Portugal Box Office for À Porta da Eternidade (2018)
Theatrical Performance (US$) | ||
Portugal Box Office | $77,597 | Details |
Worldwide Box Office | $10,894,584 | Details |
Further financial details... |
Synopsis
A journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art.
Metrics
Movie Details
Portugal Releases: | January 25th, 2019 (Wide), released as À Porta da Eternidade |
Video Release: | January 29th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for some thematic content. (Rating bulletin 2545 (Cert #51749), 9/19/2018) |
Running Time: | 111 minutes |
Keywords: | Painter, Artists |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | CBS Films, Iconoclast Films, Rahway Road , Riverstone Pictures, SPK Pictures |
Production Countries: | France, United Kingdom, United States |
Languages: | English, French |
2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture
February 24th, 2019
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2018 Awards Season: Oscars Nominations: Final Look
February 24th, 2019
It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning.
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2018 Awards Season: Oscar Highlight: Best Leading Actor
February 14th, 2019
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we look at the four acting categories, continuing with Best Lead Actor. Like the Best Supporting Actor category, there is a favorite here, but an upset wouldn’t be that shocking.
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Home Market Releases for February 12th, 2019
February 13th, 2019
It’s a shallow week on the home market. That said, Bohemian Rhapsody was a monster hit, especially internationally. It isn’t a Pick of the Week contender, but we do have a trio of contenders: At Eternity’s Gate, Audition, and Shoplifters. It’s a close race, but Shoplifters came out on top.
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Home Market Releases for January 29th, 2019
January 30th, 2019
We are still stuck in the dead zone on the home market, as it is too late for summer blockbusters, but too early for the major fall hits. The biggest first-run release of the week is The Nutcracker and the Four Realms, which says a lot. The best is The Wife, which earns our Pick of the Week. However, The Night is Short, Walk on Girl was a close competitor.
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2018 Awards Season: Oscar Nominations
January 23rd, 2019
The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each.
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Theater Averages: Mary Reigns over the Competition
December 12th, 2018
Mary Queen of Scots led the way on the theater average chart with an average of $48,694 in four theaters. Unfortunately, its reviews strongly suggest it won’t have long legs in limited release. Likewise, Vox Lux got off to a fast start with an average of $25,952 in six theaters, but it is earning nearly identical reviews, so it too will likely have short legs. Up next was Ben is Back with an average of $20,183 in four theaters. The Favourite remained in the $10,000 club for the third weekend in a row with an average of $16,523 in 91 theaters. It will almost certainly expand at least semi-wide at this point, especially if it continues to pick up Awards Season nominations.
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2018 - Awards Season: Golden Globes - Nominations
December 6th, 2018
The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced.
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At Eternity’s Gate Trailer
November 29th, 2018
Biographical drama starring Willem Dafoe, directed by Julian Schnabel opened November 16 ... Full Movie Details.
A journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art.
More...
Theater Averages: Gate Begins Eternity on Top
November 20th, 2018
At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday.
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Limited and VOD Releases: Limited Releases get a Green Light
November 16th, 2018
This week is filled with films that are earning reviews that are good, but likely not quite good enough to thrive in limited release. There are a few exceptions, mostly documentaries. This leaves Green Book as the only film that has a real shot at mainstream success. In fact, given its reviews, it could earn some Awards Season success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/01/25 | - | $967 | 1 | $967 | $967 | 53 | |
2019/02/01 | 13 | $21,257 | +2,098% | 21 | $1,012 | $22,223 | 54 |
2019/02/08 | 13 | $16,514 | -22% | 21 | $786 | $46,834 | 55 |
2019/02/15 | 18 | $9,028 | -45% | 10 | $903 | $64,784 | 4 |
2019/02/22 | 23 | $2,957 | -67% | 6 | $493 | $71,593 | 5 |
2019/03/01 | 29 | $1,668 | -44% | 4 | $417 | $74,660 | 6 |
2019/03/08 | 39 | $423 | -75% | 2 | $212 | $75,316 | 7 |
2019/03/22 | 39 | $328 | 1 | $328 | $77,597 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/5/2019 | $28,280 | 18 | 18 | 34 | $114,824 | 6/29/2019 |
Australia | 2/15/2019 | $69,833 | 45 | 54 | 263 | $396,289 | 6/2/2021 |
Germany | 4/19/2019 | $0 | 0 | 0 | 0 | $1,485,568 | 5/18/2019 |
Italy | 1/3/2019 | $1,416,044 | 0 | 23 | 79 | $4,459,341 | 8/11/2019 |
Lithuania | 1/11/2019 | $12,264 | 53 | 53 | 87 | $30,335 | 2/26/2019 |
Netherlands | 2/8/2019 | $82,529 | 44 | 44 | 289 | $353,085 | 5/4/2019 |
North America | 11/16/2018 | $92,855 | 4 | 178 | 777 | $2,294,917 | |
Portugal | 1/25/2019 | $967 | 1 | 21 | 66 | $77,597 | 3/26/2019 |
Russia (CIS) | 2/7/2019 | $213,781 | 295 | 295 | 704 | $543,918 | 5/12/2019 |
South Korea | 12/26/2019 | $51,174 | 68 | 68 | 214 | $264,698 | 2/13/2020 |
Spain | 3/1/2019 | $112,920 | 73 | 73 | 189 | $276,864 | 3/24/2019 |
Turkey | 2/15/2019 | $27,159 | 37 | 45 | 188 | $141,979 | 10/19/2022 |
United Kingdom | 3/29/2019 | $76,688 | 34 | 41 | 165 | $455,169 | 6/26/2019 |
Worldwide Total | $10,894,584 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Willem Dafoe | Vincent van Gogh |
Supporting Cast
Rupert Friend | Theo Van Gogh |
Mads Mikkelsen | The Priest |
Mathieu Amalric | Dr. Paul Gachet |
Emmanuelle Seigner | Madame Ginoux |
Oscar Isaac | Paul Gauguin |
Niels Arestrup | Madman |
Anne Consigny | Teacher |
Solal Forte | Gaston |
Vincent Perez | The Director |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Julian Schnabel | Director |
Jean-Claude Carriere | Screenwriter |
Julian Schnabel | Screenwriter |
Louise Kugelberg | Screenwriter |
Jon Kilik | Producer |
Oscar Isaac | Producer |
Rupert Friend | Producer |
Mads Mikkelsen | Producer |
Mathieu Amalric | Producer |