Sweden Box Office for Blindspotting (2018)

← Go to main Blindspotting page

Blindspotting
Theatrical Performance (US$)
Sweden Box Office $23,054Details
Worldwide Box Office $4,985,354Details
Home Market Performance
North America DVD Sales $61,308 Details
North America Blu-ray Sales $56,523 Details
Total North America Video Sales $117,831
Further financial details...

Synopsis

Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.

Metrics

Movie Details

Sweden Releases: December 7th, 2018 (Wide)
Video Release: November 6th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for language throughout, some brutal violence, sexual references and drug use.
(Rating bulletin 2529 (Cert #51468), 5/30/2018)
Running Time: 95 minutes
Keywords: Buddy Comedy, Probation Officer, Life on the Outside, Childhood Friends, Police Shooting, On Probation, Race Relations, Hood Film, Set in Oakland, CA, Sundance Film Festival 2018
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Snoot Entertainment, Codeblack Films, Summit Entertainment
Production Countries: United States
Languages: English

Featured Blu-ray and DVD Review: The Hate U Give

January 22nd, 2019

The Hate U Give

The Hate U Give opened in limited release in October and while it never reached the top five, it did very well at the box office. Its reviews are 97% positive, but it hasn’t gone anywhere during Awards Season. Does it deserve more? Or is it busted Oscar-bait? More...

2018 Awards Season: DGA - Nominations

January 9th, 2019

A Star is Born

Directors Guild of America announced their theatrical nominations this week and we are starting to see some real patterns emerge and I think the Oscar picture is getting clearer. More...

Home Market Releases for November 20th, 2018

November 20th, 2018

Crazy Rich Asians

This Friday is Black Friday, one of the biggest shopping days of the year. However, while there will be tons of sales, DVDs and Blu-rays that come out on Tuesday tend not to be part of the sales, because they have only been out for a few days. Because of this, it is usually a slow week on the home market. This is certainly true this year, as there’s only one significant first-run release, Crazy Rich Asians (Buy from Amazon). On the positive side, it is a pick of the week contender. Its only competition for that title is the Criterion Collection release for Some Like it Hot (Buy from Amazon). It was close, but in the end I went with Crazy Rich Asians. On a side note, both are lucky they are in competition for Pick of the Week, as it was going to be K-ON Complete Collection Premium Box Set, but it got pushed back from this week till February. I pre-ordered it in July and I’ve been waiting a long, long time for this box set. More...

2018 - Awards Season: Independent Spirit Awards - Nominations

November 17th, 2018

We The Animals

The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio. More...

Theater Averages: Wife has a Blazing Hot Start

August 22nd, 2018

The Wife

The Wife topped the theater average chart over the weekend with an average of $27,071 in four theaters. The film’s reviews are amazing and Glenn Close is earning some Oscar buzz, so perhaps it will stick around for a while. We the Animals was next with an average of $21,119 in three theaters. Blaze was also playing in three theaters earning an average of $14,750. More...

Theater Averages: Getting Smarter

August 9th, 2018

The Miseducation of Cameron Post

The Miseducation of Cameron Post was the only film in the $10,000 club this past weekend earning an average of $24,319 in two theaters. More...

Theater Averages: Documentaries Remain in Fashion

August 2nd, 2018

Scotty and the Secret History of Hollywood

Scotty and the Secret History of Hollywood dominated the theater average chart earning first place with $28,144 in one theater. The next closest film was a fellow documentary, McQueen, which earned an average of $16,692 in five theaters during its second weekend of release. The overall number one film, Mission: Impossible—Fallout, was next with an average of $13,962. The final film in the $10,000 club was Puzzle, with an average of $12,243 in five theaters.

More...

2018 Preview: August

August 1st, 2018

Christopher Robin

Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month. More...

Theater Averages: Eighth Grade Repeats a Grade

July 25th, 2018

Eighth Grade

Eighth Grade remained on top of the theater average chart with an average of $24,975 in 33 theaters over the weekend. McQueen and Blindspotting were right behind with averages of $24,718 and $24,024 in 4 and 14 theaters respectively. The re-release of Wanda opened with $10,679 in one theater. The two wide releases of the week were next with The Equalizer 2 and Mamma Mia: Here We Go Again! in a virtual tie at $10,629 and $10,537 respectively. More...

Weekend Estimates: Equalizer more than Equals Mamma Mia

July 22nd, 2018

The Equalizer 2

In a shocking turn of events, The Equalizer 2 overtook Mamma Mia: Here We Go Again! over the weekend with $35.83 million. This is better than predicted and is better than the original managed. Its reviews are not great, but it earned an A from CinemaScore and it is aimed at a more mature target audience, so it should have better than average legs. We will have a better picture this time next week. Internationally, the film managed $3.3 million on 704 screens in 11 markets, including $2.2 million in Australia. The film first didn’t do great internationally, so while this is a 30% improvement, it is still nothing special. More...

Limited and VOD Releases: Some Promising Limited Releases are Ready to Bloom

July 20th, 2018

Maquia: When The Promised Flower Blooms

It is not a busy week for limited releases, but the majority of the ones on the main list are worth checking out. I think Blindspotting has the best shot at box office success, but personally I’m most interested in seeing Maquia: When The Promised Flower Blooms. More...

Blindspotting Trailer

July 2nd, 2018

Drama written by, and starring Daveed Diggs and Rafael Casal opens July 20, expands wide August 10 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/12/07 - $7,457   10 $746   $7,457 1
2019/01/04 - $955   3 $318   $22,339 5
2019/01/11 - $477 -50% 0     $23,054 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 10/4/2018 $7,818 26 26 28 $13,394 10/26/2018
Croatia 8/23/2018 $0 0 4 4 $22,152 1/1/2019
Ecuador 9/21/2018 $3,178 9 9 9 $7,426 1/1/2019
France 10/5/2018 $68,410 33 33 43 $127,305 10/26/2018
Greece 10/25/2018 $0 0 1 1 $7,691 11/22/2018
Japan 8/30/2019 $23,032 0 7 23 $143,402 1/29/2020
Mexico 10/5/2018 $41,051 26 26 29 $48,862 10/26/2018
North America 7/20/2018 $338,999 14 523 1,406 $4,333,394
Portugal 7/27/2018 $5,077 15 15 29 $12,876 1/17/2019
South Africa 1/4/2019 $15,851 38 38 81 $34,609 1/24/2019
Sweden 12/7/2018 $7,457 10 10 13 $23,054 1/18/2019
Taiwan 9/21/2018 $9,125 15 15 15 $21,312 10/12/2018
Thailand 10/18/2018 $3,536 12 12 12 $3,536 10/26/2018
United Kingdom 10/5/2018 $36,985 33 33 39 $87,121 11/16/2018
 
Rest of World $99,220
 
Worldwide Total$4,985,354 1/29/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Daveed Diggs Collin
Rafael Casal Miles

Supporting Cast

Janina Gavankar Val
Jasmine Cephas-Jones Ashley
Ethan Embry Officer Molina
Tisha Campbell-Martin Mama Liz
Utkarsh Ambudkar Rin
Wayne Knight Patrick
Kevin Carroll James
Nyambi Nyambi Yorkie
Jon Chaffin Dezz
Margo Hall Nancy
Ziggy Baitinger Sean “Ziggy” Jones
Leland Orser Judge
Travis Parker Randall Marshall
Lance Cameron Holloway Curtis “Cuttie” Cutworth
Justin Chu Cary Tin
Casey Adams Chet
Michael Rhys Kan Marty
Justin Liu Jimmy
Aviel Ayoung Terry
Rolanda D. Bell Nak
John Moeslein Sid
Sarah Kay Angela
George Watsky Tanner
Kendra Andrews Rachel Molina
E. Ambriz DeColosio Tel
Zack Duhame Officer Farmer
Amanda Encelan Tina
Rahul Gupta Clerk
Matt McAbee Eddie
Cameron Foxly Tall Biker
Luis Carlos Munoz Officer in Car
Chris Harding Bunny Skylar

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Carlos Lopez Estrada Director
Rafael Casal Screenwriter
Daveed Diggs Screenwriter
Jessica Calder Producer
Keith Calder Producer
Rafael Casal Producer
Daveed Diggs Producer
Chris Harding Co-Producer
Geoffrey Quan Co-Producer
Robby Baumgartner Director of Photography
Tom Hammock* Production Designer
Gabriel Fleming Editor
Jonathan McHugh Music Supervisor
Michael Yezerski Composer
Emily Batson Costume Designer
Kimberly R. Hardin Casting Director
Nina Henninger Casting Director
Clayton Barber Supervising Stunt Coordinator
Casey Adams Stunt Coordinator
Matt Berberi Stunt Coordinator
Marc Kelly Production Supervisor
La Mar Stewart Assistant Director
Susie Alegria Art Director
Alexandra Brandenburg Set Decorator
Alyssa Tull Costume Supervisor
Galaxy San Juan Hairstylist
Chelsea Orduno Make up
Betty Austin Script Supervisor
Brian Copenhagen Sound Mixer
Scott Kinzey Sound Mixer
Ryan Wylie Location Manager
Matt Heron Special Effects Supervisor
Tarek Karkoutly Assistant Editor
Leo Chan Assistant Editor
Andy Hay Supervising Sound Editor
Jeffrey A. Pitts Sound Designer
Jesse Pomeroy Dialogue Editor
Lesley Langs Music Editor
Andy Hay Re-recording Mixer
Drew Webster Re-recording Mixer
Johnny Han Visual Effects Executive Producer
Takashi Takeoka Visual Effects Supervisor
Jonathan Snipes Additional Music
Michael Yezerski Score Producer
Rafael Casal Score Producer
Daveed Diggs Score Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.