Australia Box Office for Absolutely Anything (2015)
| Theatrical Performance (US$) | ||
| Australia Box Office | $41,881 | Details |
| Worldwide Box Office | $7,167,019 | Details |
| Home Market Performance | ||
| North America DVD Sales | $31,850 | Details |
| Total North America Video Sales | $31,850 | |
| Further financial details... | ||
Synopsis
The tale of a disillusioned schoolteacher, Neil Clarke, who is suddenly granted the ability to do anything he wishes. These powers are bestowed upon him by a group of aliens, who are watching him from outer space. Unbeknownst to Neil, how he employs his newfound powers will dictate the fate of mankind. One wrong move and the aliens will destroy Earth forever. While struggling with these miraculous "Absolutely Anything" powers, Neil is also bidding to win the heart of the girl who lives in the flat downstairs, Catherine, and he calls upon his loyal canine companion Dennis to help him along the way. Catherine’s former boyfriend, meanwhile, appears on the scene to prove an exacting nemesis. Will Neil do the right thing and use his "Absolutely Anything" powers properly? Will he get the girl of his dreams? And will Dennis help him achieve his dreams, or just dream about dog biscuits? The fate of the planet depends on Neil’s actions…
Metrics
Movie Details
| Australia Releases: | November 13th, 2015 (Wide) |
| Video Release: | June 27th, 2017 by Fox Home Entertainment |
| MPAA Rating: | R for language including sexual references, and brief nudity. (Rating bulletin 2475 (Cert #51050), 5/10/2017) |
| Running Time: | 85 minutes |
| Keywords: | Friendly Alien on Earth, Scientific Experiment Gone Awry, Wish Granters, Talking Animals, Animal Lead, Development Hell, Delayed Release, Romance, Relationship Advice, Stalker, Kidnap, Relationships Gone Wrong, Directing Yourself, Screenplay Written By the Star |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Bill and Ben, GFM Films |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Home Market Releases for June 27th, 2017
June 27th, 2017
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It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now.
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Limited and VOD Releases: Farewell to Loved Limited Releases
May 12th, 2017
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It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand.
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Limited and VOD Releases: Before You Go to the Movies
September 4th, 2015
As bad as the overall box office looks, the list of limited releases is arguably worse. The biggest limited release in terms of buzz is Before We Go, a film that was earning zero positive reviews when I checked late last night. (A couple of positive reviews have since trickled in.) That's not to say there are no films earning overwhelmingly positive reviews. The Black Panthers: Vanguard of the Revolution and Elle L'Adore are both being praised by critics. However, as a documentary and a foreign-language film respectively, their box office chances are not strong.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/11/13 | 47 | $2,708 | 1 | $2,708 | $2,953 | 1 | |
| 2015/11/20 | 22 | $16,507 | +510% | 20 | $825 | $20,062 | 2 |
| 2015/11/27 | 31 | $7,329 | -56% | 17 | $431 | $32,720 | 3 |
| 2015/12/04 | 43 | $2,656 | -64% | 12 | $221 | $39,279 | 4 |
| 2015/12/11 | 62 | $978 | -63% | 8 | $122 | $42,425 | 5 |
| 2015/12/18 | 62 | $119 | -88% | 2 | $60 | $40,245 | 6 |
| 2016/01/15 | 63 | $99 | 1 | $99 | $41,789 | 10 | |
| 2016/01/22 | 57 | $18 | -82% | 1 | $18 | $41,881 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/13/2015 | $2,708 | 1 | 20 | 62 | $41,881 | 6/9/2016 |
| China | 9/9/2016 | $980,000 | 22543 | 22543 | 22543 | $1,237,747 | 8/27/2018 |
| Croatia | 8/13/2015 | $0 | 0 | 11 | 18 | $47,396 | 12/30/2018 |
| France | 8/12/2015 | $375,942 | 240 | 240 | 240 | $375,942 | 8/18/2015 |
| Greece | 8/20/2015 | $56,556 | 32 | 32 | 51 | $111,466 | 9/2/2015 |
| Italy | 9/4/2015 | $271,831 | 0 | 97 | 207 | $693,776 | 9/30/2015 |
| Lebanon | 8/13/2015 | $35,331 | 9 | 9 | 9 | $35,331 | 12/30/2018 |
| Malaysia | 8/20/2015 | $29,099 | 30 | 30 | 35 | $64,786 | 9/9/2015 |
| New Zealand | 11/5/2015 | $0 | 0 | 4 | 23 | $5,836 | 6/9/2016 |
| North America | 5/12/2017 | $0 | 0 | 0 | 0 | $0 | 4/20/2017 |
| Philippines | 8/12/2015 | $45,770 | 60 | 60 | 60 | $45,770 | 12/30/2018 |
| Poland | 8/14/2015 | $52,881 | 0 | 0 | 0 | $134,940 | 12/30/2018 |
| Portugal | 8/27/2015 | $0 | 0 | 3 | 6 | $101,978 | 10/6/2015 |
| Russia (CIS) | 11/19/2015 | $300,614 | 550 | 550 | 1195 | $552,367 | 11/20/2018 |
| Serbia and Montenegro | 8/27/2015 | $0 | 0 | 11 | 11 | $14,651 | 12/30/2018 |
| Singapore | 9/3/2015 | $95,103 | 18 | 18 | 48 | $236,955 | 10/27/2015 |
| Slovenia | 8/27/2015 | $7,380 | 10 | 10 | 40 | $27,164 | 9/24/2015 |
| South Korea | 1/15/2016 | $22,508 | 0 | 0 | 0 | $30,077 | 9/9/2018 |
| Spain | 5/13/2016 | $2,488 | 7 | 7 | 7 | $2,488 | 6/9/2016 |
| Thailand | 8/27/2015 | $51,256 | 70 | 70 | 86 | $78,764 | 9/9/2015 |
| Ukraine | 11/19/2015 | $35,469 | 63 | 63 | 173 | $73,377 | 12/31/2018 |
| United Arab Emirates | 9/10/2015 | $0 | 0 | 4 | 6 | $24,914 | 12/30/2018 |
| United Kingdom | 8/14/2015 | $761,167 | 314 | 314 | 926 | $2,117,206 | 6/9/2016 |
| Vietnam | 8/21/2015 | $39,204 | 29 | 29 | 57 | $90,887 | 12/30/2018 |
| Rest of World | $1,021,320 | ||||||
| Worldwide Total | $7,167,019 | 12/31/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Simon Pegg | Neil Clarke |
| Kate Beckinsale | Catherine |
Supporting Cast
| Sanjeev Bhaskar | Ray |
| Rob Riggle | Grant |
| Robert Bathurst | James Cleverill |
| Eddie Izzard | Headmaster |
| Joanna Lumley | Fenella |
| Marianne Oldham | Rosie |
| Robin Williams | Dennis the Dog |
| Emma Pierson | Miss Pringle |
| Meera Syal | Fiona |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Terry Jones | Director |
| Terry Jones | Screenwriter |
| Gavin Scott | Screenwriter |
| Bill Jones | Producer |
| Ben Timlett | Producer |
| Mike Medavoy | Executive Producer |
| Chris Chesser | Executive Producer |
| Ben White | Executive Producer |
| Mark Sandell | Executive Producer |
| Edward Simons | Executive Producer |