United Kingdom Box Office for Ae Dil Hai Mushkil (2016)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $1,817,056 | Details |
Worldwide Box Office | $26,775,567 | Details |
Further financial details... |
Metrics
Movie Details
United Kingdom Releases: | October 28th, 2016 (Wide) |
Video Release: | April 28th, 2023 by Netflix |
MPAA Rating: | Not Rated |
Running Time: | 158 minutes |
Keywords: | Wedding Day, Romance, Set in India, Cancer, Set in London, Set in England, Non-Chronological, Romantic Drama |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | India |
Languages: | Hindi |
Theater Averages: It’s a Long Walk to the Top with $57,065
November 16th, 2016
Billy Lynn’s Long Halftime Walk earned first place on the theater average chart over the weekend earning an average of $57,065 in two theaters. That’s the good news. The bad news is its reviews suggest poor word of mouth and difficulty expanding wide this coming weekend. Elle opened in second place with an average of $25,467, also in two theaters. Loving remained in the $10,000 club for the second weekend with an average of $11,149 in 46 theaters. It still has room to grow. Doctor Strange was right behind with an average of $11,069. The final film in the $10,000 was the biggest new release of the week, Arrival, which earned an average of $10,390.
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Theater Averages: Loving Loves its Opening Average of $39,904
November 8th, 2016
Loving led the way on the theater average chart this weekend with an average of $39,904 in four theaters. This isn’t among the best of the year, but it does show the film has room to grow and that should help its Oscar buzz, which in turn will help its box office numbers. The overall number one film, Doctor Strange, was next with an average of $21,911. The only holdover in the $10,000 club was Moonlight, which earned an average of $14,883 in 83 theaters. It still has room to grow, but its chances of expanding truly wide are very limited at this point. The Eagle Huntress was next with an average of $13,144 in four theaters. The final film in the $10,000 club was Trolls at $11,473.
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International Box Office: Nothing Strange About Doctor’s $86.0 million International Debut
November 3rd, 2016
Doctor Strange started its international run in first place with $86.0 million in 33 markets. This is 49% better than Ant-Man’s debuts in these markets. If the film does as well here, it would earn $85 million this coming weekend. The film’s biggest international market was South Korea, where it debuted with $12.95 million on 1,500 screens over the weekend for a total opening of $18.05 million. It dominated the weekend box office there. It earned an easy first place in the U.K. with $11.29 million in 602 theaters. The film also opened in first place in France ($5.7 million); Australia ($4.90 million); Germany ($4.8 million); and Mexico ($4.67 million). If the film does as well during the rest of its international run, it will earn just over $500 million internationally. However, since its reviews are better than Ant-Man’s reviews were, it could have even better legs. We will know more this time next week.
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Theater Averages: Moonlight Remains Full earning an average of $23,614
November 2nd, 2016
Moonlight remained in top spot with an average of $23,614 in 36 theaters. The film has already reached $1 million and it has room to grow. Additionally, its reviews are Oscar-worthy, so its Awards Season buzz should really start to grow. The only other film in the $10,000 club was Gimme Danger, which earned an average of $14,908 in three theaters.
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Weekend Estimates: Madea Defeats Feeble Inferno
October 30th, 2016
What was meant to be the weekend that the Fall Season started in earnest has turned into a damp squib, with Inferno not just failing to hit expectations, but not even topping the chart. With just $15 million expected this weekend, according to Sony’s Sunday morning projection, the franchise has shown a dismal downward trajectory at the domestic box office. The Da Vinci Code opened with $77 million in 2006; Angels & Demons debuted with $46 million in 2009; and now Inferno will earn less on its opening weekend than either of its predecessors made on their opening days.
The weak opening for Inferno follows a string of so-so results for films over the past couple of months. Perhaps the reality show that is our presidential election is dragging down theatrical business?
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Limited and VOD Releases: These Films will Put a Spell on You
October 28th, 2016
While Halloween doesn’t technically arrive until Monday, it is still sort of Halloween weekend. This explains why there’s not a lot of films on this week’s list. That doesn’t mean there is nothing worth checking out. The Love Witch is the best of this week’s offerings with 100% positive reviews, but it might have to wait till the home market to find an audience.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/10/28 | 8 | $750,456 | 132 | $5,685 | $750,456 | 1 | |
2016/11/04 | 12 | $311,393 | -59% | 92 | $3,385 | $1,445,231 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 10/28/2016 | $306,151 | 34 | 34 | 89 | $605,199 | 11/21/2016 |
India | 10/28/2016 | $7,500,000 | 0 | 0 | 0 | $19,900,000 | 11/7/2016 |
New Zealand | 10/28/2016 | $80,342 | 23 | 23 | 69 | $188,329 | 11/21/2016 |
North America | 10/28/2016 | $2,191,280 | 302 | 302 | 814 | $4,264,983 | |
United Kingdom | 10/28/2016 | $750,456 | 132 | 132 | 224 | $1,817,056 | 9/8/2018 |
Worldwide Total | $26,775,567 | 9/8/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ranbir Kapoor | Ayan Sanger |
Anushka Sharma | Alizeh Khan |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Karan Johar | Director |
Karan Johar | Screenwriter |
Niranjan Iyengar | Screenwriter |
Karan Johar | Story Creator |