Japan Box Office for The 15:17 to Paris (2018)
Theatrical Performance (US$) | ||
Japan Box Office | $3,850,075 | Details |
Worldwide Box Office | $56,096,200 | Details |
Home Market Performance | ||
North America DVD Sales | $1,331,109 | Details |
North America Blu-ray Sales | $1,802,224 | Details |
Total North America Video Sales | $3,133,333 | |
Further financial details... |
Synopsis
In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Japan Releases: | March 1st, 2018 (Wide) |
Video Release: | May 1st, 2018 by Warner Home Video |
MPAA Rating: | PG-13 on appeal for bloody images, violence, some suggestive material, drug references and language. (Rating bulletin 2505 (Cert #51352), 12/6/2017) |
Running Time: | 94 minutes |
Keywords: | Non-Chronological, 2010s, Ex-soldier, Terrorism, Trains, Nightclub, Non Professional Actor, Autobiographical, Biographical Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Village Roadshow Productions, Warner Bros., Malpaso Productions, Access Motion Pictures, Dune Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 22nd, 2018
May 23rd, 2018
Black Panther came out on DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack last weekend and it is still scaring away a lot of the competition. That’s not to say there are no new releases that are worth picking up. In fact, A Fantastic Woman, I Kill Giants, and Early Man are all contenders for Pick of the Week. In the end, that title went to Early Man on Blu-ray.
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Home Market Releases for May 1st, 2018
May 2nd, 2018
It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead.
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Weekend Wrap-Up: Black Panther Re-Writes the Record Book
February 20th, 2018
Black Panther destroyed expectations over the Presidents Day long weekend earning $202.00 million / $242.16 million over the 3-day / 4-day weekend. The list of records this film broke seems endless, but we will get to that in a bit. Unfortunately, the two other new releases, Early Man and Samson, both bombed. On a more positive note, the total box office rose 103% from last weekend reaching $285 million. This is the third-biggest weekend of all-time, and the biggest non-December weekend. This is also 92% higher than the same weekend last year. Even if we use Presidents Day of last year, 2018 was still 51% higher. More importantly, 2018 completely erased the small deficit it had and is now ahead of 2017 by $120 million or 8% at $1.62 billion to $1.50 billion. More impressively, 2018 is even ahead of 2017 in terms of ticket sales at 178 million to 172 million.
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Weekend Predictions: Black Panther is About to Bring In a Lot of Green
February 15th, 2018
It’s Presidents Day long weekend and there are two-and-a-half films trying to take advantage of the holiday with wide releases. However, the only film opening this weekend that people are actually talking about is Black Panther. This film is earning more buzz than any film opening until Infinity War and is widely expected to break records. Early Man’s reviews have been overwhelmingly positive, but it is just hoping to reach the top five. Finally, there’s Samson, which is only opening semi-wide. This weekend last year was the weekend after Presidents Day long weekend, so it is not a fair comparison and 2018 will crush 2017. Compared to Presidents Day of last year, 2018 will still crush the competition.
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Weekend Wrap-Up: Freed Falls to $38.56 million
February 13th, 2018
Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased.
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Weekend Estimates: Fifty Shades Finishes with $38.8 Million
February 11th, 2018
Fifty Shades Freed caps the Shades franchise this weekend with a solid $38.805 million debut, according to Universal’s weekend estimate. That’s down from Fifty Shades Darker’s $46.6 million opening, but nowhere near the drop between the first and second movies—Fifty Shades of Grey came out the gate with $85 million back in 2015, although it was helped by Valentine’s Day falling on Saturday.
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Friday Estimates: Freed Costs Moviegoers $18.5 million on Friday
February 10th, 2018
Fifty Shades Freed dominated the box office on Friday, earning $18.5 million. This is 14% lower than Fifty Shades Darker earned during its opening day. The two films should have similar legs, as they have similar reviews and both films earned B pluses from CinemaScore. Plug the numbers into that equation and we get an opening weekend of a little more than $40 million, enough to put it on pace for $100 million domestically.
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Thursday Night Previews: Freed Starts Strong with $5.6 million
February 9th, 2018
Fifty Shades Freed got off to a fantastic start with $5.6 million from its previews on Thursday. This is nearly identical to the $5.72 million earned by Fifty Shades Darker. Add in the slight improvement in Tomatometer scores and I think we might have been a little pessimistic in our prediction. We will get a better idea where the film is at tomorrow, but for now, I’m bumping our prediction from $38 million to $42 million.
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Weekend Predictions: Will the Final Grey Film Open in the Black?
February 8th, 2018
As the weekend approaches, there’s only one film that everyone is talking about: Black Panther. The film’s reviews are nearly 100% positive and Fandango announced its presales are the best for any pre-summer release. Unfortunately, it doesn’t open until next weekend. This week we have to settle for Fifty Shades Freed, Peter Rabbit, and The 15:17 to Paris. Fifty Shades Freed is widely expected to be the biggest hit released in 2018, at least so far. On the other hand, its reviews and the Fangirl Effect strongly suggest very short legs. Peter Rabbit is a family film and even though it has direct competition next weekend, it should have the best legs on this week’s list. Finally there’s The 15:17 to Paris, which is not living up to expectations with critics and this will likely hurt its box office chances. This weekend last year was Presidents Day long Weekend. 2018 is going to get absolutely destroyed in the year-over-year comparison.
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Weekend Estimates: Jumanji and Greatest Showman in Record Territory
February 4th, 2018
In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance.
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2018 Preview: February
February 1st, 2018
2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons.
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The 15:17 to Paris Trailer
January 16th, 2018
Clint Eastwood’s real-life thriller starring Anthony Sadler, Alek Skarlatos, and Spencer Stone opens February 9 ... Full Movie Details.
In the early evening of August 21, 2015, the world watched as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. The film follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/03/02 | - | $1,900,000 | 237 | $8,017 | $1,900,000 | 1 | |
2018/03/09 | - | $683,000 | -64% | 237 | $2,882 | $3,900,000 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/9/2018 | $204,000 | 0 | 0 | 0 | $476,416 | 1/1/2019 |
Australia | 2/9/2018 | $343,895 | 151 | 151 | 424 | $808,130 | 3/15/2018 |
Bulgaria | 2/9/2018 | $18,789 | 0 | 0 | 0 | $41,513 | 1/1/2019 |
France | 2/9/2018 | $1,400,000 | 411 | 411 | 1180 | $3,460,000 | 4/11/2019 |
India | 2/9/2018 | $0 | 0 | 0 | 0 | $299,470 | 4/2/2018 |
Italy | 2/9/2018 | $1,474,284 | 470 | 470 | 880 | $3,470,000 | 3/13/2018 |
Japan | 3/1/2018 | $1,900,000 | 237 | 237 | 474 | $3,850,075 | 6/8/2018 |
Mexico | 2/9/2018 | $161,534 | 0 | 0 | 0 | $161,534 | 2/12/2018 |
Netherlands | 4/20/2018 | $37,062 | 30 | 30 | 86 | $164,265 | 5/7/2018 |
North America | 2/9/2018 | $12,554,286 | 3,042 | 3,042 | 11,549 | $36,276,286 | 7/29/2019 |
Portugal | 2/16/2018 | $124,293 | 49 | 54 | 165 | $327,121 | 8/15/2018 |
Slovakia | 2/9/2018 | $26,445 | 50 | 50 | 82 | $51,323 | 2/28/2018 |
Spain | 2/9/2018 | $332,763 | 88 | 98 | 277 | $848,000 | 3/12/2018 |
Taiwan | 2/9/2018 | $273,000 | 0 | 0 | 0 | $273,000 | 2/15/2018 |
United Arab Emirates | 2/9/2018 | $269,000 | 52 | 52 | 52 | $269,000 | 1/1/2019 |
United Kingdom | 2/9/2018 | $400,796 | 323 | 323 | 323 | $896,000 | 3/12/2018 |
Rest of World | $4,424,067 | ||||||
Worldwide Total | $56,096,200 | 7/29/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Anthony Sadler | Anthony Sadler |
Alek Skarlatos | Alex Skarlatos |
Spencer Stone | Spencer Stone |
Supporting Cast
Ray Corasani | Ayoub El-Khazzani |
Judy Greer | Joyce Eskel |
Jenna Fischer | Heidi Skarlatos |
Irene White | Elementary Teacher |
William Jennings | Spencer (11-14) |
Bryce Gheisar | Alek (11-14) |
P.J. Byrne | Mr. Henry |
Paul-Mikel Williams | Young Anthony Sadler |
Thomas Lennon | School Principal |
Tony Hale | Gym Teacher |
Grant Weaver | Classmate #2 |
Jaleel White | Garrett Walden |
Robert Pralgo | Mr. Skarlatos |
Mark Moogalian | Mark |
Isabelle Risacher Moogalian | Isabelle |
Matt Thompson | Man on Train |
Cyrille Hertel | Train Manager |
Elena Campbell-Martinez | Professor |
Lillian Solange | Carolyn |
Sinqua Walls | Marine |
Gary Weeks | Recruiter |
Steve Coulter | Jonathan Athnos MD |
David An | Air Force Liaison Lee |
Adam Rosenberg | Trainee #1 |
Seth Meriwether | Francis |
Matthew Barnes | Sewing Instructor |
Christine Hooper | British Woman |
Vernon Dobtcheff | Older Man |
Deborah Grall | Train Passenger |
Heidi Sulzman | Nursing Teacher |
Jamie Renell | Instructor |
Ethan Rains | Ben Zomerdyk |
Mershad Torabi | Villager |
Alan Heckner | Lt. Col. John |
Cesar Perez | Spencer’s Friend |
Louisa Pili | Front Desk Girl |
Jeanne Goursaud | Lea |
Alix Benezech | Server |
Alisa Allapach | Lisa |
Olivier Blanc | Tour Guide |
Yan Brian | Rocker Dude |
Camille Razat | Train Attendant #1 |
Christopher Norman | Chris |
Julia Molkhou | Reporter |
Patrick Braoude | President Hollande Actor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Clint Eastwood | Director |
Clint Eastwood | Producer |
Jessica Meier | Producer |
Tim Moore | Producer |
Kristina Rivera | Producer |
Dorothy Blyskal | Screenwriter |
Jeffrey E. Stern | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by |
Spencer Stone | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by |
Anthony Sadler | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by |
Alek Skarlatos | Story based on the book “The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes” by |
Bruce Berman | Executive Producer |
Tom Stern | Director of Photography |
Kevin Ishioka | Production Designer |
Blu Murray | Editor |
Deborah Hopper | Costume Designer |
Christian Jacob | Composer |
David M. Bernstein | Co-Producer |
Geoffrey Miclat | Casting Director |
Tim Moore | Unit Production Manager |
David M. Bernstein | First Assistant Director |
Paula Case | Second Assistant Director |
Julien Pougnier | Supervising Art Director |
Ron Reiss | Set Decorator |
Gina Zappala | Assistant Editor |
Kevin R.W. Murray | Assistant Editor |
Mable McCrary* | Script Supervisor |
Alan Robert Murray | Supervising Sound Editor |
Jason King | Supervising Sound Editor |
Steven A. Morrow | Sound Mixer |
Chris McGeary | Music Editor |
Luisa Abel | Make up |
Heather Mages | Make up |
Patricia Dehaney | Hairstylist |
Holly Hagy | Production Supervisor |
Patrick O. Mignano | Location Manager |
Cameron Steenhagen | Supervising Dialogue Editor |
Bernard Weiser | Sound Effects Editor |
Adam Kopald | Sound Effects Editor |
Russell Gorsky | Sound Effects Editor |
Curt Schulkey | Dialogue Editor |
Julie Feiner | Dialogue Editor |
Bobby Fernandez | Music Scoring Mixer |
John Reitz | Re-recording Mixer |
Dean A. Zupancic | Re-recording Mixer |
James Ashwill | Foley Mixer |
Richard Duarte | Foley Mixer |
John Guentner | Foley Mixer |
Darrin Mann | Foley Mixer |
John Moffatt | Visual Effects Supervisor |
Richard Reed | Visual Effects Supervisor |
Mitchell Kenney | Costume Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.