Australia Box Office for 5 To 7 (2015)
| Theatrical Performance (US$) | ||
| Australia Box Office | $30,861 | Details |
| Worldwide Box Office | $588,342 | Details |
| Further financial details... | ||
Synopsis
Brian, a talented young writer, meets the beautiful, intriguing Arielle over a cigarette outside the Manhattan St. Regis. She’s older than he, married, French, and the mother of two. “You can stop that sentence anywhere along the way,” Brian’s father tells him, “and have reason enough not to be in the relationship.” But neither party can resist the other, and, against his better judgment -- he was raised right -- they begin a cinq-a-sept affair. Before long, Brian has broken every rule he ever had for himself. And he’s never been happier.
Metrics
Movie Details
| Australia Releases: | November 6th, 2015 (Wide), released as 5 To 7 |
| Video Release: | April 10th, 2015 by IFC Video |
| MPAA Rating: | R for some sexual material. (Rating bulletin 2354, 12/24/2014) |
| Running Time: | 97 minutes |
| Keywords: | Romance, Writing and Writers, Infidelity |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mockingbird Pictures, Demarest Films |
| Production Countries: | United States |
| Languages: | English |
Per Theater Chart: Furious Laps the Competition
April 7th, 2015
The overall box office leader, Furious 7, was also the leader on the per theater chart earning an average of $36,763. That's the third best average for a 2015 release, with While We're Young still earning top spot on that chart. Speaking of While We're Young, it was the only other film in the $10,000 club earning an average of $14,226 in 34 theaters. Sometime this weekend, it will have reached its first major milestone.
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Limited Releases: Any Gold to be Found?
April 3rd, 2015
It is a busy week, but not a good week for limited releases. The two biggest releases, Effie Gray and Woman in Gold, are both earning weak reviews. The film on this list I'm most interested in seeing is Cheatin'. I own a number of Bill Plympton movies / shorts and this one looks like it is worth adding to my collection.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/11/06 | 36 | $6,337 | 16 | $396 | $6,337 | 1 | |
| 2015/11/13 | 45 | $3,118 | -51% | 17 | $183 | $13,251 | 2 |
| 2015/11/20 | 44 | $2,827 | -9% | 5 | $565 | $17,763 | 3 |
| 2015/11/27 | 48 | $2,314 | -18% | 3 | $771 | $21,144 | 4 |
| 2015/12/04 | 46 | $2,508 | +8% | 4 | $627 | $25,240 | 5 |
| 2015/12/25 | 56 | $88 | 1 | $88 | $28,172 | 8 | |
| 2016/01/08 | 47 | $1,021 | 1 | $1,021 | $28,606 | 10 | |
| 2016/02/19 | 74 | $99 | 1 | $99 | $0 | 16 | |
| 2016/02/26 | 68 | $101 | +2% | 1 | $101 | $0 | 17 |
| 2016/03/04 | 72 | $10 | -90% | 1 | $10 | $0 | 18 |
| 2016/03/11 | 73 | $833 | +8,230% | 1 | $833 | $32,147 | 19 |
| 2016/03/18 | 73 | $96 | -88% | 1 | $96 | $0 | 20 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/6/2015 | $6,337 | 16 | 17 | 52 | $30,861 | 3/22/2016 |
| Mexico | 4/24/2015 | $85,376 | 0 | 0 | 0 | $259,757 | 8/30/2018 |
| Netherlands | 8/13/2015 | $6,080 | 9 | 9 | 14 | $11,303 | 9/30/2015 |
| New Zealand | 11/20/2015 | $1,958 | 3 | 4 | 15 | $6,396 | 12/14/2015 |
| North America | 4/3/2015 | $18,006 | 2 | 27 | 77 | $137,112 | |
| Russia (CIS) | 4/17/2015 | $78,404 | 141 | 141 | 214 | $120,909 | 11/19/2018 |
| South Korea | 11/20/2015 | $14,361 | 0 | 0 | 0 | $22,004 | 9/2/2018 |
| Worldwide Total | $588,342 | 11/19/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Anton Yelchin | Brian Bloom |
| Berenice Marlohe | Arielle Pierpont |
Supporting Cast
| Olivia Thirlby | Jane Hastings |
| Lambert Wilson | Valery Pierpont |
| Frank Langella | Sam Bloom |
| Glenn Close | Arlene Bloom |
| David Shannon | Jim the Doorman |
| Amina Robinson | Governess |
| Eric Stoltz | Jonathan Galassi |
| Jocelyn DeBoer | Kiva Bloom |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Victor Levin | Director |
| Victor Levin | Screenwriter |
| Julie Lynn | Producer |
| Bonnie Curtis | Producer |
| Sam Englebardt | Producer |
| William D. Johnson | Producer |
| David Greathouse | Executive Producer |
| Benjamin Castellano-Wood | Executive Producer |
| Theresa Castellano-Wood | Executive Producer |
| Ruth Mutch | Executive Producer |
| Lisa Wilson | Co-Executive Producer |
| Myles Nestel | Co-Executive Producer |
| Peter Pastorelli | Co-Producer |
| Arnaud Potier | Director of Photography |
| Matt Maddox | Editor |
| Danny Bensi | Composer |
| Saunder Jurriaans | Composer |
| Jeannine Oppewall | Production Designer |
| Heidi Bivens | Costume Designer |
| Heidi Levitt | Casting Director |
| Billy Hopkins | Casting Director |
| Ashley Ingram | Casting Director |