Italy Box Office for Autopsy (2016)
| Theatrical Performance (US$) | ||
| Italy Box Office | $480,581 | Details |
| Worldwide Box Office | $6,152,973 | Details |
| Further financial details... | ||
Synopsis
Experienced coroner Tommy Tilden and his grown-up son Austin run a family-owned morgue and crematorium in Virginia. When the local Sheriff brings in an emergency case—an unknown female corpse nicknamed ‘Jane Doe’, found in the basement of a home where a multiple homicide took place—it seems like just another open-and-shut case. But as the autopsy proceeds, these seasoned professionals are left reeling as each layer of their inspection brings frightening new revelations. Perfectly preserved on the outside, Jane Doe’s insides have been scarred, charred and dismembered—seemingly the victim of a horrific yet mysterious ritualistic torture. As Tommy and Austin begin to piece together these gruesome discoveries, an unnatural force takes hold of the crematorium. While a violent storm rages above ground, it seems the real horrors lie on the inside…
Metrics
Movie Details
| Italy Releases: | March 9th, 2017 (Wide), released as Autopsy |
| Video Release: | May 2nd, 2017 by IFC Midnight |
| MPAA Rating: | R for bloody horror violence, unsettling grisly images, graphic nudity, and language. (Rating bulletin 2450 (Cert #50774), 11/9/2016) |
| Running Time: | 87 minutes |
| Keywords: | Father’s Footsteps, Coroner, Early / Simultaneous Video-on-Demand release, Supernatural, Witches, Revenge |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Imposter Pictures, 42, IM Global, IFC Midnight, Favre Productions Ltd |
| Production Countries: | United States |
| Languages: | English |
Home Market Releases for June 27th, 2017
June 27th, 2017
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It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now.
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Home Market Releases for May 2nd, 2017
May 2nd, 2017
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We are officially in the worst time of year on the home market. The last of the major Awards Season players have already come out, but it is still too early for the Spring hits to be released. The competition from May Sweeps and the start of the Summer Blockbuster Season means there’s not a lot here that’s going to do well in DVD / Blu-ray sales. Ironically, the lack of a major release means there are a lot of smaller releases that are competing for Pick of the Week, many of which would be lost in the crowd during a busier time of year. This includes I Am Not Your Negro, The Salesman, Real Genius, and Seven Days in May. In the end, I went with The Red Turtle on DVD or Blu-ray as the Pick of the Week. In the meanwhile, Spacehunter: Adventures in the Forbidden Zone on Blu-ray gets the Puck of the Week honor, as the “best” Canadian release of the week. I just wish it were coming out in 3D.
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Limited and VOD Releases: Which Releases will Make some Noise?
December 23rd, 2016
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There are a number of limited releases coming out this week spread from Wednesday through Sunday. This includes several that are aiming for Awards Season glory: 20th Century Women, Hidden Figures, Silence, and others. There might be too many great films on this week's list, which means some will not live up to their box office potential.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/03/10 | 9 | $267,870 | 0 | $300,932 | 1 | ||
| 2017/03/17 | 18 | $88,852 | -67% | 0 | $480,581 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/21/2017 | $222,738 | 0 | 0 | 0 | $555,580 | 1/1/2019 |
| Brazil | 5/5/2017 | $437,997 | 0 | 0 | 0 | $810,674 | 6/26/2018 |
| France | 6/2/2017 | $502,642 | 0 | 0 | 0 | $1,280,407 | 6/27/2018 |
| Italy | 3/9/2017 | $267,870 | 0 | 0 | 0 | $480,581 | 3/22/2017 |
| Lithuania | 12/30/2016 | $9,565 | 25 | 25 | 54 | $36,203 | 2/2/2017 |
| Mexico | 4/21/2017 | $601,831 | 0 | 0 | 0 | $1,185,170 | 5/3/2017 |
| North America | 12/21/2016 | $0 | 0 | 0 | 0 | $0 | 3/11/2018 |
| Poland | 1/13/2017 | $160,034 | 0 | 0 | 0 | $167,497 | 1/1/2019 |
| Portugal | 3/10/2017 | $24,597 | 15 | 15 | 33 | $48,802 | 3/30/2017 |
| Russia (CIS) | 3/24/2017 | $106,499 | 310 | 310 | 518 | $188,620 | 1/1/2019 |
| South Korea | 8/18/2017 | $1,771 | 0 | 109 | 176 | $158,045 | 10/14/2018 |
| Spain | 1/13/2017 | $17,858 | 68 | 68 | 73 | $29,618 | 1/27/2017 |
| Turkey | 4/14/2017 | $23,243 | 0 | 16 | 16 | $70,345 | 11/23/2018 |
| United Kingdom | 3/31/2017 | $15,895 | 62 | 62 | 63 | $16,071 | 4/19/2017 |
| Rest of World | $1,125,360 | ||||||
| Worldwide Total | $6,152,973 | 1/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Olwen Kelly | Jane Doe |
Supporting Cast
| Emile Hirsch | Austin |
| Brian Cox | Tommy |
| Ophelia Lovibond | Emma |
| Michael McElhatton | Sherriff Burke |
| Jane Perry | Lieutenant Wade |
| Parker Sawyers | Trooper Cole |
| Mary Duddy | Irene Daniels |
| Mark Phoenix | Louis Tannis |
| Yves O’Hara | Deputy Ballard |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| André Øvredal | Director |
| Ian Goldberg | Screenwriter |
| Richard Naing | Screenwriter |
| Fred Berger | Producer |
| Eric Garcia | Producer |
| Rory Aitken | Producer |
| Ben Pugh | Producer |
| Stuart Ford | Executive Producer |
| Matt Jackson | Executive Producer |
| Steve Squillante | Executive Producer |
| Adam Cobb | Co-Executive Producer |
| Tim Cole | Line Producer |
| Roman Osin | Director of Photography |
| Matthew Gant | Production Designer |
| Patrick Larsgaard | Editor |
| Peter Gvozdas | Editor |
| Isabella Cruickshank | Make-up and Hair Designer |
| Jemma Harwood | Make-up and Hair Designer |
| Natalie Ward | Costume Designer |
| Kristyan Mallett | Prosthetics Designer |
| Danny Bensi | Composer |
| Saunder Jurriaans | Composer |
| Elaine Grainger | Casting Director |
| Sebastian Barker | Visual Effects Supervisor |
| Scott MacIntyre | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.