United Kingdom Box Office for 13 Hours (2016)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $673,264 | Details |
Worldwide Box Office | $69,411,370 | Details |
Home Market Performance | ||
North America DVD Sales | $9,221,357 | Details |
North America Blu-ray Sales | $13,157,268 | Details |
Total North America Video Sales | $22,378,625 | |
Further financial details... |
Synopsis
13 Hours: The Secret Soldiers of Benghazi tells the story of the attack of the CIA Annex in Benghazi, Libya, on September 11, 2012, which killed four Americans. After the invasion, an American Special Ops team is sent to the Annex to protect the lives of those still alive who were caught within the compound.
Metrics
Movie Details
Production Budget: | $50,000,000 |
United Kingdom Releases: | January 29th, 2016 (Wide), released as 13 Hours |
Video Release: | May 24th, 2016 by Paramount Home Video |
MPAA Rating: | R for strong combat violence throughout, bloody images, and language. (Rating bulletin 2404 (Cert #50183), 12/16/2015) |
Running Time: | 144 minutes |
Keywords: | Set in Libya, 2010s, Terrorism, Action Thriller |
Source: | Based on Factual Book/Article |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Paramount Pictures, 3 Arts Entertainment, Bay Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for June 7th, 2016
June 8th, 2016
The list of new home market releases isn't particularly long, but it includes Zootopia the best movie of the year, so it feels like an amazing week. It isn't the only contender for Pick of the Week this week, as Anomalisa, Star Trek II: The Wrath of Khan: Director's Cut, and others are also worth considering. The Martian: Extended Edition is also a must have, if you don't own it yet.
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Home Market Releases for May 24th, 2016
May 24th, 2016
There are not a lot of first-run releases on this week's list and none that are contenders for Pick of the Week. That's not to say there are no contenders, but they come from catalog releases, TV on DVD, etc. Buster Keaton: The Shorts Collection 1917-1923 on Blu-ray tops that list. However, I'm going with Mustang on DVD or Blu-ray Combo Pack as the Pick of the Week. The screener arrived late, but it was worth it.
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Thursday Night Previews: Gods off to a Mortal Start
February 26th, 2016
Gods of Egypt had the best showing among new releases from its Thursday previews; however, best is being used as a relative term, as it only managed $800,000. By comparison, 13 Hours pulled in $900,000 earlier this year. If the film’s reviews hurt its word of mouth, and I can’t imagine they won’t, then we are looking at a domestic total of about $40 million on a $140 million production budget. In fact, it will likely make less during its opening weekend than the $15.3 million reportedly spend on TV ads leading up to its release.
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Weekend Wrap-Up: Ride Along Rides the Wave to the Top with $41.01 Million
January 20th, 2016
As anticipated, Ride Along 2 earned first place over the long weekend earning more than it cost to make in just four days. The other two wide releases were less successful. Despite costing more to make, 13 Hours earned less than half Ride Along 2 opened with, while the less said about Norm of the North, the better. Star Wars: The Force Awakens was pushed into third place over the three-day weekend, but it rose to first place on the daily chart on Monday. It is not done yet. The overall, the three-day weekend was up 4.2% from last weekend; however, it was down 18% from last year. This is not surprising, as this weekend last year, American Sniper set the record for biggest January weekend. Year-to-date, 2016 has pulled in $693 million, giving 2016 an early lead over 2015. That lead was cut to 5.9% or $39 million and will likely be cut further next weekend. Hopefully it won't be entirely gone.
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Friday Estimates: Riding High...ish
January 16th, 2016
As expected, Ride Along 2 earned first place on Friday, but it was a little softer than anticipated. The film earned $12 million during its first day of release, which is 17% less than Ride Along opened with back in 2014. Because this film is a sequel and the reviews are so weak, it will likely have a smaller internal multiplier. Additionally, Ride Along 2 cost more than the first film cost to make. That said, it still only cost $40 million and it looks like it will earn close to that much during its four-day weekend. There will be a part three of the franchise. They are just too profitable not to make another.
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Thursday Night Previews: Riding High - Updated
January 15th, 2016
Ride Along 2 started its box office run with $1.26 million in Thursday night previews. This is better than the $1.06 million in previews Ride Along managed and that's a good sign for its weekend total. Maybe it will top the original with $50 million over four days. Or maybe the reviews will kill its legs. We will know more tomorrow when Friday's estimates come in.
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Weekend Predictions: Along for the Ride
January 14th, 2016
Star Wars: The Force Awakens will finally relinquish its hold on the weekend box office and there are three new releases looking to grab as much of the box office share as they can. Ride Along 2 is the film with the best shot at first place, assuming its reviews don't kill it. The Revenant should have one of the best week-to-week declines, thanks in part to its Awards Season success. 13 Hours looks like a solid top-five film, but not a major hit, while Norm of the North is just hoping not to embarrass itself. This weekend last year, American Sniper expanded wide and set the record for biggest January weekend. That record fell earlier this year, but that's not a lot of comfort for this weekend, as all three new releases combined won't match American Sniper's haul. 2016's winning streak will end at two weeks. Hopefully the upcoming losing streak won't be much longer than that.
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Contest: Free Ride
January 7th, 2016
It is a busier weekend next week with three wide releases. However, Ride Along 2 will likely earn more than 13 Hours and Norm of the North will earn combined. As such, it is the clear choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Ride Along 2.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two DVDs.
Next weekend is a long weekend, but remember, we only are concerned with the three-day, Friday through Sunday box office number.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: January
January 1st, 2016
2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/01/29 | 15 | $337,916 | 306 | $1,104 | $337,916 | 1 | |
2016/02/12 | 50 | $4,298 | 19 | $226 | $667,053 | 3 | |
2016/02/19 | 64 | $1,573 | -63% | 9 | $175 | $670,970 | 4 |
2016/03/04 | 89 | $441 | 2 | $221 | $671,569 | 6 | |
2016/03/11 | 92 | $26 | -94% | 1 | $26 | $673,264 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/25/2016 | $57,780 | 60 | 60 | 74 | $78,017 | 12/31/2018 |
Australia | 2/26/2016 | $12,323 | 45 | 170 | 530 | $955,093 | 6/9/2016 |
Austria | 3/3/2016 | $44,424 | 24 | 24 | 63 | $90,639 | 6/9/2016 |
Bolivia | 2/18/2016 | $5,778 | 6 | 6 | 11 | $12,031 | 12/31/2018 |
Brazil | 2/18/2016 | $173,291 | 128 | 128 | 207 | $0 | 2/23/2016 |
Cambodia | 2/8/2016 | $1,516 | 8 | 8 | 8 | $6,846 | 12/31/2018 |
Central America | 3/3/2016 | $0 | 0 | 1 | 1 | $138,802 | 3/22/2016 |
Chile | 3/3/2016 | $26,005 | 32 | 32 | 35 | $0 | 3/8/2016 |
Colombia | 3/3/2016 | $46,744 | 77 | 77 | 77 | $46,744 | 12/31/2018 |
Czech Republic | 2/5/2016 | $34,907 | 80 | 80 | 121 | $64,277 | 12/31/2018 |
Ecuador | 3/18/2016 | $23,035 | 20 | 20 | 55 | $57,431 | 12/31/2018 |
France | 3/30/2016 | $392,233 | 141 | 141 | 193 | $681,210 | 10/25/2018 |
Germany | 3/3/2016 | $309,816 | 244 | 244 | 567 | $515,942 | 10/27/2018 |
Hong Kong | 2/18/2016 | $375,809 | 33 | 33 | 86 | $762,505 | 11/15/2018 |
Iceland | 2/5/2016 | $0 | 0 | 1 | 1 | $30,008 | 12/31/2018 |
Indonesia | 3/30/2016 | $565,802 | 200 | 200 | 314 | $1,049,559 | 12/31/2018 |
Iraq | 3/3/2016 | $6,005 | 3 | 3 | 8 | $0 | 3/8/2016 |
Italy | 3/31/2016 | $155,033 | 85 | 85 | 121 | $233,704 | 6/9/2016 |
Lebanon | 3/3/2016 | $28,295 | 11 | 11 | 22 | $96,404 | 12/31/2018 |
Malaysia | 3/17/2016 | $256,097 | 81 | 81 | 260 | $592,862 | 6/9/2016 |
Mexico | 3/4/2016 | $181,726 | 0 | 4 | 4 | $186,790 | 6/9/2016 |
Netherlands | 2/4/2016 | $80,255 | 35 | 39 | 108 | $232,818 | 6/9/2016 |
New Zealand | 2/26/2016 | $46,542 | 44 | 45 | 121 | $111,720 | 6/9/2016 |
North America | 1/15/2016 | $16,194,738 | 2,389 | 2,917 | 12,523 | $52,853,219 | |
Oman | 3/3/2016 | $12,862 | 6 | 6 | 7 | $27,957 | 12/31/2018 |
Peru | 2/25/2016 | $0 | 0 | 1 | 1 | $0 | |
Philippines | 1/27/2016 | $0 | 0 | 3 | 3 | $419,697 | 12/31/2018 |
Portugal | 1/28/2016 | $37,493 | 33 | 33 | 95 | $126,984 | 6/9/2016 |
Russia (CIS) | 1/29/2016 | $169,628 | 620 | 620 | 620 | $295,988 | 12/31/2018 |
Singapore | 2/18/2016 | $168,959 | 22 | 25 | 73 | $406,077 | 6/9/2016 |
Slovakia | 2/4/2016 | $17,453 | 40 | 40 | 40 | $17,453 | 6/9/2016 |
South Korea | 3/3/2016 | $573,073 | 380 | 380 | 594 | $975,041 | 6/9/2016 |
Spain | 2/26/2016 | $268,745 | 201 | 201 | 509 | $581,820 | 4/12/2016 |
Sweden | 2/17/2016 | $38,112 | 64 | 64 | 99 | $89,165 | 6/9/2016 |
Switzerland | 3/3/2016 | $68,898 | 32 | 32 | 32 | $68,898 | 6/9/2016 |
Taiwan | 1/29/2016 | $352,364 | 80 | 80 | 244 | $1,385,274 | 6/9/2016 |
Thailand | 1/28/2016 | $300,892 | 140 | 140 | 268 | $652,000 | 6/9/2016 |
Ukraine | 1/28/2016 | $18,171 | 95 | 95 | 189 | $0 | 2/2/2016 |
United Arab Emirates | 3/3/2016 | $201,120 | 34 | 34 | 66 | $483,293 | 12/31/2018 |
United Kingdom | 1/29/2016 | $337,916 | 306 | 306 | 337 | $673,264 | 6/9/2016 |
Uruguay | 3/17/2016 | $2,391 | 33 | 33 | 35 | $0 | 3/22/2016 |
Venezuela | 3/11/2016 | $0 | 0 | 15 | 60 | $53,324 | 6/9/2016 |
Vietnam | 2/12/2016 | $73,293 | 46 | 46 | 46 | $73,293 | 12/31/2018 |
Rest of World | $4,285,221 | ||||||
Worldwide Total | $69,411,370 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
John Krasinski | Jack |
James Badge Dale | Rone |
Max Martini | Oz |
Supporting Cast
Pablo Schreiber | Tanto |
Dominic Fumusa | Tig |
Toby Stephens | Glen 'Bub' Doherty |
David Giuntoli | Scott Wickland |
David Costabile | The Chief |
Elektra Anastasi | CIA Agent |
Alexia Barlier | Sona Jillani |
Demetrius Grosse | DS Agent Dave Ubben |
David Denman | Boon |
Freddie Stroma | Brit Vaynor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michael Bay | Director |
Chuck Hogan | Screenwriter |
Mitchell Zuckoff | Based on the book by |
Erwin Stoff | Producer |
Michael Bay | Producer |
Scott Gardenhour | Executive Producer |
Richard Abate | Executive Producer |
Matthew Cohan | Executive Producer |
Dion Beebe | Director of Photography |
Jeffrey Beecroft | Production Designer |
Pietro Scalia | Editor |
Michael McCusker | Editor |
Calvin Wimmer | Editor |
Deborah L. Scott | Costume Designer |
Hans Zimmer | Executive Music Producer |
Lorne Balfe | Composer |
Jasmina Torbati | Unit Production Manager |
Simon Warnock | Assistant Director |
Christian McWilliams | Location Manager |
Denise Chamian | Casting Director |
Beth Day | Additional Casting-Casting Associate |
Liz Ludwitzke | Additional Casting-Casting Associate |
Ken Bates | Stunt Coordinator |
Terry Glass | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.