Mexico Box Office for Addicted (2014)
Theatrical Performance (US$) | ||
Mexico Box Office | $5,684 | Details |
Worldwide Box Office | $17,499,242 | Details |
Home Market Performance | ||
North America DVD Sales | $3,769,629 | Details |
Total North America Video Sales | $3,769,629 | |
Further financial details... |
Synopsis
Successful businesswoman Zoe Reynard appears to have attained it all—the dream husband she loves, two wonderful children and a flourishing career. As perfect as everything appears from the outside, Zoe is still drawn to temptations she cannot escape or resist. As she pursues a secretive life, Zoe finds herself risking it all when she heads down a perilous path she may not survive.
Metrics
Movie Details
Production Budget: | $5,000,000 |
Mexico Releases: | May 15th, 2015 (Wide) |
Video Release: | January 27th, 2015 by Lionsgate Home Entertainment |
MPAA Rating: | R for strong sexual content, nudity, language and brief drug use. (Rating bulletin 2340, 9/17/2014) |
Running Time: | 105 minutes |
Keywords: | African Americans, Interracial Romance, Relationships Gone Wrong, Addiction, Infidelity, Obsessive Love, Erotic Thriller, Erotic Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Lionsgate, Paul Hall |
Production Countries: | United States |
Languages: | English |
DVD Sales: Alexander's Really Good, Wonderful, Amazing Start on DVD
March 1st, 2015
There were a lot of new releases in the top 30 of the DVD sales chart. However, there were only two new releases in the top five. Alexander and the Terrible Horrible No Good Very Bad Day earned first place, as it sold 345,000 units and generated $5.98 million during its first week of release.
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DVD and Blu-ray Releases for February 10th, 2015
February 11th, 2015
I can't wait till the winter blockbusters start coming out, because I've run out of ways to say, "It is a slow week on the home market." without repeating myself. There are some releases that are certainly worth picking up, like the Blu-ray debut for 101 Dalmatians, but there are also releases that I would call filler on the first page of Amazon.com's list of new releases. There are a number of releases that are worth picking, including Force Majeure (DVD or Blu-ray); Laggies (DVD or Blu-ray); Nightcrawler (DVD or Blu-ray Combo Pack); and Rosewater (DVD or Blu-ray Combo Pack). However, the only real contender for Pick of the Week was 101 Dalmatians.
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Weekend Wrap-Up: Fury et al are a Little Calmer than Expected
October 21st, 2014
The weekend box office was a little softer than expected, with Fury earning first place, but with much less than some were expecting. I was a little more conservative and I was still off by close to $10 million. The rest of the top five, on the whole, were also not quite as strong as expected, so the overall box office fell 11% from last weekend. However, it was 26% higher than the same weekend last year, which is the much more important figure. 2014 is still behind 2013 by more than $300 million, or 3.6%, at $8.05 billion to $8.36 billion, but if we can close the gap a little bit each week, we can at least make it a respectable race in the end.
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Weekend Wrap-Up: Untold Nearly Undoes the Competition, But Gone Remains
October 14th, 2014
There were four new releases in the top ten, plus another that just missed that mark. Despite the competition, Gone Girl remained in first place and it earned a little more than expected. The biggest surprise was Dracula Untold, which earned first place on Friday and nearly took first place over the weekend. Alexander and the Terrible, Horrible, No Good, Very Bad Day grabbed third place, while there were other reasons to celebrate lower on the chart as well. Overall, the box office was on par with last weekend at $147 million. It was technically higher, but by 0.2%. Compared to last year, the box office was 26% higher, which was much better than anticipated. 2014 is still well behind 2013 by more than $300 million at $7.87 billion to $8.18 million, but every little bit helps. At this point, we are more concerned about limiting the losses than we are worried about completing the comeback.
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Weekend Estimates: Dracula Nearly Gets Girl
October 12th, 2014
What was largely expected to be a fairly comfortable win for Gone Girl this weekend turned out to be a bit of a squeaker, thanks to a better-than-expected $23.46 million estimated opening for Dracula Untold. The vampire actioner won the day on Friday, but couldn’t maintain its pace, with $8.7 million on Saturday, against Gone Girl’s $11.3 million. Projections for today have it potentially falling into third place behind Alexander and the Terrible, Horrible, No Good, Very Bad Day on Sunday, which doesn’t bode well for its legs long-term.
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Friday Estimates: Dracula Wins Friday, Gone Girl Will Win Weekend
October 11th, 2014
Dracula Untold enjoyed a better-than-expected opening day, and will top the chart for Friday. Saturday morning reports have it doing $8.9 million, well ahead of Gone Girl, which will land on $8.15 million. Dracula looks set for a weekend between $20 million and $25 million, which won’t be enough for an overall win. Gone Girl should end up between $25 million and $27 million for the weekend, down just 30% from its opening frame, and will be close to $80 million by Monday morning.
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Weekend Predictions: Are the New Releases Terrible, Horrible, No Good, and Very Bad?
October 9th, 2014
This weekend there are four new wide releases; however, none of them are expected to be big hits. In fact, Gone Girl is widely expected to repeat in first place, while Annabelle might have a shot at second place. Three of the new releases will likely finish in the midteens with Alexander and the Terrible, Horrible, No Good, Very Bad Day currently on track to become the best of the bad bunch of new films. The Judge has taken a huge tumble as far as analysts are concerned. Dracula Untold is in the mix and might earn second place, but it might also earn fifth. Regardless, it won't do well enough for a film that cost $100 million to make. Then there's Addicted, a movie whose buzz is so quiet I forgot it was opening this week. This weekend last year, Gravity again led the way with $43.19 million, while Captain Phillips opened in second place with $25.72 million. There's no chance any film will match Gravity. In fact, the top film this week will very likely be behind Captain Phillips. On the other hand, last year only one other film earned more than $4 million, so the depth was terrible. I think the depth this week should be enough to eke out a win.
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2014 Preview: October
September 30th, 2014
September is over and while it got off to a bad start, a really, really, truly terrible start, it actually ended on a bit of a strong note. Granted, no film has yet to reach $100 million, but The Maze Runner and The Equalizer both could get there in the end. As for October, we might go another month without a $100 million hit. There are a couple of films that have the potential to reach the century mark, Gone Girl and Fury. Hopefully they will get there, but given the recent box office woes, it is probably best to keep expectations low. Last October, there were two films that earned more than $100 million. Bad Grandpa just made it passed that mark. On the other hand, Gravity was a monster hit earning nearly $275 million. It you compare its run to this year's batch of films, it only ranks behind Guardians of the Galaxy. ... There's no way any film opening this month is going to match that. ... There no way the top two films will match that. ... The top three films might not match that. ... 2014 is going to get crushed in the year-over-year comparison and by the end of the month, it will be safe to say its chances of ever catching up to 2013 will be over. It is going to be a depressing month.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Mexico | 5/15/2015 | $2,629 | 0 | 0 | 0 | $5,684 | 8/30/2018 |
North America | 10/10/2014 | $7,485,346 | 846 | 1,037 | 3,937 | $17,390,770 | 10/21/2015 |
Rest of World | $102,788 | ||||||
Worldwide Total | $17,499,242 | 8/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Sharon Leal | Zoe Reynard |
Supporting Cast
Boris Kodjoe | Jason Reynard |
Tasha Smith | Dr. Marcella Spencer |
Tyson Beckford | Corey |
Emayatzy Corinealdi | Brina |
William Levy | Quinton Canosa |
Kat Graham | Diamond |
Brandon Gonzalez | Tony |
Cameron Mills | 10 Year Old Zoe |
Daniel O'Callaghan | Chubby Businessman |
Garrett Hines | Benny |
Hunter Burke | Shane |
John Newberg | Bathazar Crayne |
Landon Runion | Peter Reynard |
Lauren Marquez | Kayla Reynard |
Maria Howell | Nina |
Omer Mughal | Handsome Man |
Paul Hall | Marley |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Bille Woodruff | Director |
Christina Welsh | Screenwriter |
Ernie Barbarash | Screenwriter |
Paul Hall | Producer |
Charisse Nesbit | Executive Producer |
Zane* | Executive Producer |
Joseph White | Director of Photography |
Jeffrey Pratt Gordon | Production Designer |
Bruce Cannon | Editor |
Lorraine Coppin | Costume Designer |
Aaron Zigman | Composer |
Jennifer Booth | Co-Producer |
Kim Taylor-Coleman | Casting Director |
Zane* | Story Creator |
Jennifer Booth | Unit Production Manager |
Chip Signore | First Assistant Director |
Samuel J. Alvelo | Second Assistant Director |
Donna Sloan | Executive in Charge of Production |
Sarah Carter | Set Decorator |
Tina Rowden | Still Photographer |
Christine Park | First Assistant Director |
Mark W. McCoy | Post-Production Supervisor |
Jillian Amburgey | Script Supervisor |
Bud F. Raymond | Sound Mixer |
David Fletcher | Special Effects Coordinator |
Kristin Morlino | Costume Supervisor |
Denise Tunnell | Make up |
Keitric W. Starks | Make up |
Andrea C. Brotherton | Hairstylist |
Talya R. Melvey | Hairstylist |
Keisha Richardson | Casting Associate |
Patrick Ingram | Additional Casting-Extras Casting |
Gregory Hedgepath | Supervising Sound Editor |
Bobbi Banks | Supervising Dialogue Editor |
Lauren Hadaway | Dialogue Editor |
Christopher T. Welch | Dialogue Editor |
David A. Whittaker | Sound Effects Editor |
Mark Coffey | Assistant Sound Editor |
Harry Cheney | Foley Mixer |
Gary Bourgeois | Re-recording Mixer |
Jason Sanford | Visual Effects Producer |
Chris LeDoux | Visual Effects Supervisor |
Tim LeDoux | Digital Effects Supervisor |
Robin Graham | Compositing Supervisor |
Curtis A. Miller | Production Supervisor |
Joel C. High | Music Supervisor |
Michael Stern | Music Recorded By |
Johnny Caruso | Music Editor |
Angie Rubin | Music Editor |
Shie Rozow | Music Editor |
Anderson Martin | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.