Bonnie Curtis
| Best known as a Producer based on credits in that role in 11 films, with $707,714,627 worldwide aggregate box office (rank #475) |
| Best-known technical roles: Saving Private Ryan (Co-Producer), Minority Report (Producer), Terminator: Dark Fate (Executive Producer), Artificial Intelligence: AI (Producer), Red Eye (Executive Producer) |
| Most productive collaborators: Steven Spielberg, Jake Gyllenhaal, Daniel Espinosa, David Ellison, Tom Cruise |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Producer | 11 | $244,674,901 | $463,039,726 | $707,714,627 |
| Executive Producer | 3 | $120,247,274 | $226,949,399 | $347,196,673 | |
| Co-Producer | 1 | $216,335,085 | $268,700,000 | $485,035,085 | |
| Associate Producer | 1 | $44,212,592 | $14,037,559 | $58,250,151 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
Register with The Numbers for free to customize this chart.
| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Nov 11, 2022 | My Father’s Dragon | Producer | |||
| Oct 14, 2022 | Raymond and Ray | Producer | |||
| Nov 1, 2019 | Terminator: Dark Fate | Executive Producer | $62,253,077 | $188,114,589 | $250,367,666 |
| Oct 4, 2017 | Walking Out | Executive Producer | $102,394 | $60,127 | $162,521 |
| May 19, 2017 | Wakefield | Producer | $262,599 | $611,588 | $874,187 |
| Apr 11, 2017 | The Sweet Life | Producer | $6,896 | $6,896 | |
| Mar 24, 2017 | Life | Producer | $30,234,022 | $71,581,638 | $101,815,660 |
| May 13, 2016 | Last Days in the Desert | Producer | $6,948 | $6,948 | |
| Apr 3, 2015 | 5 to 7 | Producer | $137,112 | $451,230 | $588,342 |
| Mar 7, 2014 | The Face of Love | Producer | $385,069 | $773,808 | $1,158,877 |
| Dec 21, 2011 | Albert Nobbs | Producer | $3,014,696 | $5,524,307 | $8,539,003 |
| Aug 19, 2005 | Red Eye | Executive Producer | $57,891,803 | $38,774,683 | $96,666,486 |
| Jun 21, 2002 | Minority Report | Producer | $132,024,714 | $226,800,000 | $358,824,714 |
| Jun 29, 2001 | Artificial Intelligence: AI | Producer | $78,616,689 | $157,283,311 | $235,900,000 |
| Jul 24, 1998 | Saving Private Ryan | Co-Producer | $216,335,085 | $268,700,000 | $485,035,085 |
| Dec 12, 1997 | Amistad | Associate Producer | $44,212,592 | $14,037,559 | $58,250,151 |
| Averages | $52,122,488 | $69,480,477 | $114,156,895 | ||
| Totals | 16 | $625,469,852 | $972,726,684 | $1,598,196,536 | |
Producer Credits
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 11, 2022 | My Father’s Dragon | |||||
| Oct 14, 2022 | Raymond and Ray | |||||
| May 19, 2017 | Wakefield | $11,299 | 30 | $262,599 | $874,187 | 30.0% |
| Apr 11, 2017 | The Sweet Life | $6,896 | ||||
| Mar 24, 2017 | Life | $12,501,936 | 3,146 | $30,234,022 | $101,815,660 | 29.7% |
| May 13, 2016 | Last Days in the Desert | $6,948 | ||||
| Apr 3, 2015 | 5 to 7 | $18,006 | 27 | $137,112 | $588,342 | 23.3% |
| Mar 7, 2014 | The Face of Love | $25,800 | 42 | $385,069 | $1,158,877 | 33.2% |
| Dec 21, 2011 | Albert Nobbs | 245 | $3,014,696 | $8,539,003 | 35.3% | |
| Jun 21, 2002 | Minority Report | $35,677,125 | 3,001 | $132,024,714 | $358,824,714 | 36.8% |
| Jun 29, 2001 | Artificial Intelligenc… | $29,352,630 | 3,242 | $78,616,689 | $235,900,000 | 33.3% |
| Averages | $12,931,133 | 1,390 | $34,953,557 | $78,634,959 | 31.7% | |
| Totals | 11 | $244,674,901 | $707,714,627 | |||