United Kingdom Box Office for Alien (Re: 2014) (1979)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $442,841 | Details |
| Worldwide Box Office | $188,034,787 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $10,700,000 |
| United Kingdom Releases: | October 31st, 2003 (Limited), released as Alien (Re: 2014) March 1st, 2019 (Limited), released as Alien (40th Anniversary) April 21st, 2023 (Limited) |
| Video Release: | December 7th, 1992 by Fox Home Entertainment |
| MPAA Rating: | R |
| Running Time: | 117 minutes |
| Franchise: | Alien |
| Keywords: | Visual Effects, Parasite, Survival Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Twentieth Century Fox |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
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Featured Blu-ray Review: Alien Anthology
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/04/29 | 28 | $5,844 | 2 | $2,922 | $137,230 | 653 | |
| 2019/03/01 | - | $170,891 | 210 | $814 | $170,891 | 801 | |
| 2019/03/08 | - | $15,267 | -91% | 12 | $1,272 | $316,107 | 802 |
| 2019/03/15 | - | $34,156 | +124% | 39 | $876 | $371,632 | 803 |
| 2019/03/22 | - | $3,318 | -90% | 6 | $553 | $377,948 | 804 |
| 2019/03/29 | - | $3,972 | +20% | 3 | $1,324 | $379,042 | 805 |
| 2019/04/05 | - | $1,676 | -58% | 2 | $838 | $381,937 | 806 |
| 2019/04/19 | - | $921 | 2 | $461 | $382,935 | 808 | |
| 2020/07/10 | - | $251 | 1 | $251 | $205,690 | 872 | |
| 2020/08/21 | - | $41 | 1 | $41 | $398,559 | 878 | |
| 2020/10/09 | - | $494 | 1 | $494 | $396,381 | 885 | |
| 2020/10/23 | - | $14,372 | 80 | $180 | $411,891 | 887 | |
| 2020/10/30 | - | $20,600 | +43% | 99 | $208 | $441,147 | 888 |
| 2020/11/13 | - | $161 | 1 | $161 | $458,311 | 890 | |
| 2020/11/27 | - | $116 | 1 | $116 | $465,702 | 892 | |
| 2021/09/17 | - | $15,864 | 63 | $252 | $498,259 | 934 | |
| 2021/09/24 | - | $829 | -95% | 9 | $92 | $505,094 | 935 |
| 2021/11/19 | - | $776 | 2 | $388 | $498,488 | 943 | |
| 2022/08/12 | - | $564 | 1 | $564 | $460,530 | 981 | |
| 2022/09/09 | - | $1,456 | 2 | $728 | $442,841 | 985 | |
| 2023/04/21 | - | $10,777 | 60 | $180 | $10,777 | 1,017 | |
| 2023/04/28 | - | $8,879 | -18% | 19 | $467 | $108,953 | 1,018 |
| 2023/05/05 | - | $2,319 | -74% | 12 | $193 | $121,369 | 1,019 |
| 2023/08/04 | - | $1,850 | 1 | $1,850 | $124,805 | 1,032 | |
| 2023/09/08 | - | $7,485 | 1 | $7,485 | $129,377 | 1,037 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/7/1979 | $0 | 0 | 94 | 169 | $71,539 | 4/16/2021 |
| Italy | 5/29/2023 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 4/26/2023 | $0 | 0 | 0 | 0 | $0 | |
| New Zealand | 4/26/2017 | $0 | 0 | 24 | 42 | $32,957 | 4/29/2024 |
| North America | 5/25/1979 | $3,522,581 | 91 | 1,750 | 12,118 | $65,403,354 | |
| Russia (CIS) | 3/7/2019 | $69,837 | 105 | 105 | 197 | $140,015 | 5/4/2019 |
| South Korea | 10/1/1987 | $0 | 0 | 23 | 46 | $7,159 | 7/15/2020 |
| United Kingdom | 10/31/2003 | $0 | 0 | 210 | 630 | $442,841 | 9/13/2023 |
| Rest of World | $121,936,922 | ||||||
| Worldwide Total | $188,034,787 | 4/29/2024 | |||||
Leading Cast
| Tom Skerritt | Dallas |
| Sigourney Weaver | Ripley |
Supporting Cast
| Veronica Cartwright | Lambert |
| Harry Dean Stanton | Brett |
| John Hurt | Kane |
| Ian Holm | Ash |
| Yaphet Kotto | Parker |
| Helen Horton | Voice of Mother |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ridley Scott | Director |
| Dan O’Bannon | Screenwriter |
| Dan O’Bannon | Story Creator |
| Ronald Shusett | Story Creator |
| Jerry Goldsmith | Composer |
| Gordon Carroll | Producer |
| David Giler | Producer |
| Walter Hill | Producer |
| Ronald Shusett | Executive Producer |
| Ivor Powell | Associate Producer |
| Paul Ibbetson | Assistant Director |
| Garth Thomas | Production Manager |
| Michael Seymour | Production Designer |
| Leslie Dilley | Art Director |
| Roger Christian | Art Director |
| Ian Whittaker | Set Decorator |
| Dan O’Bannon | Visual Consultant |
| Derek Vanlint | Director of Photography |
| Denys Ayling | Director of Photography |
| H.R. Giger | Special Effects |
| Carlo Rambaldi | Special Effects |
| Brian Johnson, Jr. | Special Effects Supervisor |
| Nick Allder | Special Effects Supervisor |
| John Mollo | Costume Designer |
| Tiny Nicholls | Costume Supervisor |
| Terry Rawlings | Editor |
| Peter Weatherley | Editor |
| Derrick Leather | Sound Mixer |
| Bill Rowe | Re-recording Mixer |
| Jim Shield | Sound Editor |
| Bryan Tilling | Dialogue Editor |
| Bob Hathaway | Music Editor |
| Tommy Manderson | Make up |
| Mary Goldberg | Casting Director |
| Mary Selway | Casting Director |
| Roy Scammel | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.