Slovakia Box Office for Miluje ma, nemiluje ma (2023)

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Anyone But You
Theatrical Performance (US$)
Slovakia Box Office $365,986Details
Worldwide Box Office $219,819,668Details
Further financial details...

Synopsis

Bea and Ben look like the perfect couple, but after an amazing first date something happens that turns their fiery hot attraction ice cold — until they find themselves unexpectedly thrust together at a destination wedding in Australia. So they do what any two mature adults would do: pretend to be a couple.

Metrics

Movie Details

Production Budget:$25,000,000
Slovakia Releases: February 22nd, 2024 (Wide), released as Miluje ma, nemiluje ma
Video Release: February 20th, 2024 by Sony Pictures Home Entertainment
MPAA Rating: R for language throughout, sexual content and brief graphic nudity.
(Rating bulletin 2813 (cert #54309), 12/13/2023)
Running Time: 103 minutes
Keywords: Romance, Filmed in Sydney, Australia, Romantic Comedy, Vacation, Australia
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Roth Kirschenbaum Films, SK Global, Olive Bridge Entertainment
Production Countries: United States
Languages: English

Weekend predictions: Lisa Frankenstein and Argylle battle one another, and the Super Bowl

February 9th, 2024

Argylle

The race for bragging rights at the box office looks as though it will be a tight one this weekend. Lisa Frankenstein is the marginal favorite, according to our model, but Argylle could squeak in a second win if it has a better-than-expected hold or Lisa Frankenstein falters. Both films will likely struggle to do much business, and could be hurt quite a bit by Sunday’s Super Bowl. More...

Weekend predictions: Mean Girls eyeing opening in the high 20s

January 12th, 2024

Mean Girls

Mean Girls looks set to post a peppy opening weekend somewhere in the high $20-millions, based on our model’s assessment of its $3.25 million in previews on Thursday. That will give it an easy weekend win, although The Beekeeper also looks as though it’ll post good numbers this weekend, and several Holiday holdovers are still bringing in respectable business. More...

Weekend predictions: Wonka favorite for another weekend win

January 5th, 2024

Wonka

Wonka looks likely to top the box office chart for the third time this weekend, thanks to another strong hold and a mediocre opening for Blumhouse’s Night Swim. The legacy of the New Year still hangs over predictions this weekend, making it hard to be sure where everything will land, and Night Swim still has a shot at making it to the top, as well as no less than four returning films that have some theoretical chance of topping the chart. What we can say for sure is that we’re heading into a slow period at the box office. More...

Weekend predictions: Wonka looks to lead at the box office going into the New Year

December 29th, 2023

Wonka

Aquaman and the Lost Kingdom topped the chart last weekend, and The Color Purple had the second-best opening Christmas Day ever, but our model thinks Wonka will enter the New Year as champion at the box office, based on the performance of all films since Christmas Day. More...

Weekend predictions: Aquaman leads a cavalcade of new releases on Christmas weekend

December 22nd, 2023

Aquaman and the Lost Kingdom

With ten films opening or expanding wide over five days, one might think we’ll see records broken this Christmas weekend. Alas, it doesn’t look as though there’s a standout film in the pack, although there’s certainly plenty to choose from. Aquaman and the Lost Kingdom is set to take the crown, and five out the top six will be new in wide release according to our model. So there’s lots to dig into today. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2024/02/23 1 $126,051   76 $1,659   $190,858 1
2024/03/01 3 $52,844 -58% 34 $1,554   $276,205 2
2024/03/08 5 $31,623 -40% 34 $930   $327,371 3
2024/03/15 10 $14,061 -56% 19 $740   $350,138 4
2024/03/22 9 $8,533 -39% 18 $474   $359,956 5
2024/03/29 13 $4,172 -51% 8 $522   $365,986 6
2024/04/05 17 $1,588 -62% 3 $529   $370,996 7

Box Office Summary Per Territory

$00$00$00$00$00$00$00$00$00$00$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/18/2024 00$0
Australia 12/26/2023 $1,937,966 355 366 3317 $15,038,282 7/1/2024
Austria 1/19/2024 00$0
Belgium 2/7/2024 00$0
Brazil 1/25/2024 $0 0 0 0 $2,400,000 2/4/2024
Bulgaria 1/12/2024 00$0
Croatia 12/28/2023 $45,486 45 45 178 $295,675 3/8/2024
Czech Republic 1/11/2024 $97,237 118 118 383 $689,312 3/6/2024
Denmark 12/25/2023 00$0
Finland 12/27/2023 $59,666 55 55 483 $1,173,067 4/5/2024
France 1/24/2024 00$0
Germany 1/18/2024 $2,400,000 0 0 0 $8,400,000 2/4/2024
India 1/5/2024 00$0
Italy 1/25/2024 $1,308,501 0 0 0 $6,881,281 3/4/2024
Japan 5/10/2024 00$0
Lithuania 1/5/2024 00$0
Mexico 1/18/2024 $1,326,244 0 0 0 $8,256,152 3/6/2024
Netherlands 1/4/2024 $610,071 99 110 1319 $5,602,145 4/16/2024
New Zealand 12/26/2023 $128,632 75 78 630 $1,234,035 5/27/2024
North America 12/22/2023 $6,000,344 3,055 3,055 27,776 $88,319,668
Poland 3/1/2024 00$0
Portugal 12/28/2023 $137,561 53 61 635 $2,224,742 4/30/2024
Romania 12/29/2023 $94,038 73 73 347 $554,110 3/6/2024
Slovakia 2/22/2024 $126,051 76 76 189 $365,986 4/2/2024
South Africa 12/29/2023 00$0
Spain 1/19/2024 $422,658 289 326 2983 $6,896,989 4/12/2024
Turkey 3/1/2024 $40,377 81 81 153 $142,666 5/20/2024
United Kingdom 12/22/2023 $0 0 511 4149 $14,779,591 3/18/2024
Uruguay 1/18/2024 00$0
Venezuela 1/18/2024 00$0
 
Rest of World $56,560,957
 
Worldwide Total$219,819,668 7/1/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Will Gluck Director
Ilana Wolpert Story by
Ilana Wolpert Screenwriter
Will Gluck Screenwriter
Joe Roth Producer
Jeff Kirschenbaum Producer
Will Gluck Producer
Sydney Sweeney Executive Producer
Natalie Sellers Executive Producer
Alyssa Altman Executive Producer
Jacqueline Monetta Executive Producer
Catherine Bishop Executive Producer
Charlie Corwin Executive Producer
Jonathan Davino Executive Producer
Sidney Kimmel Executive Producer
Mark O’Connor Executive Producer
Tia Nolan Editor
Danny Ruhlmann Director of Photography