th, 2019
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It is an amazing week for home releases. Not only do we have the biggest hit of last winter on this week’s list, but Aquaman is actually worth owning. That’s only the second time I can say that about the D.C.E.U. Additionally, there are a huge number of contenders for Pick of the Week, ranging from Oscar contenders (If Beale Street Could Talk on Blu-ray Combo Pack); limited releases (The Miseducation of Cameron Post: Special Edition Blu-ray); animated imports (My Hero Academia: Two Heroes on Blu-ray); TV movie aimed at teens (Kim Possible on DVD); and classics (For A Few Dollars More: Special Edition Blu-ray). It was an exceptionally close call, but in the end, I went with If Beale Street Could Talk.
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Theater Averages: Free Doesn’t Go Solo
October 3rd, 2018
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Free Solo didn’t quite live up to weekend estimates, but it still overtook Eighth Grade for the best theater average of the year with $72,551. It also surpassed An Inconvenient Truth as the documentary with the best theater average of all time. The Old Man and the Gun was in a distant second place with an average of $28,426 in five theaters, while Matangi/Maya/M.I.A. was close behind with an average of $21,787 in two. The only holdover in the $10,000 club was Colette with an average of $10,172 in 38 theaters. It will continue to expand.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/09/28 | 13 | $159,721 | 61 | $2,618 | $159,721 | 1 | |
| 2018/10/05 | - | $31,496 | -80% | 37 | $851 | $253,654 | 2 |
| 2018/10/12 | - | $2,966 | -91% | 3 | $989 | $272,728 | 3 |
| 2018/10/19 | - | $1,032 | -65% | 2 | $516 | $275,180 | 4 |
| 2018/11/09 | - | $1,095 | 1 | $1,095 | $280,650 | 7 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 12/7/2018 | $23,299 | 22 | 22 | 22 | $50,294 | 1/5/2019 |
| Australia | 9/28/2018 | $159,721 | 61 | 61 | 104 | $280,650 | 11/13/2018 |
| China | 3/15/2019 | $8,198 | 0 | 43808 | 43808 | $5,779,149 | 4/19/2019 |
| Italy | 3/23/2019 | $346,712 | 0 | 0 | 0 | $381,616 | 4/1/2019 |
| Japan | 8/3/2018 | $2,580,856 | 0 | 0 | 0 | $8,242,562 | 8/16/2018 |
| Mexico | 11/30/2018 | $335,017 | 0 | 0 | 0 | $335,017 | 12/3/2018 |
| Netherlands | 6/12/2020 | $10,561 | 32 | 32 | 32 | $10,561 | 10/19/2022 |
| New Zealand | 10/18/2018 | $0 | 0 | 1 | 1 | $42,375 | 10/1/2019 |
| North America | 9/25/2018 | $1,388,500 | 508 | 515 | 508 | $5,427,591 | |
| South Korea | 5/16/2019 | $63,245 | 85 | 85 | 166 | $136,289 | 6/13/2019 |
| United Kingdom | 12/4/2018 | $0 | 0 | 0 | 0 | $0 | |
| Rest of World | $6,821,445 | ||||||
| Worldwide Total | $27,507,549 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
| Kenji Nagasaki | Director |
| Yōsuke Kuroda | Screenwriter |
| Kōhei Horikoshi | Story Creator |