South Korea Box Office for The Beatles: Eight Days A Week – The Touring Years (2016)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $122,631 | Details |
| Worldwide Box Office | $10,083,154 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,809,200 | Details |
| North America Blu-ray Sales | $4,545,487 | Details |
| Total North America Video Sales | $6,354,687 | |
| Further financial details... | ||
Synopsis
We all know the moment. February 9th, 1964, 8:12pm EST—after a brief commercial break—four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever. Seventy-three million people watched The Beatles perform that night, the largest audience in television history. It was an event that united a nation and signaled the birth of youth culture as we know it today. But while this single performance introduced The Beatles to America, what the band did next would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture…
Metrics
Movie Details
| South Korea Releases: | October 10th, 2016 (Limited), released as The Beatles: Eight Days A Week – The Touring Years |
| Video Release: | November 18th, 2016 by Universal Home Entertainment |
| MPAA Rating: | Not Rated |
| Running Time: | 138 minutes |
| Keywords: | Musicians, On Tour, 1960s, Hagiography, Rock 'n' Roll, Rockumentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | White Horse Pictures, Imagine Entertainment, Apple Corps Ltd., Diamond Docs |
| Production Countries: | United States |
| Languages: | English |
2016 - Awards Season: BAFTA - Nominations
January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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Home Market Releases for November 15th, 2016
November 15th, 2016
There are several prime releases on this week’s Home Market report. This includes the biggest film of the week, Finding Dory, which was previously named Pick of the Week. I suspect a lot of people reading this have pre-ordered the Blu-ray already. Other contenders for Pick of the Week include Game of Thrones: Season Six and Rush: Time Stands Still on Blu-ray. I’m awarding Pick of the Week to Game of Thrones, while Rush gets Puck of the Week, for best Canadian release.
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Theater Averages: Denial Denies American Honey Top Spot with $18,746
October 5th, 2016
Denial and American Honey were the only two films in the $10,000 club on the theater average chart this week. Denial earned first place with an average of $18,746 in five theaters, while American Honey was relatively close behind with an average of $17,801 in four.
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Theater Averages: The Week’s Best Average Money can Buy is $9,511
September 28th, 2016
Like last week, no films joined the $10,000 club this past weekend. Two came close though. Firstly, The Best Democracy Money Can Buy earned $9,511 in its lone theater. That’s excellent for a documentary and hopefully this start will help it be seen by more. The number one overall film, The Magnificent Seven, was close behind with an average of $9,446.
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Theater Averages: Yerevan Highlight of Dark Weekend with an Average of $9,748
September 21st, 2016
No films made it into the $10,000 club this past weekend, but 3 Weeks in Yerevan came really close with an average of $9,748 in three theaters. Another film, The Beatles: Eight Days a Week, did well with an average of $7,322 in 85 theaters. Sort of. In addition to playing in 85 theaters, there were another 80 theaters that had one-time showings over the weekend, which is why its total haul for the weekend is $771,153. I really hope having a mixed of regular showings and one-time screenings doesn’t catch on, because it makes our job of tracking box office numbers more confusing.
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Weekend Estimates: Sully Beats Trio of New Releases
September 18th, 2016
As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place.
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Limited and VOD Releases: Waiting All Week for Limited Releases
September 16th, 2016
There are almost 30 films opening in limited release this week, so obviously I won’t have time talk about all of them. I won’t have time to talk about half of them. The two films that stand out in this crowd are The Beatles: Eight Days a Week, The Working Years and Miss Stevens. Both are earning great reviews, but the former is a documentary and the latter debuts on VOD on Tuesday, so neither has a great shot at box office success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/10/21 | 15 | $44,833 | 150 | $299 | $76,862 | 2 | |
| 2016/10/28 | 23 | $8,551 | -81% | 17 | $503 | $106,174 | 3 |
| 2016/11/04 | - | $4,551 | -47% | 10 | $455 | $113,476 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 9/16/2016 | $526,473 | 166 | 166 | 542 | $1,795,688 | 7/27/2017 |
| Czech Republic | 9/16/2016 | $13,665 | 40 | 40 | 63 | $30,046 | 12/31/2018 |
| Italy | 9/16/2016 | $649,935 | 0 | 0 | 0 | $1,108,862 | 9/29/2016 |
| Netherlands | 10/20/2016 | $35,164 | 41 | 41 | 107 | $113,811 | 11/9/2016 |
| New Zealand | 9/16/2016 | $67,368 | 70 | 70 | 197 | $190,037 | 10/27/2020 |
| North America | 9/16/2016 | $785,336 | 85 | 155 | 872 | $2,934,445 | 2/15/2017 |
| Portugal | 9/16/2016 | $11,598 | 12 | 12 | 29 | $32,547 | 10/13/2016 |
| Slovakia | 9/16/2016 | $11,354 | 55 | 55 | 75 | $19,473 | 9/30/2016 |
| Slovenia | 1/6/2017 | $2,753 | 9 | 9 | 16 | $11,680 | 2/6/2017 |
| South Korea | 10/10/2016 | $0 | 0 | 150 | 177 | $122,631 | 1/14/2017 |
| Spain | 9/16/2016 | $194,034 | 114 | 114 | 152 | $494,873 | 10/21/2016 |
| United Kingdom | 9/16/2016 | $857,083 | 96 | 96 | 417 | $1,561,009 | 9/11/2024 |
| Rest of World | $1,668,052 | ||||||
| Worldwide Total | $10,083,154 | 9/11/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| John Lennon | Himself |
| Paul McCartney | Himself |
| Ringo Starr | Himself |
| George Harrison | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ron Howard | Director |
| Nigel Sinclair | Producer |
| Scott Pascucci | Producer |
| Brian Grazer | Producer |
| Ron Howard | Producer |
| Jeff Jones | Executive Producer |
| Jonathan Clyde | Executive Producer |
| Michael Rosenberg | Executive Producer |
| Guy East | Executive Producer |
| Paul Crowder | Editor |
| Mark Monroe | Screenwriter |
| Marc Ambrose | Supervising Producer |
| Matthew White | Co-Producer |
| Stuart Samuels | Co-Producer |
| Bruce Higham | Co-Producer |
| Giles Martin | Music Producer |