Portugal Box Office for The Beach Bum: A Vida Numa Boa (2019)
Theatrical Performance (US$) | ||
Portugal Box Office | $22,992 | Details |
Worldwide Box Office | $4,267,808 | Details |
Home Market Performance | ||
North America DVD Sales | $101,778 | Details |
North America Blu-ray Sales | $165,072 | Details |
Total North America Video Sales | $266,850 | |
Further financial details... |
Synopsis
THE BEACH BUM follows the misadventures of Moondog, a rebellious rogue who always lives life by his own rules.
Metrics
Movie Details
Production Budget: | $5,000,000 |
Portugal Releases: | May 10th, 2019 (Wide), released as The Beach Bum: A Vida Numa Boa |
Video Release: | June 18th, 2019 by Universal Home Entertainment |
MPAA Rating: | R for pervasive drug and alcohol use, language throughout, nudity and some strong sexual content. (Rating bulletin 2556 (Cert #51935), 12/5/2018) |
Running Time: | 95 minutes |
Keywords: | Set in Florida, Narcotics, Writing and Writers, Infidelity, Relationships Gone Wrong, Dysfunctional Family, Death of a Spouse or Fiancée / Fiancé, Young Child Dealing with the Death of a Parent, Drunk Driver, Accidental Death, Stoner Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Neon Films, VICE, Riverstone Pictures, SPK Pictures, Rocket Science, Iconoclast Films, Anonymous Content, Le Grisbi |
Production Countries: | United States |
Languages: | English |
Home Market Releases for June 18th, 2019
June 19th, 2019
It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras.
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Weekend Wrap-Up: Dumbo Marches to the Top
April 2nd, 2019
Dumbo wasn’t able to match expectations, but it still topped the chart over the weekend with $45.99 million. This isn’t enough for this weekend to match last weekend, as it fell 7.3% to $137 million. This is better than the same weekend last year by a tiny 0.6%, but anything that keeps 2019’s winning streak alive is good news in my book. Year-to-date, 2019 is still behind 2018 by practically the same margin as it was last weekend. In fact, the margin in raw dollars rose to $470 million, while the percent gap dipped below 17% at $2.34 billion to $2.81 billion. Hopefully things will improve in April.
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Weekend Estimates: Dumbo Tops Chart with $45 million
March 31st, 2019
Dumbo will open in first place with over the weekend with an estimated $45.0 million. This is lower than expected and not a strong opening for a film that reportedly cost $170 million to make. It did marginally better internationally, earning $71.0 million, but it is also playing in all major markets, so it has almost nowhere to expand at this point. Going forward, the film should have decent legs, in part because it is a family film. Also, while its reviews are not going to be a major asset, it did earn an A minus from CinemaScore, so its word-of-mouth is going to be better than its critical reception. However, unless it has really long legs, it is going to be a real challenge to pay for that production budget any time soon. Part of the reason I think this film is struggling is “Franchise Fatigue”. Granted, I’m not sure I would call Disney’s Live Action Remakes a real franchise, not unless they start doing some crossovers to unite the universe. (Don’t do that. Please don’t do that.) However, I do think it is susceptible to the same fatigue and this is a real problem for Disney, because they have two more major releases for this year, plus about a dozen further releases in various stages of development.
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Friday Estimates: Dumbo Flies, But Doesn’t Reach Blockbuster Heights
March 30th, 2019
Dumbo opened with $15.32 million on Friday. This is weaker than expected, but hardly a bad start. Its reviews are merely mixed, while it got an A minus from CinemaScore, so its legs should be decent. I don’t think it will reach $50 million over the weekend, so it will miss even low end expectations. That said, a $46 million opening is more than enough to get it to $100 million domestically and if it can find an audience internationally, it will break even sometime during its home market run.
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Thursday Night Previews: Dumbo Doesn’t Fly High During Previews
March 29th, 2019
Dumbo earned $2.6 million during its previews, which is on the low end of expectations. It is just a fraction of the $16.3 million Beauty and the Beast managed in 2017. Additionally, this film’s reviews are the weaker and this could also affect its legs. On the other hand, Beauty and the Beast had such massive buzz is was destined to be more front-loaded that Dumbo will be. I still think Dumbo will miss our $58 million prediction, but I don’t think it will be as bad as this number first makes it appear.
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Weekend Predictions: Can Dumbo Soar Like the Original Did?
March 29th, 2019
Dumbo essentially has the weekend to itself and should earn first place with ease. Both The Beach Bum and Unplanned are opening in just over 1,000 theaters, but neither is expected to be a major player at the box office. Finally, Hotel Mumbai is expanding into nearly 1,000 theaters and could reach the top ten. At least one of these smaller films will reach the top ten; in fact, all three of them could reach the top ten. However, this is due to really weak competition, not any box office strength these films possess. This weekend last year, Ready Player One led the way with $41 million, while Acrimony earned second place with $17 million. There’s a chance Dumbo will earn more than those two films earned. There’s also a chance Us and Captain Marvel will match those two films at the box office. It should be a good weekend for 2019 in the year-over-year comparison.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/05/10 | 12 | $10,556 | 27 | $391 | $10,556 | 1 | |
2019/05/17 | 24 | $2,854 | -73% | 18 | $159 | $21,451 | 2 |
2019/05/24 | - | $401 | -86% | 3 | $134 | $22,992 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Czech Republic | 5/3/2019 | $16,891 | 65 | 65 | 65 | $17,203 | 5/6/2019 |
Lithuania | 3/29/2019 | $6,268 | 40 | 40 | 58 | $12,304 | 4/16/2019 |
Netherlands | 3/29/2019 | $37,553 | 45 | 45 | 111 | $107,574 | 5/31/2019 |
New Zealand | 11/14/2019 | $491 | 3 | 3 | 10 | $1,722 | 10/19/2022 |
North America | 3/29/2019 | $1,763,070 | 1,100 | 1,100 | 2,320 | $3,502,600 | |
Portugal | 5/10/2019 | $10,556 | 27 | 27 | 48 | $22,992 | 5/28/2019 |
Russia (CIS) | 3/21/2019 | $0 | 0 | 599 | 1051 | $556,786 | 5/18/2019 |
Slovakia | 5/3/2019 | $23,793 | 55 | 55 | 108 | $46,627 | 5/21/2019 |
Worldwide Total | $4,267,808 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Matthew McConaughey | Moondog |
Snoop Dogg | Lingerie |
Isla Fisher | Minnie |
Zac Efron | Flicker |
Martin Lawrence | Captain Wack |
Stefania LaVie Owen | Heather |
Donovan St V. Williams | Lingerie’s Pilot |
Supporting Cast
Jimmy Buffett | Himself |
Jonah Hill | Lewis |
Clinton Archambault | Lawyer |
Jerry Ascione | Homeless Man |
Josh Rosen | Reporter |
Tonya Oliver | Drug Counselor |
Chela Arias | Cuban Maid |
Ricardo Matallana | Jose the Pool Boy |
Josh Ritter | Groom |
Karla Goodwin | Maria |
Alan Frankel | Tourist Father |
Debra Cohen | Tourist Mother |
Hunter Rearden | Kid 1 |
Lefty Korine | Kid 2 |
Todd Mitchell | Lingerie’s Yacht Guard 1 |
Devon James | Lingerie’s Yacht Guard 2 |
Barrie Mizerski | Pulitzer Announcer |
John Morris | Cash Register Guy |
A. Ali Flores | Neck Brace Guy |
Andrea Bennetti | Prostitute 1 |
Jenny Ariza | Prostitute 2 |
London Seabreeze | Topless Woman 1 |
Vanessa Marie | Topless Woman 2 |
Arthur Bivens | Priest |
Sharon Pfeiffer | Sexy Older Woman |
Sandro Paes | Tuba Player |
Dustin Greer | Robber 1 |
Daniele Cecere | Tourist Teenager |
Francis Allen | Pulitzer Announcer 2 |
Tom Dodson | Pulitzer Prize Guest |
Steven Brack | Drug Counselor |
Cougar MacDowall | Jake |
Grant Koo | Groom |
Ellen Marguerite Cullivan | Funeral/Bar/Pulitzer Prize Guest |
Mei-lin HoSang | Tourist Kid |
Nicholas Ryan Hernandez | Tourist |
Stephen L. Cohen | Armed Guard #1 |
Megan Seely | Waitress |
Nicholas Simmons | Armed Guard #1 |
Jarrett Ricker | Yacht Club Guy |
Paul Homza | Homeless Guy 2 |
Frenchi Firecracker | Drug Counselor |
David Bennett | Homeless Phil |
Rob Goodman | Homeless Guy 3 |
Sheila Friedman | Pulitzer Prize Guest/Hospital Waiting Room Visitor |
Ricky Diaz | Jonathan/Best Man |
Erik Stone | Bouncer |
Jamil Malik | Court Bailiff |
Ashae Reagan | Wedding Guest |
Tracy Echeverri | Pulitzer Prize Guest |
Peter Alexander | Student |
Kailyn Blanco | Tourist Kid |
Timothy Mark Davis | Groomsman |
Cameos
Bertie Higgins | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Harmony Korine | Director |
Harmony Korine | Screenwriter |
John Lesher | Producer |
Charles-Marie Anthonioz | Producer |
Mourad Belkeddar | Producer |
Nicolas Lhermitte | Producer |
Steve Golin | Producer |
Karl Spoerri | Executive Producer |
Marc Schmidheiny | Executive Producer |
Nik Bower | Executive Producer |
Deepak Nayar | Executive Producer |
Will Weiske | Executive Producer |
Thorsten Schumacher | Executive Producer |
Chara Gelardin | Executive Producer |
Emmeline Yang Hankins* | Executive Producer |
Eddy Moretti | Executive Producer |
Shane Smith | Executive Producer |
Danny Gabai | Executive Producer |
Judd Allison | Co-Producer |
Benoît Debie | Director of Photography |
Elliott Hostetter | Production Designer |
Douglas Crise | Editor |
John Debney | Composer |
Linda Cohen | Music Supervisor |
Heidi Bivens | Costume Designer |
Mary Vernieu | Casting Director |
Marisol Roncali | Casting Director |