Russia (CIS) Box Office for Бэтмен (2022)
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| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $3,824,247 | Details |
| Worldwide Box Office | $765,950,479 | Details |
| Home Market Performance | ||
| North America DVD Sales | $3,993,930 | Details |
| North America Blu-ray Sales | $13,954,298 | Details |
| Total North America Video Sales | $17,948,228 | |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $200,000,000 |
| Russia (CIS) Releases: | March 3rd, 2022 (Wide), released as Бэтмен |
| Video Release: | April 18th, 2022 by Max |
| MPAA Rating: | PG-13 for strong violent and disturbing content, drug content, strong language, and some suggestive material. (Rating bulletin 2714 (cert #53494), 1/12/2022) |
| Running Time: | 175 minutes |
| Franchise: | Batman |
| Keywords: | Reboot, Action Thriller, Crime, Serial Killer |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | 6th and Idaho, Dylan Clark Productions, Warner Bros., DC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Morbius set for disappointing $39.1-million opening
April 3rd, 2022
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We’re still at the point where new releases are graded on the pandemic curve, but even so Morbius is heading for an opening weekend just on the low side of decent, with Sony projecting this morning that it will make $39.1 million on debut. That’s notably lower than Uncharted’s $44-million opening in February, and breaks a streak of great openings for Sony’s standalone Marvel movies, in particular Venom: Let There Be Carnage, which made $90 million in October last year, when even Disney’s Marvel movies were landing in the $70-million to $80-million range.
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Weekend predictions: Morbius headed to $40-million debut
April 1st, 2022
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After a gigantic debut for Spider-Man: No Way Home and a pandemic-record-setting start for Venom: Let There Be Carnage, Sony is looking for a super hero three-peat this weekend with the release of Morbius. While another number one opening is guaranteed, we’re not looking at quite the same kind of numbers this time around, with our model predicting an opening weekend in the $41-million range.
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Weekend estimates: The Lost City tops with $31 million, RRR makes the top 3
March 27th, 2022
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The Lost City looks as though it’ll post a weekend right in line with expectations, with Paramount projecting it’ll earn $31 million at the domestic box office this weekend. That’ll be enough for a comfortable weekend win, ahead of The Batman’s $20.5 million or so. Bollywood blockbuster RRR: Rise, Roar, Revolt will land in third with an impressive $9.5-million projected weekend.
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Weekend predictions: Lost City has the edge going into the weekend
March 25th, 2022
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The Lost City posted a very respectable $2.5 million in previews on Thursday ahead of its official release today, which puts it on course to win the weekend, although its race with The Batman could be close. Infinite Storm isn’t likely to be in the running for a place in the top three, but will provide a bit of extra oomph to the weekend and could help the market as a whole increase from last weekend. And RRR provides us with a wildcard element to keep things interesting for everyone.
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Weekend estimates: Jujutsu Kaisen headed to $17.7-million weekend, The Batman tops $300 million domestically
March 20th, 2022
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The Batman will pass $300 million at the domestic box office today, based on Warner Bros. Sunday-morning projection. It’ll be close though: the studio has it reaching $300.1 million today. With Spider-Man: No Way Home likely to surpass $800 million domestically in the next week, things are looking good at the box office right now. Having five new releases in the top 11 also helps, although Jujutsu Kaisen 0: The Movie is the only one of those to really break out.
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Weekend predictions: The Batman won’t be troubled by newcomers, but Jujutsu Kaisen should finish second
March 18th, 2022
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The Batman isn’t in much danger of losing top spot at the box office this weekend, in spite of facing competition from four new wide releases. We could, however, see a new film in second place: Jujutsu Kaisen 0: The Movie looks set to post a weekend in the mid teens if it maintains its momentum from an excellent $2.88 million in previews on Thursday.
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Weekend estimates: The Batman holds well to easily win the weekend
March 13th, 2022
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The Batman is enjoying a strong second weekend, with Warner Bros. projecting it will fall just 51% from its opening frame, which translates into a decline of only 41% from last Friday, Saturday and Sunday combined. That’s a strong hold for a film that opened as big as it did, and that’s not the only good news at the box office this weekend, with the live event film BTS Permission to Dance on Stage Seoul, and Bollywood hit Radhe Shyam both posting strong earnings, and the seven other films in the top 10 all falling by less than 25% from last weekend.
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Weekend predictions: The Batman will easily win the weekend, even with a steep drop
March 11th, 2022
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After earning more than ten times as much as any other film last weekend, and having no competition from new wide releases this weekend, The Batman will cruise to victory at the box office this time around. In fact, it could drop by 90% from its opening and still win the weekend. So the more interesting question is how much it will fall exactly.
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Weekend estimates: The Batman storms to $128.5-million projected domestic opening
March 6th, 2022
The Batman will earn about $130 million at the domestic box office this weekend, according to Warner Bros.’s Sunday morning projection. That would be a great result for a franchise reboot at any time, and it’s downright spectacular by current standards. It’s only the second film to open with more than $100 million since the beginning of 2020 (Spider-Man: No Way Home being the first, of course), and it’s performance narrowly exceeds the $123 million our model would have predicted for the film pre-pandemic. Is the pandemic’s effect on theatergoing beginning to wane?
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Weekend predictions: $150-million opening on the cards for The Batman
March 4th, 2022
The Batman posted an impressive $21.6 million from preview screenings, according to Warner Bros.’ Friday-morning analysis, putting it on track for well over $100 million this weekend and easily the biggest opening since Spider-Man: No Way Home. Based purely on the preview numbers, our model thinks it could top $150 million this weekend, although that forecast needs to be tempered a bit because of the early screenings on Tuesday and Wednesday that are included in that “Thursday previews” number.
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Weekend predictions: Uncharted unchallenged on slow weekend
February 25th, 2022
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With next weekend’s release of The Batman looming large over the market, the major studios are sitting things out this weekend. Studio 666 and Cyrano are both arriving in wide release (just barely so in the case of Cyrano), but neither is likely to challenge Uncharted at the top of the chart.
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The Batman Trailer
August 24th, 2020
Superhero movie starring Robert Pattinson arrives in theaters on October 1, 2021 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/03/11 | 4 | $286,494 | 102 | $2,809 | $1,005,050 | 2 | |
| 2022/03/25 | 11 | $100,382 | 67 | $1,498 | $1,724,388 | 4 | |
| 2022/06/17 | 7 | $183,696 | 182 | $1,009 | $3,387,230 | 16 | |
| 2022/06/24 | 6 | $172,078 | -6% | 201 | $856 | $3,532,343 | 17 |
| 2022/07/01 | 10 | $132,994 | -23% | 187 | $711 | $3,815,190 | 18 |
| 2022/07/08 | 11 | $94,159 | -29% | 162 | $581 | $3,416,365 | 19 |
| 2022/07/15 | 12 | $81,293 | -14% | 153 | $531 | $3,863,933 | 20 |
| 2022/07/22 | 15 | $58,024 | -29% | 145 | $400 | $4,048,662 | 21 |
| 2022/07/29 | 16 | $40,850 | -30% | 122 | $335 | $3,824,247 | 22 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/3/2022 | $8,490,860 | 738 | 738 | 3646 | $25,421,803 | 4/3/2023 |
| Brazil | 3/3/2022 | $8,800,000 | 2367 | 2427 | 6728 | $18,200,000 | 10/20/2022 |
| China | 3/17/2022 | $11,470,000 | 84132 | 84132 | 191104 | $24,310,000 | 6/16/2022 |
| Czech Republic | 3/4/2022 | $477,564 | 217 | 217 | 654 | $1,666,639 | 10/20/2022 |
| Finland | 3/4/2022 | $618,033 | 105 | 105 | 603 | $2,570,460 | 10/20/2022 |
| France | 3/2/2022 | $8,400,000 | 991 | 991 | 2896 | $19,300,000 | 10/20/2022 |
| Germany | 3/3/2022 | $5,500,000 | 903 | 930 | 2738 | $13,500,000 | 10/20/2022 |
| India | 3/4/2022 | $3,500,000 | 1829 | 1829 | 1829 | $3,500,000 | 10/20/2022 |
| Indonesia | 3/4/2022 | $2,600,000 | 0 | 0 | 0 | $2,600,000 | 10/20/2022 |
| Italy | 3/3/2022 | $4,020,346 | 0 | 0 | 0 | $10,744,448 | 10/20/2022 |
| Japan | 3/11/2022 | $3,200,000 | 358 | 821 | 1179 | $6,400,000 | 10/20/2022 |
| Lithuania | 3/4/2022 | $94,907 | 19 | 19 | 80 | $387,102 | 10/20/2022 |
| Mexico | 3/3/2022 | $10,049,675 | 0 | 0 | 0 | $31,208,154 | 4/27/2022 |
| Netherlands | 3/4/2022 | $1,628,002 | 178 | 178 | 1268 | $5,831,226 | 5/24/2022 |
| New Zealand | 3/3/2022 | $715,488 | 107 | 114 | 762 | $2,746,250 | 10/20/2022 |
| North America | 3/4/2022 | $134,008,624 | 4,417 | 4,417 | 30,031 | $369,345,583 | |
| Portugal | 3/3/2022 | $525,713 | 147 | 147 | 762 | $1,712,843 | 5/17/2022 |
| Romania | 3/4/2022 | $378,192 | 126 | 126 | 601 | $1,358,437 | 5/18/2022 |
| Russia (CIS) | 3/3/2022 | $0 | 0 | 201 | 1321 | $3,824,247 | 8/3/2022 |
| Saudi Arabia | 3/4/2022 | $2,600,000 | 0 | 229 | 229 | $6,200,000 | 10/20/2022 |
| Slovakia | 3/3/2022 | $210,704 | 82 | 82 | 250 | $593,327 | 5/3/2022 |
| South Korea | 3/1/2022 | $1,992,076 | 2345 | 2345 | 5949 | $7,042,524 | 9/5/2024 |
| Spain | 3/4/2022 | $3,715,210 | 378 | 397 | 2489 | $11,373,302 | 5/6/2022 |
| Turkey | 3/4/2022 | $803,594 | 828 | 828 | 2730 | $5,169,545 | 10/20/2022 |
| United Kingdom | 3/4/2022 | $17,880,358 | 706 | 715 | 5267 | $53,619,162 | 10/16/2024 |
| Rest of World | $137,325,427 | ||||||
| Worldwide Total | $765,950,479 | 10/16/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Robert Pattinson | Bruce Wayne / Batman |
| Zoë Kravitz | Selina Kyle / Catwoman |
| Colin Farrell | Oswald “Oz” Cobblepot / Penguin |
| Paul Dano | Edward Nashton / Riddler |
Supporting Cast
| Jeffrey Wright | James Gordon |
| John Turturro | Carmine Falcone |
| Andy Serkis | Alfred Pennyworth |
| Peter Sarsgaard | District Attorney Gil Colson |
| Barry Keoghan | Stanley Merkel |
| Jayme Lawson | Bella Reál |
| Gil Perez-Abraham | Officer Martinez |
| Peter McDonald | Kenzie |
| Con O’Neill | Chief Mackenzie Bock |
| Alex Ferns | Commissioner Pete Savage |
| Rupert Penry-Jones | Mayor Don Mitchell, Jr. |
| Kosha Engler | Mrs. Mitchell |
| Archie Barnes | Mitchell’s Son |
| Janine Harouni | Carla |
| Hana Harouni | Annika |
| Joseph Walker | Young Riddler |
| Luke Roberts | Thomas Wayne |
| Oscar Novak | Young Bruce Wayne |
| Stella Stocker | Martha Wayne |
| Sandra Dickinson | Dory |
| Jack Bennett | Travis |
| Andre Nightingale | Ritchie |
| Richard James Neale | Glen |
| Lorraine Tai | Cheri |
| Joseph Balderrama | Lead Detective |
| James Eeles | Another Officer |
| Angela Yeoh | Forensic Photographer |
| Leemore Marrett Jr | Muscle Cop |
| Ezra Elliott | Tactical Medic |
| Itoya Osagiede | Hushed G.C.P.D. Detective |
| Stewart Alexander | FBI Leader |
| Adam Rojko Vega | SWAT (City Hall) |
| Heider Ali | Officer (City Hall) |
| Marcus Onilude | Traffic Cop (City Hall) |
| Elena Saurel | Detective on Phone |
| Ed Kear | Surly Cop |
| Sid Sagar | Digital Forensic Cop |
| Amanda Blake | Command Crisis Tech |
| Todd Boyce | Fire Marshall |
| Brandon Bassir | Young Officer |
| Will Austin | Traffic Cop |
| Chabris Napier-Lawrence | Cop (Mayor’s Memorial) |
| Douglas Russell | Bitter Nobody |
| Charlie Carver | The Twins |
| Max Carver | The Twins |
| Phil Aizlewood | Falcone Bodyguard |
| Mark Killeen | Vinnie |
| Philip Shaun McGuinness | Elevator Guard |
| Lorna Brown | Doctor |
| Elliot Warren | Train Gang Leader |
| Jay Lycurgo | Train Gang Young Member |
| Stefan Race | Train Gang Member #1 |
| Elijah Baker | Train Gang Member #2 |
| Craige Middleburg | Train Gang Member #3 |
| Akie Kotabe | Lone Train Passenger |
| Spike Fearn | Vandal |
| Urielle Klein-Mekongo | Cashier |
| Bronson Webb | Hooded Gunman |
| Madeleine Gray | Injured Woman |
| Ste Johnston | Paparazzi |
| Arthur Lee | Paparazzo |
| Parry Glasspool | Scared Drophead |
| Jordan Coulson | Man in Suit |
| Hadas Gold | Newscaster |
| Pat Battle | Newscaster |
| Bobby Cuza | Newscaster |
| Dean Meminger | Newscaster |
| Roma Torre | Newscaster |
| Mike Capozzola | Mediator |
| Amanda Hurwitz | Counterwoman |
| Joshua Eldridge-Smith | Patrol Cop |
| Daniel Rainford | Suspicious Man |
| Nathalie Armin | ATF Leader |
| Jose Palma | Command Post #1 |
| Kazeem Tosin Amore | Command Post #2 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Matt Reeves | Director |
| Matt Reeves | Screenwriter |
| Peter Craig | Screenwriter |
| Dylan Clark | Producer |
| Matt Reeves | Producer |
| Michael E. Uslan | Executive Producer |
| Walter Hamada | Executive Producer |
| Chantal Nong | Executive Producer |
| Simon Emanuel | Executive Producer |
| James Chinlund | Production Designer |
| William Hoy | Editor |
| Tyler Nelson | Editor |
| Michael Giacchino | Composer |
| Greig Fraser | Cinematographer |
| Bob Kane | Character Creator |
| Bill Finger | Character Creator |
| George Drakoulias | Music Supervisor |
| Dan Lemmon | Visual Effects Supervisor |
| Jacqueline Durran | Costume Designer |
| Cindy Tolan | Casting Director |
| Lucy Bevan | Casting Director |
| Samantha White | Unit Production Manager |
| Simon Emanuel | Unit Production Manager |
| Toby Hefferman | First Assistant Director |
| Toby Hefferman | Associate Producer |
| Alex Bicknell | Visual Effects Producer |
| Bryan A. Searing | Visual Effects Producer |
| Robert Alonzo | Second Unit Director |
| Robert Alonzo | Supervising Stunt Coordinator |
| Stephen Griffin | Stunt Coordinator |
| Samuel Le | Stunt Coordinator |
| Jake Dewitt | Stunt Coordinator |
| Adam Sorin | Associate Producer |
| Grant Armstrong | Supervising Art Director |
| James Lewis | Art Director |
| Gary Jopling | Art Director |
| Oliver Benson | Art Director |
| Matthew Kerly | Art Director |
| Joe Howard | Art Director |
| Arwel Evans | Art Director |
| Tad Davis | Art Director |
| Laura Ng | Art Director |
| Chris Sanford | Set Designer |
| Stuart Wilson | Sound Mixer |
| Kimi Webber | Script Supervisor |
| Matthew Simpson | First Assistant Editor |
| Ben Insler | First Assistant Editor |
| Jens Baylis | First Assistant Editor |
| Will Files | Supervising Sound Editor |
| Douglas Murray | Supervising Sound Editor |
| Andy Nelson | Re-recording Mixer |
| Will Files | Re-recording Mixer |
| Chris Terhune | Sound Designer |
| Lee Gilmore | Sound Designer |
| Craig Henighan | Sound Designer |
| Diego Perez | Sound Effects Editor |
| Phil Barrie | Sound Effects Editor |
| Jacob Riehle | Dialogue Editor |
| Darrin Mann | Foley Mixer |
| Neil Murphy | Costume Supervisor |
| Norma Webb | Make up |
| Paula Price | Hairstylist |
| Lee Sandales | Set Decorator |
| Mark Somner | Supervising Location Manager/Covid Compliance |
| David O’Reilly | Location Manager |
| Peter Bardsley | Location Manager |
| Lee Robertson | Location Manager |
| Jasmine Burridge | Location Manager |
| Tom Beltrandi | Location Manager |
| Kevin Jackson | Location Manager |
| Martin Henderson | Location Manager |
| Dominic Tuohy | Special Effects Supervisor |
| Paul Apelgren | Music Editor |
| Joe E. Rand | Music Editor |
| Mick Giacchino | Additional Music |
| Paul Apelgren | Additional Music |
| Peter Cobbin | Score Recordist |
| Kirsty Whalley | Score Recordist |
| Peter Cobbin | Score Mixer |
| Kirsty Whalley | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.