Australia Box Office for Atomic Blonde (2017)
Theatrical Performance (US$) | ||
Australia Box Office | $3,859,406 | Details |
Worldwide Box Office | $98,345,423 | Details |
Home Market Performance | ||
North America DVD Sales | $5,955,832 | Details |
North America Blu-ray Sales | $7,078,659 | Details |
Total North America Video Sales | $13,034,491 | |
Further financial details... |
Synopsis
The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival to navigate her way through the deadliest game of spies.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Australia Releases: | July 28th, 2017 (Wide) |
Video Release: | October 24th, 2017 by Universal Home Entertainment |
MPAA Rating: | R for sequences of strong violence, language throughout, and some sexuality/nudity. (Rating bulletin 2477 (Cert #50176), 5/24/2017) |
Running Time: | 114 minutes |
Keywords: | Undercover, Cold War, Set in Berlin, Double Agent, Secret Agent, 1980s, Commies, Independent/Other Comics, IMAX: DMR, Action Thriller |
Source: | Based on Comic/Graphic Novel |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Focus Features, Sierra Films, Denver & Delilah Films, Chickie The Cop, GIM Films, 87Eleven Inc. |
Production Countries: | United States |
Languages: | English |
2017 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports
December 16th, 2017
Both the first installment First-run Releases and the second installment, TV on DVD releases, were shorter than I would have liked, as this hasn’t been a great year for either wide releases or TV on DVD releases. That said, the third installment of our Holiday Gift Guide deals with limited releases, classics, and foreign imports and this list can get out of hand rather quickly. There will more releases on this list than the previous two, starting with...
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2017 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets
November 23rd, 2017
It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, and normally franchise box sets as well, but this year none jump out as essential additions to the Holiday Gift guide. Worse still, 2017 has been awful at the box office with potential blockbuster after potential blockbuster getting savaged by critics and struggling at the box office. Additionally, some of the biggest and some of the best have been on the home market for nearly half a year, meaning nearly everyone who would want them, already own them. That doesn’t mean there are no films worth adding to this list, but the list is a little shorter than usual. On a side note, two of the films on this year’s list are from the MCU and it would have been three, but Thor: Ragnarok is still in theaters. If you know someone who loves the MCU, but has all of the movies, then check out this site, which has some more unique gift ideas. I specifically like the Spider-man Drone.
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Contest: Christmas at Ground Zero: Winning Announcement
November 22nd, 2017
The winners of our Christmas at Ground Zero contest were determined and the entrants with the closest predictions for Justice League’s opening weekend were...
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Home Market Releases for November 14th, 2017
November 13th, 2017
It’s a bad week for screeners, as the screeners for both Atomic Blonde and Wind River are late. Both look like they are worth picking up, but not quite Pick of the Week material. There are a trio of contenders for this award: In This Corner of the World, Kedi, and Whose Streets? It was a close call, but in the end, Kedi came out on top.
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Contest: Christmas at Ground Zero
November 10th, 2017
Next weekend, Justice League will open and it will likely earn more than the rest of the box office combined will earn. Because of this, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Justice League.
We are continuing our Christmas contest, but we do have a studio prize this week: Atomic Blonde on Blu-ray Combo Pack. Whomever comes the closest, regardless if they go over or not, will win a copy of Atomic Blonde on Blu-ray combo pack. The other two winners will either get a Christmas present or a lump of coal. The present will include a couple of movies, TV shows, maybe some kids DVDs, etc., while the lump of coal will be the last of my HD-DVD titles, while they last, as well as something from the prize pool.
Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize, as described above. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final win a Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay!
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Contest: End of the World: Winning Announcement
November 8th, 2017
The winners of our End of the World contest were determined and the entrants with the closest predictions for Jigsaw’s opening weekend were...
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Home Market Releases for October 24th, 2017
October 25th, 2017
There are not many films on this week’s list of home market releases, but there are several bigger titles making their home market debut. Some, like Cars 3, are only coming out on Video on Demand, but there are also some serious Pick of the Week contenders hitting DVD / Blu-ray as well. Of these contenders, War for the Planet of the Apes has the best combination of reviews and extras on the Blu-ray Combo Pack.
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Weekend Wrap-Up: Dark Tower Struggles with $19.15 million
August 8th, 2017
The Dark Tower opened on the very low end of expectation with just $19.15 million over the weekend. The rest of the box office was more or less in line with predictions, leading to a $122 million haul, which is a 15% decline from last weekend. A 15% decline is pretty normal this time of year. What isn’t normal is a decline of 47% from last year; a year-over-year decline like that normally only happens when there’s a misalignment in holiday, but it wasn’t a surprise, as Suicide Squad earned more last year than the entire box office earned this year. 2017 was already behind 2016’s pace by a large amount, but that deficit more than doubled from last weekend and is now $270 million or 3.8% at $6.89 billion to $7.17 billion. Remember, 2017 started the summer about $200 million ahead of 2016, so the summer has been a disaster at the box office.
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Thursday Night Previews: A Little Light for Dark Tower
August 4th, 2017
The Dark Tower got off to a soft start with $1.8 million in previews last night. This is on the low end of expectations, but not a complete disaster. It is about 20% higher than Atomic Blonde earned last weekend and if the film has the same legs, this will result in a $21 million to $22 million opening weekend. Even if it just matches the the average previews to weekend multiplier so far this summer, it would open with $18 million over the weekend. That would still be enough for first place, and quite frankly, it’s not that bad for a film that cost $60 million to make. The average international to domestic ratio this year has been about 2 to 1. If The Dark Tower earns $50 million domestically and $100 million internationally, then it will break even sometime on the home market. On the other hand, its reviews have been simply terrible and that could sink it to the $15 million level, giving Dunkirk a real shot at first place.
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Contest: Going Nuclear: Winning Announcement
August 3rd, 2017
The winners of our Going Nuclear contest were determined and the entrants with the closest predictions for Atomic Blonde’s opening weekend were...
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Weekend Wrap-Up: Dunkirk Does in the Competition with $26.61 million
August 1st, 2017
Summer is coming to a close, as the two new releases, The Emoji Movie and Atomic Blonde had okay openings over the weekend. Dunkirk was able to earn first place with $26.61 million, which is great news for that movie, but bad news for the overall box office, as it is the worst result for a number one film since April. Overall, the box office fell 20% from last week to $144 million. This is 24% lower than the same weekend last year. Year-to-date, 2017 is now behind 2016 by 1.7% or $120 million at $6.70 billion to $6.82 billion.
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Weekend Estimates: Dunkirk Gives Emojis a Sad Face
July 30th, 2017
A solid second weekend will be enough to keep Dunkirk at the top of the box office chart this weekend, as The Emoji Movie falls short of a par performance for a family-friendly animated film. Christopher Nolan’s war movie will fall 44% from it opening—a decent figure these days—to earn $28.1 million this time around, according to Warner Bros.’ projection released on Sunday morning. That will take it past $100 million domestically today, puts it on course for around $200 million domestically in total.
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Friday Estimates: Emoji Earns $10.05 million in Emotional Start
July 29th, 2017
The weekend got off to a strange start with The Emoji Movie earning first place on Friday with $10.05 million. That’s the good news. The bad news is in the future. Not only is the film’s Tomatometer Score just 6% positive, not only are the critics aggressive in their negative reviews, but the film only managed a B from CinemaScore. Family films rarely earn less than a A minus from CinemaScore, so this will be devastating for its legs. That said, a $10.05 million start is still impressive and a second place, $28 million debut is enough that it will break even early in its home market run.
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Thursday Night Previews: Atomic Nukes the Competition with $1.52 million
July 28th, 2017
Atomic Blonde easily topped The Emoji Movie during previews, earning $1.52 million. However, had the action flick not topped the family film, it would have been a disaster. Compared to other recent action films, Atomic Blonde underperformed Valerian and the City of a Thousand Planets ($1.7 million) and Baby Driver ($2.1 million), but at least it topped King Arthur: Legend of the Sword ($1.15 million). This summer, the average action film has opened with just over 10 times what it made during its previews, which is bad news for Atomic Blonde, as it puts the film’s opening weekend at $15 million to $16 million. Its reviews are good, but not great enough to really change this trend. Even $20 million would be a boon after this start.
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Weekend Predictions: Atomic Blonde and The Emoji Movie Take On Dunkirk
July 27th, 2017
The final weekend of July has two wide releases, Atomic Blonde and The Emoji Movie. Neither are expected to be monster hits, but both could be profitable at the box office. Atomic Blonde’s reviews are excellent and its connections to the John Wick movies could get people into theaters. The Emoji Movie still has no reviews and its buzz is incredibly negative. I haven’t seen buzz this negative since Diary of a Wimpy Kid: The Long Haul. This does give Dunkirk a real shot at repeating on top of the chart. This weekend last year, Jason Bourne opened with nearly $60 million, which will likely be more than both new releases this year earn. Even if Dunkirk has better legs than expected, there’s little hope 2017 will win in the year-over-year comparison.
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Contest: Stick Together: Winning Announcement
July 27th, 2017
The winners of our Stick Together contest were determined and the entrants with the closest predictions for Dunkirk’s opening weekend were...
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Contest: Going Nuclear
July 20th, 2017
Next weekend could be one of the closest races we’ve seen all year. I can almost guarantee Atomic Blonde will have better previews and will top the chart on Friday; however, The Emoji Movie is just as likely to win on Saturday and that could be enough to win overall. It is literally a coin toss to pick the target film in this week’s box office prediction contest and Atomic Blonde won that toss. In order to win, one must simply predict the opening three-day weekend box office number for Atomic Blonde.
Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Girls: Season Six on Blu-ray. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprise consisting of one TV on DVD release. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will also win a Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay!
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2017 Preview: July
July 1st, 2017
I hate it when the first of the month lands on a Saturday. By the time this story goes live, we will still have almost no box office data for Despicable Me 3, so we won’t know if June ended on a positive note. Fortunately, Wonder Woman beat expectations and might end up as the biggest hit of the summer, at least for a little while. July begins with Spider-Man: Homecoming, which should make at least $300 million and is the last film being released this summer that has a shot at being a $400 million hit domestically. It is very likely that nothing else this month will come within $100 million of that movie, so that could help its legs. There are a few potential $100 million hits, including War for the Planet of the Apes, Dunkirk, and a couple of other long shots. Last July had a similar feel with The Secret Life of Pets topping the list with well over $300 million, while there were five other $100 million hits. This July would have to beat expectations substantially to match this performance. I’m not confident 2017 will be able to maintain its pace at the box office. I’m worried at least one big film will struggled and 2017 will end the month behind 2016’s pace.
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Atomic Blonde Trailer
June 16th, 2017
Thriller starring Charlize Theron opens July 28 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/07/28 | 6 | $359,525 | 243 | $1,480 | $359,525 | 1 | |
2017/08/04 | 3 | $1,389,500 | +286% | 436 | $3,187 | $1,746,767 | 2 |
2017/08/11 | 5 | $711,977 | -49% | 323 | $2,204 | $2,903,619 | 3 |
2017/08/18 | 9 | $334,099 | -53% | 266 | $1,256 | $3,504,794 | 4 |
2017/08/25 | 15 | $115,765 | -65% | 165 | $702 | $3,719,888 | 5 |
2017/09/01 | - | $47,185 | -59% | 62 | $761 | $3,839,952 | 6 |
2017/09/08 | - | $17,316 | -63% | 28 | $618 | $3,917,720 | 7 |
2017/09/15 | - | $3,164 | -82% | 11 | $288 | $3,897,507 | 8 |
2017/09/22 | - | $728 | -77% | 3 | $243 | $3,884,228 | 9 |
2017/09/29 | - | $1,577 | +117% | 2 | $789 | $3,820,302 | 10 |
2017/10/06 | - | $1,144 | -27% | 1 | $1,144 | $3,859,406 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/8/2017 | $188,416 | 100 | 100 | 148 | $288,692 | 1/1/2019 |
Australia | 7/28/2017 | $359,525 | 243 | 436 | 1540 | $3,859,406 | 10/18/2017 |
Austria | 8/25/2017 | $136,648 | 58 | 59 | 217 | $337,201 | 10/18/2017 |
Belgium | 8/18/2017 | $225,629 | 55 | 60 | 238 | $475,989 | 10/17/2017 |
Bolivia | 8/31/2017 | $0 | 0 | 1 | 1 | $36,948 | 1/1/2019 |
Brazil | 9/1/2017 | $820,986 | 413 | 413 | 964 | $1,860,864 | 6/26/2018 |
Bulgaria | 8/11/2017 | $23,230 | 0 | 0 | 0 | $102,219 | 2/26/2019 |
Central America | 8/24/2017 | $0 | 0 | 1 | 1 | $424,206 | 10/17/2017 |
Chile | 8/31/2017 | $81,114 | 54 | 54 | 98 | $134,238 | 12/20/2018 |
Colombia | 8/11/2017 | $192,765 | 204 | 204 | 285 | $329,269 | 12/20/2018 |
Czech Republic | 8/4/2017 | $45,410 | 93 | 93 | 174 | $121,291 | 1/1/2019 |
France | 8/18/2017 | $1,339,728 | 398 | 398 | 1513 | $3,256,496 | 10/18/2017 |
Germany | 8/25/2017 | $1,060,929 | 530 | 532 | 2004 | $2,740,665 | 11/16/2017 |
Italy | 8/4/2017 | $115,924 | 0 | 322 | 389 | $2,095,321 | 9/27/2017 |
Japan | 10/20/2017 | $811,000 | 0 | 0 | 0 | $811,000 | 10/23/2017 |
Lithuania | 8/4/2017 | $14,920 | 97 | 97 | 152 | $50,215 | 9/1/2017 |
Mexico | 9/1/2017 | $1,142,632 | 0 | 81 | 121 | $2,994,302 | 11/30/2017 |
Netherlands | 8/10/2017 | $502,034 | 94 | 101 | 444 | $1,408,803 | 10/18/2017 |
New Zealand | 8/4/2017 | $152,796 | 85 | 85 | 323 | $429,319 | 10/18/2017 |
North America | 7/28/2017 | $18,286,420 | 3,304 | 3,326 | 12,894 | $51,573,925 | |
Panama | 8/24/2017 | $267,520 | 116 | 116 | 209 | $410,323 | 1/1/2019 |
Peru | 8/31/2017 | $178,142 | 96 | 96 | 106 | $238,848 | 12/20/2018 |
Poland | 7/28/2017 | $229,653 | 0 | 0 | 0 | $737,025 | 1/1/2019 |
Portugal | 8/11/2017 | $141,747 | 92 | 92 | 270 | $455,196 | 9/26/2017 |
Russia (CIS) | 7/27/2017 | $1,590,842 | 1213 | 1214 | 3365 | $3,449,582 | 1/1/2019 |
Slovakia | 8/4/2017 | $24,401 | 56 | 56 | 97 | $54,038 | 8/23/2017 |
South Korea | 8/23/2017 | $0 | 0 | 460 | 603 | $1,034,278 | 9/21/2017 |
Spain | 8/4/2017 | $584,942 | 461 | 461 | 1286 | $2,111,212 | 9/7/2017 |
Switzerland | 8/16/2017 | $98,911 | 31 | 86 | 303 | $760,383 | 10/18/2017 |
Switzerland (French Speaking) | 8/18/2017 | $97,000 | 27 | 27 | 27 | $97,000 | 8/21/2017 |
Switzerland (German Speaking) | 8/25/2017 | $120,000 | 0 | 0 | 0 | $120,000 | 8/28/2017 |
Trinidad | 8/25/2017 | $40,000 | 0 | 1 | 1 | $86,286 | 1/1/2019 |
Turkey | 7/27/2017 | $202,001 | 330 | 330 | 841 | $690,192 | 2/26/2019 |
United Kingdom | 8/10/2017 | $2,190,453 | 580 | 580 | 1575 | $4,832,744 | 11/30/2017 |
Venezuela | 8/4/2017 | $0 | 0 | 52 | 62 | $92,659 | 9/21/2017 |
Rest of World | $9,845,288 | ||||||
Worldwide Total | $98,345,423 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Charlize Theron | Lorraine Wallace |
Supporting Cast
James McAvoy | David Percival |
John Goodman | CIA Agent |
Til Schweiger | James Gasxoigne |
Eddie Marsan | Spyglass |
Sofia Boutella | Sandrine |
Toby Jones | Gray |
Bill Skarsgård | Merkel |
James Faulkner | Chief C |
Roland Møller | Beckmentov |
Johannes Johansson | Yuri Bakhtin |
Sam Hargrave | Gascoigne |
Barbara Sukowa | Coroner |
Attila Arpa | East German Guard #1 |
Martin Angerbauer | East German Guard #2 |
Lili Gesler | Helena |
Sara Natasa Szonda | Audrey |
Declan Hannigan | Driver |
Balazs Lengyel | Gentleman |
Daniel Hargrave | Sniper |
Greg Rementer | Spotter |
Daniel Bernhardt | Soldier |
Cale Schultz | Boris |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
David Leitch | Director |
Kurt Johnstad | Screenwriter |
Anthony Johnson | Based on the Oni Press graphic novel series “The Coldest City” written by |
Charlize Theron | Producer |
Beth Kono | Producer |
A.J. Dix | Producer |
Eric Gitter | Producer |
Peter Schwerin | Producer |
Kelly McCormick | Producer |
David Guillod | Executive Producer |
Kurt Johnstad | Executive Producer |
Nick Meyer | Executive Producer |
Joe Nozemack | Executive Producer |
Steven V. Scavelli | Executive Producer |
Marc Schaberg | Executive Producer |
Ethan Smith | Executive Producer |
David Scheunemann | Production Designer |
Elisabet Ronalds | Editor |
Tyler Bates | Composer |
Jonathan Sela | Director of Photography |
Cindy Evans | Costume Designer |
John Houlihan | Music Supervisor |
Fredrik Zander | Co-Executive Producer |
Anthony Muir | Co-Executive Producer |
Antony Johnston | Co-Producer |
Jeff Morrone | Co-Producer |
Ildiko Kemeny | Co-Producer |
David Minkowski | Co-Producer |
Mary Vernieu | Casting Director |
Marisol Roncali | Casting Director |
Ethan Smith | Unit Production Manager |
Lisa Satriano | First Assistant Director |
Josy Capkun | Key Second Assistant Director |
Vickie M Hsieh | Production Supervisor |
Monika Nagy | Production Manager |
Zsuzsa Kismarty-Lechner | Supervising Art Director |
Tibor Lazar | Art Director |
Mark Rosinski | Set Decorator |
Mac Ruth | Sound Mixer |
Susie Jones | Script Supervisor |
Gabor Kiszelly | Special Effects Supervisor |
Bence Kalmar | Assistant Art Director |
Balazs Szedlacsek | Assistant Art Director |
Laszlo Szirmai | Assistant Art Director |
Zsoka Hoka | Costume Supervisor |
Paul Pattison | Make up |
Csilla Blake-Horvath | Make-up and Hair Designer |
Bea Beliczai | Location Manager |
Laszlo Rorarius | Location Manager |
Tim Pedegana | Post-Production Supervisor |
Matt Absher | First Assistant Editor |
Matyas Fekete | Assistant Editor |
Varun Viswanath | Assistant Editor |
Christoffer Holmberg | Assistant Editor |
Jon Taylor | Re-recording Mixer |
Frank A. Montano | Re-recording Mixer |
Martyn Zub | Re-recording Mixer |
Nicklas Lindh | Re-recording Mixer |
Jens Johansson | Re-recording Mixer |
Mark P. Stoeckinger | Sound Supervisor |
Paul Carden | Dialogue Editor |
Thomas Huhn | Supervising Sound Editor |
Nicklas Lindh | Supervising Sound Editor |
Alan Rankin | Sound Editor |
Mark Coffey | Assistant Editor |
Jonas Jansson | Sound Designer |
Nicklas Lindh | Sound Effects Editor |
Jonas Jansson | Sound Effects Editor |
Jens Johansson | Sound Effects Editor |
Mattias Eklund | Sound Effects Editor |
Fredrik Dalenfjäll | Sound Effects Editor |
Sebastian Leutner | Visual Effects Executive Producer |
Michael Wortmann | Visual Effects Supervisor |
Rûken Baran | Visual Effects Producer |
Oliver Arnold | Visual Effects Producer |
Sam Hargrave | Second Unit Director |
Florian Hotz | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.