Czech Republic Box Office for Zraněná srdce (2019)
Theatrical Performance (US$) | ||
Czech Republic Box Office | $31,046 | Details |
Worldwide Box Office | $8,242,415 | Details |
Further financial details... |
Synopsis
Rachael Morgan arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis, a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.
Metrics
Movie Details
Czech Republic Releases: | March 29th, 2019 (Wide), released as Zraněná srdce |
Video Release: | June 11th, 2019 by Fox Home Entertainment |
MPAA Rating: | R for sexual content/nudity, and violence including some disturbing images. (Rating bulletin 2499 (Cert #51288), 10/25/2017) |
Running Time: | 109 minutes |
Keywords: | Post War, 1940s, Set in Germany, Betrayal, Infidelity, Relationships Gone Wrong, Death of a Son or Daughter, World War II, Assassination |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Fox Searchlight Pictures, BBC Films, Deutscher Filmfoerderfonds, Filmforderung Hamburg Schleswig-Holstein, Scott Free Films, Amusement Park, TSG Entertainment |
Production Countries: | Germany, United Kingdom |
Languages: | English |
Home Market Releases for June 25th, 2019
June 26th, 2019
It is an absolute nightmare on the home market. There’s no monster hit to talk about, but there are a mountain of new releases that are selling well enough that they could have been featured in the main list and about twice as many that could have been included in the Secondary Blu-ray release. I had to trim some of them to keep the list manageable. Unfortunately, the list of Pick of the Week contenders is rather short with just Megalobox: Season One and Frankie Drake Mysteries: Season Two, both of which are worth owning. However, the biggest and best release of the week is Captain Marvel. The screener arrived late, but I finally got the review of the Blu-ray online. That said, I’m going to award Frankie Drake Mysteries with Puck of the Week for best Canadian release.
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Theater Averages: High Life Reaches High Heights
April 12th, 2019
High Life led the way on the theater average chart earning an average of $24,835 in four theaters. Amazing Grace was next with an average of $14,674 in eight theaters. Meanwhile, the overall number one film, Shazam, was the final film in the $10,000 club with an average of $12,688.
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Theater Averages: Real Horse Race on Top of the Chart
March 21st, 2019
The Mustang topped the theater average chart with an average of $17,914 in four theaters. Last week’s number one film, Captain Marvel, slipped to second with a still impressive average of $15,775. The final film in the $10,000 club was The Aftermath with an average of $11,284 in five theaters.
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Limited and VOD Releases: Which Limited Releases Will Crack the Case of the Box Office?
March 15th, 2019
It’s a good week for limited releases with a lot of different films. This includes some made for mainstream appeal (Nancy Drew and the Hidden Staircase and No Manches Frida 2) as well as more art house fair (The Mustang and Starfish). There are even some documentaries (Combat Obscura and The Eyes of Orson Welles) and foreign-language films (Ash is Purest White and Iceman). I just hope the competition isn’t too much and at least some of these films thrive in theaters.
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The Aftermath Trailer
October 19th, 2018
Historical drama starring Keira Knightley and Alexander Skarsgård opens April 26, 2019 ... Full Movie Details.
Rachael Morgan arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis, a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/03/29 | 12 | $19,888 | 84 | $237 | $19,888 | 1 | |
2019/04/05 | 18 | $3,525 | -82% | 11 | $320 | $31,046 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/12/2019 | $36,963 | 58 | 58 | 80 | $63,154 | 5/18/2019 |
Australia | 4/12/2019 | $354,276 | 108 | 150 | 746 | $1,445,105 | 6/4/2019 |
Czech Republic | 3/29/2019 | $19,888 | 84 | 84 | 95 | $31,046 | 4/9/2019 |
France | 5/3/2019 | $335,864 | 157 | 157 | 471 | $715,591 | 5/24/2019 |
Italy | 3/21/2019 | $176,368 | 0 | 19 | 26 | $296,539 | 4/19/2019 |
Lithuania | 5/3/2019 | $11,974 | 62 | 62 | 74 | $22,951 | 5/14/2019 |
Mexico | 5/17/2019 | $94,051 | 0 | 0 | 0 | $94,051 | 5/20/2019 |
Netherlands | 3/29/2019 | $66,446 | 67 | 68 | 194 | $192,442 | 4/15/2019 |
North America | 3/15/2019 | $56,419 | 5 | 344 | 883 | $1,618,497 | |
Portugal | 4/19/2019 | $50,166 | 34 | 34 | 98 | $157,864 | 5/28/2019 |
Russia (CIS) | 4/25/2019 | $168,962 | 389 | 389 | 902 | $401,476 | 5/18/2019 |
Slovakia | 3/29/2019 | $12,599 | 53 | 53 | 75 | $23,742 | 4/16/2019 |
Spain | 4/12/2019 | $240,899 | 183 | 199 | 490 | $664,579 | 5/9/2019 |
United Kingdom | 3/1/2019 | $787,594 | 562 | 562 | 1688 | $2,515,378 | 5/8/2019 |
Worldwide Total | $8,242,415 | 6/4/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Keira Knightley | Rachael Morgan |
Alexander Skarsgård | Stefan Lubert |
Jason Clarke | Lewis Morgan |
Supporting Cast
Ned Wills | Boy on Train |
Pandora Colin | Mother on Train |
Anna Schimrigk | Heike |
Jack Laskey | Wilkins |
Fionn O’Shea | Barker |
Kate Phillips | Susan |
Martin Compston | Burnham |
Mirco Kuball | Soldier |
Rosa Enskat | Greta |
Frederick Preston | Michael Morgan |
Flora Li Thiemann* | Freda Lubert |
Monika Foris | German Woman |
Logan Hillier | British Captain |
Jannik Schumann | Albert |
Jim High | British Soldier |
Roman Vejdovec | Dentist |
Halka Jerabek Tresnakova | Hausfrau |
Henry Pettigrew | Donnell |
Tom Bell | Captain Eliot |
Joseph Arkley | Captain Thompson |
Abigail Rice | Pamela |
Naomi Frederick | Celia |
Ivan Shvedoff | Colonel Kutov |
Alexander Scheer | Siegfried Leitmann |
Pip Torrens | General Brook |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Kent | Director |
Joe Shrapnel | Screenwriter |
Anna Waterhouse | Screenwriter |
Rhidian Brook | Screenwriter |
Rhidian Brook | Story based on the novel ‘The Aftermath’ by |
Jack Arbuthnott | Producer |
Malte Grunert | Producer |
Ridley Scott | Executive Producer |
Joe Oppenheimer | Executive Producer |
Beth Pattinson | Executive Producer |
Carlo Dusi | Executive Producer |
Sarah-Jane Wheale | Line Producer |
Franz Lustig | Director of Photography |
Sonja Klaus | Production Designer |
Beverley Mills | Editor |
Bojana Nikitovic | Costume Designer |
Martin Phipps | Composer |
Nina Gold | Casting Director |
Jan Brandt | Unit Production Manager |
Susanna Lenton | Script Supervisor |
Klaus Dohle | Associate Producer |
Roland Winke | Sound Mixer |
Danny Sheehan | Sound Supervisor |
Matthew Collinge | Sound Supervisor |
Jack Arbuthnott | Second Unit Director |
Lucienne Suren | Supervising Art Director |
Jiri Matura | Art Director |
Monica Alberte | Set Decorator |
Marketa Prochazkova | Costume Supervisor |
Charlie Thorne | First Assistant Editor |
William Blunden | First Assistant Editor |
Simone Bar | Casting Director |
Arwa Salmanova | Casting Director |
Paul Cotterell | Re-recording Mixer |
Matthew Collinge | Re-recording Mixer |
Keith Partridge | Foley Mixer |
Rob Turner | Foley Editor |
Peter Wiemker | Special Effects Supervisor |
Michael Reuter | Visual Effects Executive Producer |
Sebastian Barker | Visual Effects Supervisor |
John Lockwood | Visual Effects Supervisor |
Olga Fitzroy | Score Recordist |
Olga Fitzroy | Score Mixer |
Martin Phipps | Score Producer |
Al Green | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.