Portugal Box Office for Aquarela: A Força da Natureza (2019)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $2,057 | Details |
| Worldwide Box Office | $686,652 | Details |
| Further financial details... | ||
Synopsis
A cinematic journey through the transformative beauty and raw power of water. Captured at a rare 96 frames-per-second, the film is a wake-up call that humans are no match for the sheer force and capricious will of Earth’s most precious element. From the precarious frozen waters of Russia’s Lake Baikal to Miami in the throes of Hurricane Irma to Venezuela’s mighty Angel Falls, water is the film’s main character.
Metrics
Movie Details
| Portugal Releases: | October 25th, 2019 (Wide), released as Aquarela: A Força da Natureza |
| Video Release: | November 12th, 2019 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG for some thematic elements. (Rating bulletin 2568 (Cert #52087), 3/6/2019) |
| Running Time: | 90 minutes |
| Keywords: | 96 frames per second |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Participant Media, Mitteldeutsche Medienfoerderung, Creative Scotland, BFI, Deutscher Filmfoerderfonds, DFFF, Medienboard Berlin-Brandenburg, Danish Film Institute, Cactus World Films, Aconite Productions, Louverture Films, Rundfunk Berlin-Brandenburg, Arte, Rio Negro, Norak Film |
| Production Countries: | Germany, United Kingdom |
| Languages: | English, Russian, Spanish |
Home Market Releases for November 12th, 2019
November 14th, 2019
There are not many new releases on this week’s list, but there are several that are contenders for Pick of the Week. The two leading contenders are The Farewell and Star Trek: Discovery: Season Two. The former is the better show, but it is close, meanwhile, the latter has much better extras, giving it the slight advantage overall. On a side note, Yesterday Was a Lie was also in the competition for Pick of the Week. It didn’t quite win, but its Blu-ray deserves to be seen by a lot more people.
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Theater Averages: The End Begins on Top
August 22nd, 2019
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The End of the Century was the only film in the $10,000 club and it barely got there with $10,398 in one theater.
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Limited and VOD Releases: My Kingdom for a Turtle
August 16th, 2019
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There are quite a few limited releases on this week’s list earning strong enough reviews to give them a chance at doing well in theaters. Of these, Kingdom and Buñuel in the Labyrinth of the Turtles are the two I’m most interested in, but I don’t think they are destined to find box office success. Unfortunately, I don’t think any of the films on this week’s list will find box office success.
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Aquarela Trailer
July 11th, 2019
Nature documentary opens August 16 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/10/25 | 34 | $837 | 9 | $93 | $837 | 1 | |
| 2019/11/01 | 38 | $693 | -17% | 7 | $99 | $2,057 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Czech Republic | 9/26/2019 | $5,962 | 0 | 0 | 0 | $50,492 | 10/19/2022 |
| France | 2/5/2020 | $10,905 | 15 | 15 | 55 | $20,438 | 3/6/2020 |
| Germany | 12/12/2019 | $30,222 | 62 | 62 | 111 | $86,054 | 2/21/2020 |
| Netherlands | 1/3/2020 | $21,511 | 20 | 20 | 24 | $78,707 | 3/12/2020 |
| North America | 8/16/2019 | $24,753 | 5 | 69 | 239 | $301,429 | |
| Portugal | 10/25/2019 | $837 | 9 | 9 | 16 | $2,057 | 10/19/2022 |
| Russia (CIS) | 10/3/2019 | $28,412 | 122 | 122 | 206 | $97,862 | 10/19/2022 |
| Singapore | 2/27/2020 | $1,870 | 1 | 1 | 4 | $3,501 | 3/26/2020 |
| Switzerland (German Speaking) | 10/10/2019 | $5,684 | 12 | 12 | 52 | $18,776 | 11/21/2019 |
| Switzerland (Italian Speaking) | 10/17/2019 | $1,021 | 3 | 3 | 8 | $2,604 | 11/7/2019 |
| United Kingdom | 12/13/2019 | $6,147 | 9 | 9 | 31 | $24,732 | 2/14/2020 |
| Worldwide Total | $686,652 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
| Viktor Kossakovsky | Director |
| Aimara Reques | Producer |
| Heino Deckert | Producer |
| Sigrid Dyekjaer | Producer |
| Viktor Kossakovsky | Screenwriter |
| Aimara Reques | Screenwriter |
| Viktor Kossakovsky | Director of Photography |
| Ben Bernhard | Director of Photography |
| Viktor Kossakovsky | Editor |
| Mally Malene Stensgaard | Editor |
| Ainara Vera | Editor |
| Alexander Dudarev | Sound Editor |
| Eicca Toppinen | Composer |
| Jeff Skoll | Executive Producer |
| Diane Weyermann | Executive Producer |
| Mark Thomas | Executive Producer |
| Isabel Davis | Executive Producer |
| Sawsan Asfari | Executive Producer |
| Maya Sanbar | Executive Producer |
| Madge Bray | Executive Producer |
| Matthias Ehrenberg | Executive Producer |
| Frank Lehmann | Executive Producer |
| Joslyn Barnes | Co-Producer |
| Susan Rockefeller | Co-Producer |
| Danny Glover | Co-Producer |
| Tony Tabatznik | Co-Producer |
| Emile Hertling Peronard | Co-Producer |