United Kingdom Box Office for Angry Birds (2016)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $15,367,738 | Details |
Worldwide Box Office | $352,288,341 | Details |
Home Market Performance | ||
North America DVD Sales | $15,843,538 | Details |
North America Blu-ray Sales | $12,465,722 | Details |
Total North America Video Sales | $28,309,260 | |
Further financial details... |
Synopsis
In an Island paradise, Red, a bird with a temper problem, speedy Chuck, and the volatile Bomb have always been outsiders. But when the island is visited by mysterious green piggies, it’s up to these unlikely outcasts to figure out what the pigs are up to.
Metrics
Movie Details
Production Budget: | $73,000,000 |
United Kingdom Releases: | May 13th, 2016 (Wide), released as Angry Birds |
Video Release: | July 29th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | PG for rude humor and action. (Rating bulletin 2415 (Cert #49734), 3/9/2016) |
Running Time: | 97 minutes |
Franchise: | Angry Birds |
Keywords: | Animal Lead, Talking Animals, Therapists / Therapy, 3-D, 3-D - Shot in 3-D, Family Adventure |
Source: | Based on Game |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | Columbia Pictures, Rovio Animation |
Production Countries: | Finland, United States |
Languages: | English |
Home Market Releases for August 16th, 2016
August 16th, 2016
There are a lot of releases on this week’s list, but most of them are like The Angry Birds Movie on DVD, Blu-ray Combo Pack, or 4K Combo Pack. They are good, but not good enough to be a Pick of the Week contender. The best new release is The Fits, but it is only coming out on Video on Demand.
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Friday Estimates: Star Trek Soars with $22.5 million
July 23rd, 2016
As expected, Star Trek Beyond led the way on the Friday box office chart, earning $22.5 million. This is in line with the average among analysts, but lower than my prediction. I did warn you about irrational exuberance. Given the film’s reviews and its A CinemaScore, it should have a relatively good internal multiplier. Look for an opening weekend of close to $57 million, which is significantly better than Ghostbusters’ opening with last week and not that much worse than what X-Men: Apocalypse opened with in May. I assume Paramount is happy with this result, but the film will need good legs and a strong international run to justify another sequel.
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Thursday Night Previews: Star Trek’s Previews are in the Stratosphere at $5.5 million
July 22nd, 2016
Star Trek Beyond got off to a fast start with $5.5 million during its midnight previews. This is $2 million more than Ghostbusters made last weekend, plus it has better reviews. On the other hand, it is a sequel, so the comparison isn’t perfect. We could compare it to the previous installment in the franchise, but that film opened on a Wednesday. X-Men: Apocalypse earned $8.4 million in its previews, but that film earned weaker reviews and is a comic book movie, which tend to be more front-loaded. I was a little more bullish than most with my prediction, but this result make me feel a lot better.
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Thursday Night Previews: The Purge Takes Care of the Competition with $3.64 million
July 1st, 2016
The Purge: Election Year earned the best Thursday previews out of the three wide releases with $3.64 million last night. This is the best in the franchise, just beating the $3.44 million the first film managed and well ahead of the $2.64 million the second film pulled in. On the downside, the film's reviews have slipped to just 57% positive. That's still good, for this genre and it might be a bigger than expected hit.
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Weekend Predictions: Will Audience Find Dory? Is Seeing Central Intelligence the Smart Thing to do?
June 16th, 2016
This weekend should be the best weekend in June, led by Finding Dory. Finding Dory should easily be the biggest hit of the month, one of the biggest hits of the year, and the fastest opening film in Pixar's history. On the other hand, Central Intelligence is just hoping for a solid second place opening in its role as counter-programming. If it hits $30 million, then the studio will be very happy. This weekend last year, Jurassic World led the way with $106.59 million, while Inside Out opened in second place with $90.44 million. 2016 is going to lose more ground to 2015. I just hope they keep it close. I will be happy if Finding Dory and Central Intelligence earned a combined $150 million to $170 million.
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International Box Office: Apocalypse Tops Weekend Chart, Zootopia Hits $1 billion
June 9th, 2016
X-Men: Apocalypse returned to top spot on the international chart with $84.4 million in 66 markets for totals of $286.0 million internationally and $403.0 million worldwide. Most of the film's weekend haul came from China, where it earned first place with $59.33 million. This is the best opening in the franchise in that market. The film has yet to open in Japan, but will likely fall out of the top ten before it gets there.
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Weekend Wrap-Up: Turtles Open First, but Isn't Powerful with a $35.32 Million Opening
June 7th, 2016
Two of the three new wide releases failed to make much of an impact at the box office over the weekend. This includes the overall number one film, Teenage Mutant Ninja Turtles: Out of the Shadows. It earned $35.32 million during its opening weekend, which isn't as bad as some feared, but it is also well below its predecessor's opening. Me Before You did very well in a counter-programming role with $18.72 million. Finally, Popstar: Never Stop Never Stopping barely topped the Mendoza Line. Overall, the box office earned $133 million, which is 19% lower than last weekend, but that is an acceptable post-holiday decline. Compared to last year, the box office this year was lower, but by less than 0.1%. Year-to-date, 2016's lead has grown to $250 million or 5.9% at $4.56 billion to $4.30 billion.
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Weekend Predictions: Throwing Shade on the New Releases
June 2nd, 2016
It's one of those weekends where the bigger the release is, the worse its reviews are. Teenage Mutant Ninja Turtles: Out of the Shadows is the only film expected to top $100 million domestically and its reviews are just 31% positive. Me Before You is expected to be a midlevel hit, but its reviews have slipped to 47% positive. Meanwhile, most analysts think Popstar: Never Stop Never Stopping will bomb, but its reviews are by far the best at 81% positive. This weekend last year, Spy opened with just under $30 million. Out of the Shadows should top that, while both years have similar depth. Hopefully 2016 will win the year-over-year comparison.
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International Box Office: Alice is Looking Up
June 2nd, 2016
Alice Through the Looking Glass opened in first place on the international chart with $65.0 million in 43 markets for a worldwide opening of $91.9 million, not including holiday Monday. The film's biggest opening was in China, where it made $26.88 million. It also did well in Mexico opening in first place with $4.85 million. On the other hand, it had mediocre openings in Russia (second place with $3.95 million on 1,199 screens), in the U.K. (second place with $3.33 million in 603 theaters) and in Australia (first place with $2.18 million on 503 screens). Those three openings were similar to a $20 million opening here, more or less. If the film can get to $300 million to $350 million worldwide, then it will have a shot at breaking even, eventually. It opens in France this week, Japan next month, and closes its international run in South Korea in September. It will be a while before we will know where it ends.
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Weekend Wrap-Up: X-Men has Okay Opening with $79.81 million, Alice suffers Apocalyptic Opening
May 31st, 2016
Last Memorial Day was bad with Tomorrowland leading the way with $33.03 million / $42.68 million. This year things were a bit better, with X-Men: Apocalypse earning $65.77 million / $79.81 million. Again, this is okay, but not outstanding. It's record-breaking compared to Alice Through the Looking Glass, which took in $26.86 million / $33.51 million. It's Disney's first bomb of the year. Don't feel bad for them, as they also set the record for fastest to $4 Billion Worldwide over the weekend. Overall, the box office was at $164 million, which was 20% better than last weekend and 18% better than last year. Including Monday, the box office pulled in $205 million, which was 6.3% more than last Memorial day. Year-to-date, 2016 has earned $4.39 billion, which is 5.4% or $220 million more than last year's figure of $4.16 billion. (This does include Monday of last year, because of the misalignment of holiday. This is the last misaligned holiday till Labor Day.)
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Weekend Predictions: Apocalypse vs. Alice
May 26th, 2016
It's Memorial Day long weekend and there are two wide releases trying to take advantage of the holidays. X-Men: Apocalypse is the latest installment in the X-Men franchise, but it is earning among the worst reviews. Alice Through the Looking Glass is the sequel to Alice in Wonderland, which was a surprise $1 billion hit back in 2010. Neither film is expected to live up to its predecessor, but both are expected to be hits. This weekend last year, San Andreas opened with $54.59 million over three days. Apocalypse will top that over three days, while it might take Alice four days to get there.
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International Box Office: Apocalypse Leaves World Intact with $103.2 million
May 25th, 2016
X-Men: Apocalypse started its international run in first place with $103.2 million. At first glance, that's a good start. On the other hand, the film is playing in 75 markets, so it doesn't have a lot of markets left to open in. Back to the original hand, one of the markets it has yet to open in is China. The film's biggest single market was the U.K., where it opened in first place with $10.99 million in 598 theaters. This is nearly 30% less than Days of Future Past earned and with weaker reviews, it will likely have weaker legs. The movie-to-movie decline was even steeper in Russia, where it was down 38% to $6.41 million on 1,208 screens, and in Australia, where it was down 39% with $4.68 million on 574. On the other hand, it was down a mere 6.4% in Mexico to $8.8 million and actually rose 22% in the Philippines to $4.9 million. If it can get to $600 million worldwide, then the film will break even some time during its home market run.
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Contest: Anger Management: Winning Announcement
May 25th, 2016
The winners of our Anger Management contest were determined and the entrants with the closest predictions for The Angry Birds Movie opening weekend were...
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Weekend Wrap-Up: Birds should be Happy with a $38.16 million
May 24th, 2016
While each film in the top five on this weekend's box office chart finished in the right place, none of them matched expectations, save for The Jungle Book, which earned fifth place. The Angry Birds Movie debuted on top of the chart with $38.16 million, which is an okay opening for a family film at this time of year and nothing more. Likewise, Neighbors 2: Sorority Rising struggled compared to its predecessor, but did well compared to its budget. The Nice Guys will need long legs to break even. The overall box office rose 4.5% from last weekend, reaching $137 million, but fell 11% from the same weekend last year. 2016's lead over 2015 shrank to 5.1% or $200 million at $4.14 billion to $3.94 billion. This is a very impressive figure, but might not be enough to keep 2016 in the lead throughout the rest of the year. Jurassic World came out last June and there's little hope any film this June will match it.
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Weekend Estimates: Angry Birds Win Civil War with $39 Million Debut
May 22nd, 2016
The Angry Birds Movie is performing at the top end of expectations this weekend, and will top the box office chart with a commendable $39 million. While that’s a long way behind the $75.1 million earned by Zootopia on its opening weekend back in March, it’s a very respectable figure, and gives Sony the increasingly-rare bragging rights over Disney this weekend, with Captain America: Civil War dropping to second place with $33.1 million.
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Friday Estimates: Angry Birds have Nice Opening
May 21st, 2016
The Angry Birds Movie earned first place on Friday’s box office chart with $11 million. This is in line with our reduced prediction after Thursday’s previews. The film’s reviews have fallen to just 42% positive, while its CinemaScore is just a B+. Both of those results are fine, for a kids film, I guess. (It’s hard to get worked up either way.) It won’t have the same internal multiplier that Zootopia had, so look for an opening weekend of just under $40 million and more than $100 million domestically. The film cost $80 million to make, so Rovio Animation needs the film to make about $300 million worldwide to have a shot at breaking even. (Sony is taking a 7% cut to distribute the movie, but didn’t pay for its production or advertising.)
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Thursday Night Previews: Neighbors 2 Rises
May 20th, 2016
Neighbors 2: Sorority Rising led the way during Thursday night previews pulling in $1.67 million in 2,627 theaters last night. This is a third less than Neighbors earned, while the its internal multiplier will also be smaller, due to weaker reviews and the Sequel Effect. That said, it is still aiming at $30 million over the weekend, which is very likely more than it cost to make.
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Weekend Predictions: Will Angry have a Reason to Blow Up?
May 19th, 2016
There are three wide releases coming out this week, all of which are aimed at different target audiences. The Angry Birds Movie is aimed at families and will likely be the biggest hit of the weekend. Neighbors 2: Sorority Rising is an R-rated comedy that is hoping to avoid a Horrible Bosses 2 drop-off. Finally there's The Nice Guys, which is aiming for counter-programming success. If it tops $15 million over the weekend, it will be seen as a success. Captain America: Civil War will still be in the mix and could earn the threepeat, but could also fall to third place. This weekend last year, all five films in the top five earned at least $20 million. That won't happen this year. 2016 will lose, but it won't be a disaster in the year-over-year comparison.
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International Box Office: Billion Dollars Loom Large for Civil War with Weekend Haul of $84.2 million
May 18th, 2016
Captain America: Civil War remained in top spot as it races towards $1 billion worldwide. Over the weekend, it added $84.2 million in 55 markets lifting its international total to $645.0 million, while its worldwide total hit $941.0 million. The film had no new openings this past weekend, but it pulled in $31.87 million in China for a total of $155.95 million after 11 days in that market. The film will top $1 billion by Friday, at the latest.
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Contest: Money, Money, Money: Winning Announcement
May 18th, 2016
The winners of our Money, Money, Money contest were determined and the entrants with the closest predictions for Money Monster opening weekend were...
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Contest: Anger Management
May 13th, 2016
It is actually challenging to decide which film should be the target film in this week's box office prediction contest. The Angry Birds Movie is expected to be the biggest hit opening next weekend, but Neighbors 2: Sorority Rising could open faster, but not have as strong legs. (The Nice Guys will be a midlevel hit, at the most.) Sorority Rising's international numbers are weaker than expected, so I'm going with The Angry Birds Movie as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Money Monster.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are; two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: May
May 1st, 2016
April started on a soft note and ended weak, but thanks to The Jungle Book, overall the month was actually really good. That's what happens when you get a surprise $300 million hit. This bodes well for May, which is both a slow month and a fantastic month. There are only four weekends and only eight movies coming out, but of those eight films, five have a shot at $100 million. The potential blockbusters are led by Captain America: Civil War, which is not only going to be the biggest hit of the month, but according to a Fandango survey, it is the most anticipated film of the summer. (On a side note, Finding Dory is the most anticipated family film of the summer and Ghostbusters is the most anticipated comedy of the summer. I was surprised by the last result.) Both Alice Through the Looking Glass and X-Men: Apocalypse have real shots at $200 million. One of them could get to $300 million, if they weren't opening against each other. Overall, the month looks excellent. Even better, last May there was only one monster hit, The Avengers: Age of Ultron, and most analysts think Captain America: Civil War will beat it at the box office. (There's also the issue of the misalignment in the weekends, which hurt April, but will really help May.)
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/05/13 | 2 | $3,073,009 | 520 | $5,910 | $3,073,009 | 1 | |
2016/05/20 | 2 | $2,921,136 | -5% | 526 | $5,553 | $6,605,835 | 2 |
2016/05/27 | 3 | $1,346,491 | -54% | 558 | $2,413 | $8,452,044 | 3 |
2016/06/03 | 7 | $1,235,319 | -8% | 546 | $2,262 | $12,631,455 | 4 |
2016/06/10 | 8 | $830,552 | -33% | 543 | $1,530 | $13,523,756 | 5 |
2016/06/17 | 10 | $340,989 | -59% | 503 | $678 | $13,912,790 | 6 |
2016/06/24 | 12 | $130,876 | -62% | 366 | $358 | $13,542,640 | 7 |
2016/07/01 | 13 | $62,319 | -52% | 185 | $337 | $13,283,477 | 8 |
2016/07/08 | 16 | $37,626 | -40% | 119 | $316 | $14,514,655 | 9 |
2016/07/15 | 19 | $18,336 | -51% | 86 | $213 | $14,546,534 | 10 |
2016/07/22 | 14 | $92,257 | +403% | 257 | $359 | $13,285,032 | 11 |
2016/07/29 | 13 | $65,632 | -29% | 238 | $276 | $13,669,821 | 12 |
2016/08/05 | 15 | $39,357 | -40% | 201 | $196 | $13,601,980 | 13 |
2016/08/12 | - | $57,044 | +45% | 229 | $249 | $15,084,906 | 14 |
2016/08/19 | - | $50,288 | -12% | 121 | $416 | $15,183,496 | 15 |
2016/08/26 | - | $50,438 | n/c | 271 | $186 | $15,269,188 | 16 |
2016/09/02 | - | $35,968 | -29% | 120 | $300 | $15,353,143 | 17 |
2016/09/09 | - | $8,115 | -77% | 50 | $162 | $15,364,508 | 18 |
2016/09/16 | - | $1,416 | -83% | 16 | $89 | $15,365,974 | 19 |
2016/09/23 | - | $408 | -71% | 3 | $136 | $15,366,382 | 20 |
2016/09/30 | - | $794 | +95% | 3 | $265 | $15,367,384 | 21 |
2016/10/07 | - | $354 | -55% | 1 | $354 | $15,367,738 | 22 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/12/2016 | $1,513,325 | 325 | 325 | 1128 | $4,138,513 | 11/30/2018 |
Aruba | 5/19/2016 | $15,846 | 6 | 6 | 14 | $51,906 | 12/31/2018 |
Australia | 5/13/2016 | $1,912,608 | 405 | 405 | 1966 | $6,931,673 | 7/11/2016 |
Austria | 5/13/2016 | $603,491 | 140 | 149 | 1330 | $2,031,090 | 8/30/2016 |
Bahrain | 5/12/2016 | $146,620 | 14 | 14 | 62 | $526,278 | 12/31/2018 |
Belgium | 5/11/2016 | $390,720 | 174 | 174 | 1107 | $1,801,871 | 8/30/2016 |
Bolivia | 5/12/2016 | $120,148 | 36 | 36 | 115 | $384,854 | 12/31/2018 |
Brazil | 5/12/2016 | $2,697,896 | 876 | 876 | 2921 | $7,100,172 | 7/10/2020 |
Bulgaria | 5/13/2016 | $193,989 | 71 | 71 | 509 | $827,012 | 12/31/2018 |
Cambodia | 5/12/2016 | $52,299 | 34 | 34 | 72 | $103,338 | 12/31/2018 |
Central America | 5/12/2016 | $1,115,674 | 272 | 272 | 741 | $2,492,004 | 6/21/2016 |
Chile | 5/12/2016 | $706,901 | 171 | 171 | 491 | $2,146,949 | 12/31/2018 |
China | 5/19/2016 | $30,020,000 | 70184 | 70184 | 159905 | $75,872,968 | 7/20/2016 |
Colombia | 5/12/2016 | $765,245 | 337 | 337 | 933 | $1,931,421 | 12/20/2018 |
Croatia | 5/12/2016 | $151,852 | 80 | 80 | 430 | $429,695 | 12/31/2018 |
Curacao | 5/19/2016 | $9,256 | 6 | 6 | 19 | $35,164 | 12/31/2018 |
Czech Republic | 5/12/2016 | $423,978 | 207 | 207 | 781 | $1,083,308 | 10/19/2022 |
Denmark | 5/12/2016 | $454,632 | 120 | 132 | 1002 | $2,054,873 | 8/30/2016 |
Dominican Republic | 5/19/2016 | $42,239 | 30 | 31 | 117 | $136,010 | 12/31/2018 |
East Africa | 5/13/2016 | $4,312 | 1 | 1 | 2 | $9,299 | 5/24/2016 |
Ecuador | 5/13/2016 | $300,805 | 95 | 95 | 275 | $972,762 | 12/31/2018 |
Egypt | 5/12/2016 | $32,733 | 20 | 20 | 74 | $152,530 | 12/31/2018 |
Estonia | 5/13/2016 | $71,894 | 16 | 29 | 172 | $343,833 | 8/2/2016 |
Finland | 5/13/2016 | $801,856 | 260 | 260 | 1492 | $3,686,742 | 9/13/2016 |
France | 5/11/2016 | $1,665,038 | 532 | 549 | 3959 | $6,064,540 | 7/26/2016 |
Germany | 5/12/2016 | $2,697,278 | 1073 | 1129 | 9217 | $11,974,639 | 8/30/2016 |
Ghana | 5/13/2016 | $577 | 3 | 3 | 16 | $7,104 | 12/31/2018 |
Greece | 5/12/2016 | $269,013 | 171 | 171 | 682 | $796,460 | 8/23/2016 |
Hong Kong | 6/2/2016 | $540,657 | 139 | 139 | 484 | $2,144,277 | 8/9/2016 |
Hungary | 5/12/2016 | $249,012 | 87 | 87 | 486 | $749,705 | 12/31/2018 |
Iceland | 5/11/2016 | $28,901 | 17 | 17 | 73 | $115,619 | 12/31/2018 |
India | 5/27/2016 | $1,903,370 | 735 | 735 | 1412 | $4,125,862 | 7/6/2016 |
Indonesia | 5/13/2016 | $889,184 | 314 | 314 | 647 | $2,483,707 | 12/31/2018 |
Iraq | 5/12/2016 | $30,472 | 10 | 10 | 42 | $109,906 | 12/31/2018 |
Israel | 5/12/2016 | $271,490 | 98 | 98 | 298 | $1,251,354 | 12/31/2018 |
Italy | 6/17/2016 | $1,399,456 | 539 | 573 | 2208 | $3,606,544 | 11/1/2016 |
Jamaica | 5/18/2016 | $27,528 | 6 | 6 | 27 | $83,400 | 12/31/2018 |
Japan | 10/1/2016 | $623,515 | 338 | 338 | 1309 | $2,244,315 | 11/29/2016 |
Jordan | 5/12/2016 | $28,629 | 8 | 8 | 47 | $126,874 | 12/31/2018 |
Kenya | 5/13/2016 | $13,982 | 13 | 13 | 60 | $67,770 | 12/31/2018 |
Kuwait | 5/12/2016 | $274,508 | 19 | 20 | 90 | $1,129,105 | 12/31/2018 |
Latvia | 5/13/2016 | $104,154 | 10 | 36 | 121 | $364,203 | 12/31/2018 |
Lebanon | 5/12/2016 | $58,048 | 22 | 22 | 127 | $261,512 | 12/31/2018 |
Lithuania | 5/13/2016 | $119,870 | 265 | 265 | 1257 | $539,127 | 12/20/2017 |
Malaysia | 5/12/2016 | $1,156,660 | 370 | 370 | 1015 | $3,295,036 | 6/28/2016 |
Mexico | 5/13/2016 | $2,828,925 | 1296 | 1296 | 3868 | $7,016,536 | 7/12/2016 |
Mongolia | 5/20/2016 | $23,834 | 5 | 8 | 28 | $101,887 | 12/31/2018 |
Netherlands | 5/19/2016 | $599,434 | 135 | 135 | 1368 | $4,280,374 | 8/30/2016 |
New Zealand | 5/13/2016 | $212,602 | 94 | 94 | 574 | $808,190 | 8/9/2016 |
Nigeria | 5/13/2016 | $17,953 | 23 | 23 | 163 | $133,825 | 12/31/2018 |
North America | 5/20/2016 | $38,155,177 | 3,932 | 3,932 | 18,331 | $107,509,366 | 6/24/2017 |
Norway | 5/13/2016 | $426,227 | 308 | 308 | 1176 | $1,893,046 | 8/9/2016 |
Oman | 5/12/2016 | $68,418 | 17 | 17 | 52 | $221,682 | 12/31/2018 |
Peru | 5/12/2016 | $1,383,205 | 263 | 263 | 728 | $3,068,497 | 12/31/2018 |
Philippines | 5/11/2016 | $855,715 | 169 | 169 | 309 | $1,435,371 | 12/31/2018 |
Poland | 5/27/2016 | $1,276,599 | 283 | 294 | 1755 | $4,910,472 | 11/18/2018 |
Portugal | 6/1/2016 | $343,700 | 92 | 92 | 521 | $1,687,495 | 12/8/2016 |
Qatar | 5/12/2016 | $170,331 | 15 | 15 | 61 | $498,685 | 12/31/2018 |
Romania | 5/13/2016 | $212,401 | 85 | 85 | 567 | $698,096 | 12/31/2018 |
Russia (CIS) | 5/12/2016 | $5,751,279 | 1209 | 1209 | 4617 | $11,996,823 | 12/31/2018 |
Serbia and Montenegro | 5/12/2016 | $68,973 | 42 | 42 | 231 | $215,094 | 12/31/2018 |
Singapore | 5/26/2016 | $916,397 | 63 | 63 | 194 | $2,028,295 | 7/20/2016 |
Slovakia | 5/12/2016 | $261,733 | 74 | 74 | 350 | $538,598 | 12/21/2016 |
Slovenia | 5/12/2016 | $110,213 | 43 | 43 | 213 | $275,911 | 8/9/2016 |
South Africa | 5/13/2016 | $278,411 | 122 | 122 | 742 | $1,292,420 | 8/16/2016 |
South Korea | 5/15/2016 | $11,161 | 7 | 658 | 1926 | $4,595,629 | 7/16/2016 |
Spain | 5/13/2016 | $1,939,913 | 582 | 582 | 3432 | $6,172,927 | 11/22/2016 |
Suriname | 5/19/2016 | $2,517 | 2 | 2 | 5 | $8,497 | 12/31/2018 |
Sweden | 5/13/2016 | $543,341 | 252 | 252 | 1212 | $2,115,180 | 9/7/2016 |
Switzerland | 5/12/2016 | $640,803 | 159 | 159 | 864 | $1,926,326 | 7/12/2016 |
Syria | 5/12/2016 | $2,230 | 2 | 3 | 18 | $12,937 | 12/31/2018 |
Taiwan | 6/8/2016 | $593,399 | 105 | 105 | 230 | $1,162,038 | 7/26/2016 |
Thailand | 5/12/2016 | $552,063 | 185 | 185 | 362 | $1,388,091 | 6/14/2016 |
Trinidad | 5/25/2016 | $82,690 | 24 | 24 | 78 | $190,759 | 12/31/2018 |
Turkey | 5/13/2016 | $458,900 | 305 | 388 | 1512 | $1,785,032 | 1/1/2019 |
Ukraine | 5/12/2016 | $666,678 | 266 | 270 | 909 | $1,464,962 | 12/31/2018 |
United Arab Emirates | 5/12/2016 | $827,575 | 106 | 106 | 397 | $2,426,813 | 12/31/2018 |
United Kingdom | 5/13/2016 | $3,073,009 | 520 | 558 | 5462 | $15,367,738 | 10/11/2016 |
Uruguay | 5/12/2016 | $43,475 | 23 | 23 | 121 | $283,609 | 12/31/2018 |
Venezuela | 5/13/2016 | $138,189 | 82 | 82 | 336 | $585,886 | 8/2/2016 |
Vietnam | 5/13/2016 | $594,892 | 198 | 198 | 535 | $2,025,984 | 12/31/2018 |
Rest of World | $3,379,946 | ||||||
Worldwide Total | $352,288,341 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jason Sudeikis | Red |
Josh Gad | Speedy Chuck |
Danny McBride | Bomb |
Supporting Cast
Maya Rudolph | Matilda |
Kate McKinnon | Stella, Eva the Birthday Mom |
Sean Penn | Terence |
Tony Hale | Ross, Cyrus, Mime |
Keegan-Michael Key | Judge Peckinpah |
Bill Hader | Hog |
Peter Dinklage | Mighty Eagle |
Hannibal Buress | Edward the Birthday Dad |
Ike Barinholtz | Tiny |
Tituss Burgess | Photog |
Ian Hecox | Bubbles |
Anthony Padilla | Hal |
Jillian Bell | Helene the Lunch Mom, Yoga Instructor |
Billy Eichner | Chef Pig, Phillip |
Danielle Brooks | Olive Blue, Monica the Crossing Guard |
Blake Shelton | Earl Pig |
Charli XCX* | Willow |
Romeo Santos | Early Bird |
Cristela Alonzo | Shirley the Old Lady Bird |
Adam Brown | Hug Trader |
Ava Acres | Timothy the Birthday Boy |
Geoffrey Arend | Day Care Teacher |
Malena Brewer | Arianna Bird |
Catherine Winder | Billy the Sign |
Alex Borstein | Sophie Bird, Peggy Bird |
John Cohen | Johnny Bird |
Max Charles | Bobby Bird |
Clay Kaytis | Clayton the Waiter Bird |
Matt McCarthy | Rodney Bird, Acrobat Pig |
Vincent Oswald | Dylan Hatchling |
Fergal Reilly | Foreman Pig |
Samantha Cohen | Samantha Hatchling |
Kevin Bigley | Greg Blue |
Matt Taylor | Hamilton Pig, Acrobat Pig |
Josh Robert Thompson | Brad Bird, Dane the Saxophone Bird |
Ali Wong | Betty Bird |
Mckenna Grace | Ella Bird |
Bella Laudiero | Maya Bird |
Aiden McGraw | Young Red |
Fred Tatasciore | Monty Pig |
Eileen Marra | Hatchling Singer |
Indra Raval | Hatchling Singer |
Joaquin Raval | Hatchling Singer |
Sofie Wolfe | Hatchling Singer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Clay Kaytis | Director |
Fergal Reilly | Director |
Jon Vitti | Screenwriter |
Mikael Hed | Story by |
Mikko Polla | Story by |
John Cohen | Story by |
John Cohen | Producer |
Catherine Winder | Producer |
Mikael Hed | Executive Producer |
David Maisel | Executive Producer |
Pete Oswald | Production Designer |
Kent Beyda | Editor |
Ally Garrett | Editor |
Heitor Pereira | Composer |
Linda Lamontagne | Casting Director |
Kim Rozner | Associate Producer |
Francesca Natale | Art Director-Character Art Director |
Danny Dimian | Visual Effects Supervisor |
Pete Nash | Animation Supervisor |
Stephen W. Childers | Head of Layout |
Todd Napier | 3D Stereoscopic Supervisor |
Manish Raval | Music Supervisor |
Tom Wolfe | Music Supervisor |
Tom Myers | Supervising Sound Editor |
Tom Myers | Sound Designer |
Jason Brewer | Story & Editorial Production Manager |
Scott Berri | Production Supervisor-Art Department Production Supervisor |
Bradley M. Goodman | Post-Production Supervisor |
Lydia Bottegoni | Executive Animation Producer |
Julie Zackary | Line Producer |
Lisa Jacqueline Bechard | Digital Producer |
Tamara Boutcher | Digital Producer |
Kristy Lynn Fortier | Digital Production Manager |
Garrick McLaughlin | Digital Production Manager |
Luis Gadea | Character Designer |
Sandro Lucio Cleuzo | Character Designer |
Meghan Kraft | Associate Editor |
Darrian M. James | First Assistant Editor |
Kira Tamagawa | Second Assistant Editor |
Julius Kwan | Supervising Animator |
Robert Lehman | Supervising Animator |
William Moten | Animation Supervisor |
Daniel Pozo | Animation Supervisor |
Philip Rudolph | Animation Supervisor |
Kelsey Wagner | Supervising Animator |
Kevin Webb | Animation Supervisor |
Mario Capellari | CG Supervisor |
R. Stirling Duguid | CG Supervisor |
Clint Hanson | CG Supervisor |
Cam Langs | CG Supervisor |
Nicola Lavender | CG Supervisor |
Marvin Kim | Modeling Supervisor |
Ed Siomacco Jr | Character Effects Supervisor |
Gary A. Rizzo | Re-recording Mixer |
Tom Myers | Re-recording Mixer |
Slamm Andrews | Supervising Music Editor |
Craig Berkey | Sound Designer |
Pascal Garneau | Sound Effects Editor |
David C. Hughes | Sound Effects Editor |
Stuart McCowan | Dialogue Editor |
Alan Meyerson | Score Mixer |
Manish Raval | Music Editor |
Tom Wolfe | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.