Netherlands Box Office for Beautiful Boy (2018)
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| Theatrical Performance (US$) | ||
| Netherlands Box Office | $843,048 | Details |
| Worldwide Box Office | $17,326,032 | Details |
| Further financial details... | ||
Synopsis
The heartbreaking and inspiring experience of survival and recovery in a family coping with addiction over many years.
Metrics
Movie Details
| Production Budget: | $25,000,000 |
| Netherlands Releases: | November 30th, 2018 (Wide) |
| Video Release: | January 3rd, 2019 by Prime Video |
| MPAA Rating: | R for drug content throughout, language, and brief sexual material. (Rating bulletin 2519 (Cert #51526), 3/21/2018) |
| Running Time: | 112 minutes |
| Keywords: | Addiction, Rehab / Former Addict, Same Role, Multiple Actors, Off the Wagon / Relapse, Biographical Drama, Biography |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Plan B Entertainment, Amazon Studios |
| Production Countries: | United States |
| Languages: | English |
2018 - Awards Season: BAFTA - Nominations
January 12th, 2019
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The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here.
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Theater Averages: Everyone is Talking about Beale Street
December 19th, 2018
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There was only one new release in the $10,000 club this past weekend. If Beale Street Could Talk opened with an average of $56,119 in four theaters. The only other member of the $10,000 club was Mary Queen of Scots, with an average of $10,602 in 66 theaters during its second week of release. It will continue to expand, but it very likely won’t expand even semi-wide.
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2018 - Awards Season: SAG - Nominations
December 12th, 2018
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The Screen Actors Guild were the third group to announce their nominations for this awards season. There’s not a lot of surprises on this week’s list. A Star is Born led the way with four nominations, while The Favourite was right behind with three.
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2018 - Awards Season: Golden Globes - Nominations
December 6th, 2018
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The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced.
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Theater Averages: Gate Begins Eternity on Top
November 20th, 2018
At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday.
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Theater Averages: Chef is in Like Flynn
November 14th, 2018
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Chef Flynn debuted on top spot on the theater average chart with $29,869 in one theater. The overall box office chart leader, Dr. Seuss’ The Grinch, was next with an average of $16,318. The Front Runner followed with an average of $12,886 over the weekend. The film opened on Tuesday, which obviously had some negative effect of its weekend number, but even the full six-day result of $71,742 / $17,936 average isn’t enough to warrant a full wide expansion. El Angel was the final film in the $10,000 club with an average of $11,674 in two theaters.
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Theater Averages: Boy Erased Writes its Way to the Top
November 7th, 2018
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Boy Erased led the way on the theater average chart earning an average of $41,411 in five theaters. This was nearly three times the second place film, A Private War, which earned an average of $15,123 in four theaters. The only other film in the $10,000 club was the overall box office leader, Bohemian Rhapsody, with an average of $12,765.
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Theater Averages: Suspiria Surprises with Yearly Best Average
October 31st, 2018
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Suspiria led the theater average chart both over the weekend and for the year earning just over $180,000 in two theaters for an average of $92,019. This tops the previous average of $73,572 by Free Solo, although that movie was playing in four theaters. Up next was Can You Ever Forgive Me? with an average of $14,255 in 25 theaters during its second weekend of release. A couple of foreign-language films were next with Burning earning an average of $13,066 in two theaters and Border earning an average of $10,529 in seven.
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Theater Averages: Beautiful Start
October 17th, 2018
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Beautiful Boy had the best theater average of the weekend and the fourth best average for a limited release this year at $54,722 in four theaters. However, its reviews are well below what limited releases normally need to thrive, so I’m worried about its legs going forward. The only other film in the $10,000 club was Charm City, which opened with $10,511 in its lone theater.
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Limited and VOD Releases: Limited Releases Have Something to Teach Us
October 12th, 2018
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It’s an odd week for limited releases and I’m not sure any of them will have a real shot at box office success. There are some, like After Everything, that are earning excellent reviews, but are playing on VOD. There are others, like Beautiful Boy, that were earning loud pre-release buzz, but failed to live up to the hype with critics. I think The Kindergarten Teacher might have a shot at box office success, but I’m also hoping Liyana beats expectations.
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Beautiful Boy Trailer
June 27th, 2018
Real-life drama starring Steve Carell and Timothée Chalamet opens October 12 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/11/30 | 9 | $129,124 | 50 | $2,582 | $181,128 | 1 | |
| 2018/12/07 | 11 | $107,272 | -17% | 53 | $2,024 | $348,995 | 2 |
| 2018/12/14 | 15 | $61,408 | -43% | 46 | $1,335 | $447,835 | 3 |
| 2018/12/21 | 22 | $46,138 | -25% | 39 | $1,183 | $527,723 | 4 |
| 2018/12/28 | 20 | $60,874 | +32% | 32 | $1,902 | $612,575 | 5 |
| 2019/01/04 | 25 | $46,907 | -23% | 30 | $1,564 | $678,745 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 2/1/2019 | $28,475 | 40 | 40 | 58 | $48,784 | 6/2/2019 |
| Australia | 10/19/2018 | $1,931 | 4 | 73 | 382 | $305,695 | 2/16/2019 |
| Brazil | 2/14/2019 | $0 | 0 | 65 | 96 | $67,986 | 3/30/2019 |
| Czech Republic | 1/4/2019 | $22,732 | 32 | 32 | 53 | $45,335 | 1/15/2019 |
| France | 2/1/2019 | $0 | 0 | 157 | 513 | $534,264 | 6/14/2019 |
| Germany | 1/25/2019 | $74,693 | 62 | 67 | 247 | $274,141 | 3/9/2019 |
| Italy | 6/13/2019 | $79,051 | 0 | 9 | 11 | $162,710 | 10/19/2022 |
| Japan | 4/12/2019 | $0 | 0 | 27 | 81 | $597,470 | 8/2/2019 |
| Lithuania | 4/5/2019 | $1,649 | 6 | 6 | 14 | $4,130 | 7/10/2019 |
| Mexico | 3/8/2019 | $176,106 | 0 | 25 | 41 | $521,238 | 4/19/2019 |
| Netherlands | 11/30/2018 | $129,124 | 50 | 53 | 455 | $843,048 | 4/19/2019 |
| North America | 10/12/2018 | $218,888 | 4 | 1,052 | 3,474 | $7,634,767 | 8/22/2023 |
| Poland | 1/4/2019 | $130,234 | 75 | 80 | 379 | $585,648 | 4/6/2019 |
| Portugal | 11/23/2018 | $746 | 1 | 20 | 55 | $80,893 | 6/11/2019 |
| Russia (CIS) | 1/25/2019 | $28,163 | 90 | 90 | 157 | $62,841 | 3/15/2019 |
| Slovakia | 1/11/2019 | $5,499 | 13 | 13 | 13 | $5,887 | 1/15/2019 |
| South Korea | 9/19/2019 | $31,046 | 116 | 116 | 142 | $83,329 | 10/2/2019 |
| Spain | 3/15/2019 | $45,129 | 48 | 48 | 104 | $114,795 | 4/13/2019 |
| Taiwan | 12/7/2018 | $0 | 0 | 1 | 1 | $26,709 | 1/4/2019 |
| Turkey | 3/15/2019 | $10,715 | 53 | 53 | 94 | $33,694 | 4/12/2019 |
| United Kingdom | 1/18/2019 | $466,119 | 124 | 208 | 703 | $1,281,198 | 4/6/2019 |
| Rest of World | $4,011,470 | ||||||
| Worldwide Total | $17,326,032 | 8/22/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Steve Carell | David Sheff |
| Timothée Chalamet | Nic Sheff |
Supporting Cast
| Maura Tierney | Karen Barbour |
| Amy Ryan | Vicki Sheff |
| Kaitlyn Dever | Lauren |
| Andre Royo | Spencer |
| Timothy Hutton | Dr. Brown |
| LisaGay Hamilton | Rose |
| Amy Forsyth | Diane |
| Stephanie Scott | Julia |
| Jack Dylan Grazer | 12 year old Nic Sheff |
| Zachary Rifkin | 8 year old Nic Sheff |
| Kue Lawrence | 4 and 6 year old Nic Sheff |
| Christian Convery | Jasper Sheff |
| Oakley Bull | Daisy Sheff |
| Stefanie Scott | Julia |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Felix Van Groeningen | Director |
| Felix Van Groeningen | Screenwriter |
| Luke Davies | Screenwriter |
| David Sheff | Based on the book “Beautiful Boy: A Father’s Journey Through His Son's Addiction” |
| Nic Sheff | Based on “Tweak: Growing Up on Methamphetamine” |
| Dede Gardner | Producer |
| Jeremy Kleiner | Producer |
| Brad Pitt | Producer |
| Nan Morales | Executive Producer |
| Sarah Esberg | Executive Producer |
| Ruben Impens | Director of Photography |
| Ethan Tobman | Production Designer |
| Nico Leunen | Editor |
| Emma Potter | Costume Designer |
| Gabe Hilfer | Music Supervisor |
| Francine Maisler | Casting Director |
| Ernie Avila | Set Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.