United Kingdom Box Office for The 355 (2022)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $1,249,728 | Details |
| Worldwide Box Office | $18,902,798 | Details |
| Home Market Performance | ||
| North America DVD Sales | $533,710 | Details |
| North America Blu-ray Sales | $871,644 | Details |
| Total North America Video Sales | $1,405,354 | |
| Further financial details... | ||
Synopsis
When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown will need to join forces with rival badass German agent Marie, former MI6 ally and cutting-edge computer specialist Khadijah, and skilled Colombian psychologist Graciela on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng, who is tracking their every move. As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the wealth and glamour of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed.
Metrics
Movie Details
| Production Budget: | $75,000,000 |
| United Kingdom Releases: | January 7th, 2022 (Wide) |
| Video Release: | January 28th, 2022 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for sequences of strong violence, brief strong language, and suggestive material. (Rating bulletin 2651 (cert #52888), 10/14/2020) |
| Running Time: | 124 minutes |
| Keywords: | MI6, C.I.A., Secret Agent, Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Freckle Films, Genre Films, FilmNation Entertainment, Universal Pictures, Simon Kinberg |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Spider-Man up to sixth all-time, 355 arrives with $4.8 million
January 9th, 2022
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Spider-Man: No Way Home continues to power its way towards more records this weekend, passing Jurassic World and Titanic to become the sixth-highest-grossing film in history in North America. If you count Avatar as part of the Disney family now, No Way Home is also the new record holder for a non-Disney film. In the face of that competition, The 355 fell a little short of expectations, with $4.8 million.
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Weekend predictions: 355 won’t stop Spider-Man
January 7th, 2022
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The 355 goes up against the unstoppable force that is Spider-Man: No Way Home at the box office this weekend, and there’s really only one possible winner. Although the webbed crusader won’t be dislodged from the top spot, 355 could do decent business, and will tell us something about where the market stands as we start out 2022.
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The 355 trailer
October 6th, 2020
Action thriller starring Jessica Chastain, Fan Bingbing, Penélope Cruz, Diane Kruger, and Lupita Nyong’o is scheduled for theatrical release on January 15. Full movie details…
When a top-secret weapon falls into mercenary hands, wild card CIA agent Mason “Mace” Brown will need to join forces with rival badass German agent Marie, former MI6 ally and cutting-edge computer specialist Khadijah, and skilled Colombian psychologist Graciela on a lethal, breakneck mission to retrieve it, while also staying one-step ahead of a mysterious woman, Lin Mi Sheng, who is tracking their every move. As the action rockets around the globe from the cafes of Paris to the markets of Morocco to the wealth and glamour of Shanghai, the quartet of women will forge a tenuous loyalty that could protect the world—or get them killed.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/01/07 | 7 | $498,707 | 490 | $1,018 | $498,707 | 1 | |
| 2022/01/14 | 10 | $220,756 | -56% | 430 | $513 | $975,755 | 2 |
| 2022/01/21 | 13 | $78,841 | -64% | 196 | $402 | $1,158,827 | 3 |
| 2022/01/28 | 20 | $22,259 | -72% | 87 | $256 | $1,208,493 | 4 |
| 2022/02/04 | - | $5,915 | -73% | 43 | $138 | $1,238,678 | 5 |
| 2022/02/11 | - | $2,291 | -61% | 1 | $2,291 | $1,249,728 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/13/2022 | $192,700 | 232 | 232 | 536 | $509,138 | 10/20/2022 |
| Germany | 1/13/2022 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 5/12/2022 | $80,247 | 0 | 0 | 0 | $211,618 | 7/16/2022 |
| Lithuania | 1/14/2022 | $9,482 | 12 | 12 | 19 | $14,681 | 1/26/2022 |
| Mexico | 1/6/2022 | $343,188 | 0 | 0 | 0 | $585,745 | 10/20/2022 |
| Netherlands | 3/10/2022 | $93,349 | 73 | 73 | 199 | $219,676 | 10/20/2022 |
| New Zealand | 1/13/2022 | $29,649 | 59 | 61 | 243 | $81,707 | 10/20/2022 |
| North America | 1/7/2022 | $4,621,765 | 3,145 | 3,145 | 14,071 | $14,570,455 | |
| Portugal | 1/27/2022 | $24,435 | 56 | 56 | 119 | $61,391 | 10/20/2022 |
| Romania | 1/7/2022 | $63,705 | 75 | 75 | 326 | $240,995 | 10/20/2022 |
| Russia (CIS) | 1/20/2022 | $268,510 | 1562 | 1564 | 3126 | $543,478 | 10/20/2022 |
| South Korea | 2/9/2022 | $91,308 | 532 | 532 | 716 | $330,012 | 5/4/2022 |
| Spain | 1/21/2022 | $147,400 | 303 | 303 | 571 | $253,198 | 2/15/2022 |
| Turkey | 1/14/2022 | $7,668 | 95 | 95 | 99 | $30,976 | 10/20/2022 |
| United Kingdom | 1/7/2022 | $498,707 | 490 | 490 | 1247 | $1,249,728 | 2/16/2022 |
| Worldwide Total | $18,902,798 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Jessica Chastain | Mace |
| Penélope Cruz | Graciela |
| Fan Bingbing | Lin Mi Sheng |
| Diane Kruger | Marie |
| Lupita Nyong'o | Khadijah |
Supporting Cast
| Edgar Ramirez | Luis Rojas |
| Sebastian Stan | Nick Fowler |
| Leo Staar | Grady |
| Jason Flemyng | Elijah Clarke |
| Pablo Scola | Santiago |
| Marcello Cruz | Jeronimo |
| Eddie Arnold | Agent Team Leader Ramirez |
| Sebastián Capitán Viveros | Agent #1 |
| Federico Trujillo | Agent #2 |
| John Douglas Thompson | Larry Marks |
| Sylvester Groth | Jonas Muller |
| Jason Wong | Stevens |
| Raphael Acloque | Abdel |
| Dom Dumaresq | Diego Garcia |
| Gethin Alderman | Gendarme 1 |
| Costin Cambir | Gendarme 2 |
| Joseph Wicks | DGSE Agent |
| Alexander Cardona | Tomas |
| Francisco Labbe | Juan |
| Waleed Elgadi | Yassine |
| Amra Mallassi | Man at Reception |
| Zaydun Khalaf | Bar Person |
| Polly Middlehurst | News Anchor |
| Tom Cox | Team Leader |
| Lee George Wilkinson* | Grey Haired Man |
| Oleg Kricunova | Pyotr Khasanov |
| Emilio Insolera | Giovanni Lupo |
| Jeffrey Che Kai Chang* | Auctioneer |
| Eldi Dundee | Greta |
| Yoon C. Joyce | Hwan Ha Jun |
| David Yu | Lin Jien |
| Kevin Ta | Chinese Security Guard 1 |
| Charles M. Baker | Chinese Security Guard 2 |
| Sebastian Roldan | Hiro |
| Bodo Friesecke | German Man in Elevator |
| Claudia Neumann | German Woman in Elevator |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Simon Kinberg | Director |
| Theresa Rebeck | Screenwriter |
| Simon Kinberg | Screenwriter |
| Jessica Chastain | Producer |
| Kelly Carmichael | Producer |
| Simon Kinberg | Producer |
| Richard Hewitt | Executive Producer |
| Esmond Ren | Executive Producer |
| Huan Wang | Executive Producer |
| Simon Elliott | Production Designer |
| John Gilbert | Editor |
| Lee Smith | Editor |
| Tom Holkenborg | Composer |
| Tim Maurice-Jones | Director of Photography |
| Avy Kaufman | Casting Director |
| Jimmy O'Dee | Stunt Coordinator |
| Jimmy O'Dee | Second Unit Director |
| Jennifer Wynne | Unit Production Manager |
| Phil Booth | First Assistant Director |
| Alice Syed | Production Supervisor |
| Jason Wheeler | Supervising Location Manager |
| Tom Williams | Production Sound Mixer |
| Tom Williams | SFX Supervisor |
| Louise Seymour | Post-Production Supervisor |
| Keith Devlin | Visual Effects Supervisor |
| Matthew Collinge | Sound Supervisor |
| Bill Crutcher | Supervising Art Director |
| Andrew Rothschild | Supervising Art Director |
| Jack Berk | Art Director |
| Daryn McLaughlan | Art Director |
| Anna Lynch-Robinson | Set Decorator |
| Beth Lewis | Costume Supervisor |
| Linda Dowds | Make-up and Hair Designer |
| Julie Robinson | Script Supervisor |
| Martina Zamolo | First Assistant Editors |
| Gemma Bourne | First Assistant Editors |
| James Devlin | VFX Editor |
| Simon Changer | Music Editor |
| Mark Grimwade | Location Manager |
| Rosalind Laugharne | Location Manager |
| Jon Roper | Location Manager |
| Stephen Parker | Location Manager |
| Emma Woodcock | Location Manager |
| Rob Weatherall | Foley Editor |
| Tavish Grade | Foley Mixer |
| Jack Cucci | Foley Mixer |
| Mike Prestwood Smith | Re-recording Mixer |
| Matthew Collinge | Re-recording Mixer |
| Daniel Evans | Visual Effects Producer |
| Martin Hobbs | Visual Effects Executive Producer |
| James Prosser | Visual Effects Executive Producer |
| Bhairavi Kulkarni | Special Effects Coordinator |
| Dominique Scoles | Special Effects Coordinator |
| Katie Brown | Special Effects Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.