New Zealand Box Office for Bajirao Mastani (2015)
Theatrical Performance (US$) | ||
New Zealand Box Office | $162,110 | Details |
Worldwide Box Office | $9,517,002 | Details |
Further financial details... |
Synopsis
The true love story between Maratha Peshwa Baji Rao I and his second wife Mastani. Baji Rao I—is a warrior and the second Peshwa of the Maratha Empire, from 1720 until his death.
Metrics
Movie Details
New Zealand Releases: | December 18th, 2015 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 158 minutes |
Keywords: | Set in India, 1700s, Romance, Royalty, Historical Drama |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | SLB Films |
Production Countries: | India |
Languages: | Hindi |
Theater Averages: Revenant Remains Potent with Average of $111,957
January 5th, 2016
The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters.
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Theater Averages: Revenant Arrives with a Lively Debut of $118,640
December 29th, 2015
The Revenant had the best theater average of the week and the second best opening theater average of the year with $474,560 in four theaters for an average of $118,640. The only film to open in 2015 with a better theater average was Steve Jobs with an average of $130,381. It struggled during its wide expansion. Hopefully that won't happen here. The Hateful Eight was next with an average of $46,107 in 100 theaters. The overall number one film, Star Wars: The Force Awakens, was next with an average of $36,092. This would have been the fourth best opening weekend average for a wide release all year. 45 Years opened with an average of $21,925 in three theaters over the weekend and an average of $30,119 over its five-day opening. Daddy's Home was the second wide release in the $10,000 club with an average of $11,844. Mr. Six just missed the $10,000 club over the weekend with an average of $9,562 in 30 theaters; however, it earned an average of $12,500 over its four-day opening.
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Theater Averages: Star Wars Set Another Records with $59,982
December 22nd, 2015
Star Wars: The Force Awakens led the way on the theater average chart and broke the record for highest theater average for a wide release. Its average was $59,982, which is the fifth best opening theater average this year. This is just ahead of Ex Machina and just behind Carol. The Big Short fell 46% to $47,286. A 46% drop-off is bad news for a limited release most of the time, but The Force Awakens hurt all of the holdovers and I'm still bullish on its box office chances for its Wednesday expansion. Carol remained in the $10,000 for the fifth week in a row, this time earning an average of $14,446 in 16 theaters. Mojin: The Lost Legend opened with an average of $12,726 in 22 theaters, while Son of Saul was right behind with an average of $12,643.
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Weekend Wrap-Up: Box Office Breaks $300 million Mark
December 21st, 2015
It's been a busy weekend for box office record watchers, as Star Wars: The Force Awakens destroyed the record book. However, it wasn't the only film playing in theaters. The Force Awakens earned $247.97 million, which by itself is the 11th biggest Combined Box Office. Add in Alvin and the Chipmunks: The Road Chip and Sisters, the new limited releases and all of the holdovers, and the total box office reached $313 million, topping the old record of $274 million. Needless to say, the overall box office was higher compared to last weekend by 304%. It was also higher than last year by a margin of 131%. Year-to-date, 2015 has earned $10.13 billion, putting it 5.9% or $560 million ahead of last year's pace. 2015's lead over 2014 grew by more than 1.5 percentage points / $160 million over just one weekend.
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Weekend Estimates: Force Awakens with Projected All-Time Best $238 Million
December 20th, 2015
Disney is projecting a $238 million opening weekend for Star Wars Ep. VII: The Force Awakens as of Sunday morning, a figure that will make it, by some margin, the highest-grossing film on opening weekend at the domestic box office. Jurassic World holds the current domestic record, at $208.8 million. Given the $30 million over-performance at home, it’s perhaps a slight surprise that Star Wars isn’t also projected to take the global weekend record, with its expected $517 million falling a little behind Jurassic World’s $524.9 million debut earlier in the year. That’s one of a handful of examples of Star Wars placing second all-time as of Sunday morning, but mostly it’s been a case of broken records all round, and there’s evidence that Disney is playing things safe in their projections, so pretty much no record can be considered out of reach at this point.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/12/18 | 7 | $39,990 | 14 | $2,856 | $39,990 | 1 | |
2015/12/25 | 8 | $32,093 | -20% | 14 | $2,292 | $105,107 | 2 |
2016/01/01 | 16 | $21,171 | -34% | 11 | $1,925 | $153,301 | 3 |
2016/01/08 | 21 | $4,563 | -78% | 12 | $380 | $161,490 | 4 |
2016/01/15 | 28 | $1,469 | -68% | 11 | $134 | $162,110 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/18/2015 | $219,666 | 29 | 29 | 92 | $855,855 | 1/23/2017 |
New Zealand | 12/18/2015 | $39,990 | 14 | 14 | 62 | $162,110 | 6/9/2016 |
North America | 12/18/2015 | $1,741,037 | 304 | 331 | 1,845 | $6,557,047 | |
Portugal | 12/17/2015 | $0 | 0 | 2 | 5 | $35,694 | 6/9/2016 |
United Kingdom | 12/18/2015 | $443,808 | 126 | 126 | 360 | $1,906,296 | 6/9/2016 |
Worldwide Total | $9,517,002 | 1/23/2017 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ranveer Singh | Baji Rao 1 |
Supporting Cast
Deepika Padukone | Mastani |
Priyanka Chopra | Kashibai |
Tanvi Azmi | Radhabai |
Sukhada Khandkekar | Anubai |
Vaibbhav Tatwawdi | Chimaji Appa |
Anuja Gokhale | Bhiubai |
Mahesh Manjrekar | Chhatrapati Shahuji Raje Bhonsle |
Milind Soman | Ambaji Panth |
Ayush Tandon | Nana Saheb |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Sanjay Leela Bhansali | Director |
Sanjay Leela Bhansali | Screenwriter |
Mallika Dutt Gharde | Screenwriter |
Prakash Kapadia | Screenwriter |
Sanjay Leela Bhansali | Producer |
Kishore Lulla | Producer |
Sriram Kannan Iyengar | Production Designer |
Sujeet Subhash Sawant | Production Designer |
Saloni Ankush Dhatrak | Production Designer |
Rajesh G. Pandey | Editor |