Nigeria Box Office for Proud Mary (2018)
Theatrical Performance (US$) | ||
Nigeria Box Office | $76,101 | Details |
Worldwide Box Office | $21,709,539 | Details |
Home Market Performance | ||
North America DVD Sales | $1,936,361 | Details |
North America Blu-ray Sales | $991,522 | Details |
Total North America Video Sales | $2,927,883 | |
Further financial details... |
Synopsis
Mary, a hit woman working for an organized crime family in Boston, whose life is completely turned around when she meets a young boy whose path she crosses when a professional hit goes bad.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Nigeria Releases: | January 19th, 2018 (Wide) |
Video Release: | March 27th, 2018 by Sony Pictures Home Entertainment |
MPAA Rating: | R for violence. (Rating bulletin 2508 (Cert #51045), 1/3/2018) |
Running Time: | 88 minutes |
Keywords: | Assassination, Hitmen, Woman in a Male Dominated Profession, Set in Boston, Hitman Killing an Innocent Bystander, Action Thriller, Narcotics, Drug Dealer, No Honor Among Thieves |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Screen Gems, Paul Schiff Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for April 10th, 2018
April 10th, 2018
The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition.
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Home Market Releases for March 27th, 2018
March 27th, 2018
It’s a short week for one reason: Star Wars: The Last Jedi is coming out on DVD / Blu-ray / 4K Ultra HD and no one really wants to deal with that competition. That’s not to say there are no other releases worth picking up. Last Men in Aleppo is an Oscar nominated documentary and worth picking up. In the end, The Last Jedi was the clear Pick of the Week winner.
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Weekend Wrap-Up: New Releases Can’t Outshine Jumanji’s $19.51 million Weekend Haul
January 23rd, 2018
Nearly every film we talked about in our predictions beat expectations over the weekend. This includes Jumanji: Welcome to the Jungle, which earned first place with $19.51 million. All three wide releases did better than expected, with 12 Strong leading the way with $15.82 million. The overall box office still fell 15% from last weekend to $135 million. A 15% drop-off for a post-holiday weekend isn’t bad. Compared to this weekend last year, 2018 was down by 7.0%, which isn’t good, but it could have been much worse. Year-to-date, 2018 still has a small lead of 2.9% or $20 million at $725 million to $704 million. Granted, it is still way too early for this to matter, but an early lead means you won’t need to fight back late in the year like we did last year.
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Weekend Wrap-Up: Jumanji Nears $300 million after $35.18 million MLK Long Weekend
January 16th, 2018
Jumanji: Welcome to the Jungle continues to surprise analysts earning $35.18 million over the MLK long weekend. At this point, I would be shocked if it didn’t finish with $350 million domestically, while I assume Sony has a planned trilogy in the works. The best “new” release of the week was The Post, which expanded into second place with $23.06 million, while the best truly new release of the week was The Commuter at $15.80 million. Overall, the box office fell 4.7% from last weekend, earning $165 million over the the three-day weekend. This was still 5.9% higher than the same weekend last year, and that’s the more important number. It is still very early in the year, extremely early, but 2018 does have a $27 million / 5.1% lead over 2017 at $553 million to $526 million. 2018 could lose that entire lead next weekend, but I chose to focus on the positive for now.
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Weekend Estimates: Jumanji Rules MLK Weekend
January 14th, 2018
Jumanji: Welcome to the Jungle will come out an easy winner at the box office this MLK weekend. Over three days, the family adventure is headed for an estimated $27 million, for $283 million to date. With another $8 million or so on Monday, the film will finish the holiday on the threshold of $300 million domestically. Partly helped by the long weekend, it will record the 10th-best fourth weekend of all time—remarkable strength for a movie that ran the risk of being over-shadowed by The Last Jedi when it came out at Christmas.
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Friday Estimates: Post Nearly Ties Jumanji $6.13 million to $5.9 million
January 13th, 2018
There was a two-horse race on the Friday box office chart. In the end, Jumanji: Welcome to the Jungle came out on top with $6.13 million, for $262.26 million after 24 days of release. Because it is a holdover, it should have better legs over the rest of the weekend, putting it on pace for just over $30 million over the weekend, matching our prediction perfectly.
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Thursday Night Previews: Mixed Results for New Releases
January 12th, 2018
The Post led the way during previews with $775,000. Dramas aimed at a more mature target audience tend to not do as well in previews as most other films, so this is a good sign. Additionally, the film’s reviews are right on the border of award-worthy, so the word of mouth should be strong. This is right in line with our prediction, so I’m happy with this result.
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Weekend Predictions: Paddington and Post take on Jumanji over MLK Long Weekend
January 11th, 2018
It is the first long weekend of 2018 and we have four films trying to take advantage of the MLK holiday. However, only Paddington 2 and The Post have a real shot at box office success. The Commuter’s buzz is so quiet that its box office chances have taken a real hit. Worse still, Sony’s treatment of Proud Mary is almost bizarre. I’ve seen limited releases with more marketing push than Proud Mary is getting. Jumanji: Welcome to the Jungle’s legs will likely remain really long, helping it repeat as box office champion. More importantly, it should help the 2018 box office get a sizable win in the year-over-year comparison. This weekend last year, there were seven films that earned more than $10 million over the long weekend, but only one film, Hidden Figures, earned more than $20 million. This year, not only will we match that number of $10 million films, Jumanji: Welcome to the Jungle should top $30 million, while Paddington 2 and The Post should top $20 million.
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2018 Preview: January
January 1st, 2018
2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss.
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Proud Mary Trailer
November 17th, 2017
Action movie starring Taraji P. Henson opens January 12 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/01/19 | - | $28,699 | 27 | $1,063 | $28,699 | 1 | |
2018/01/26 | - | $11,768 | -59% | 29 | $406 | $53,765 | 2 |
2018/02/02 | - | $6,350 | -46% | 28 | $227 | $66,621 | 3 |
2018/02/09 | - | $2,665 | -58% | 14 | $190 | $72,717 | 4 |
2018/02/16 | - | $765 | -71% | 7 | $109 | $75,300 | 5 |
2018/02/23 | - | $81 | -89% | 2 | $41 | $75,821 | 6 |
2018/03/02 | - | $28 | -65% | 1 | $28 | $76,101 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 1/11/2018 | $2,937 | 2 | 4 | 10 | $7,330 | 1/1/2019 |
Bahrain | 2/1/2018 | $8,888 | 8 | 8 | 8 | $8,888 | 1/1/2019 |
Curacao | 1/11/2018 | $5,399 | 2 | 4 | 14 | $19,229 | 1/1/2019 |
Dominican Republic | 2/8/2018 | $605 | 5 | 5 | 5 | $605 | 1/1/2019 |
East Africa | 2/2/2018 | $2,273 | 1 | 1 | 2 | $5,016 | 2/13/2018 |
Egypt | 2/1/2018 | $4,015 | 12 | 12 | 12 | $4,015 | 1/1/2019 |
Ghana | 1/19/2018 | $3,341 | 3 | 4 | 20 | $10,896 | 1/1/2019 |
Iraq | 2/1/2018 | $1,345 | 5 | 5 | 6 | $2,191 | 1/1/2019 |
Jamaica | 1/10/2018 | $22,736 | 5 | 5 | 13 | $59,479 | 1/1/2019 |
Jordan | 2/1/2018 | $3,593 | 5 | 5 | 5 | $3,593 | 1/1/2019 |
Kenya | 2/2/2018 | $6,276 | 16 | 16 | 27 | $13,954 | 1/1/2019 |
Kuwait | 2/1/2018 | $35,830 | 7 | 7 | 9 | $44,842 | 1/1/2019 |
Lebanon | 2/1/2018 | $10,346 | 13 | 13 | 13 | $10,346 | 1/1/2019 |
Nigeria | 1/19/2018 | $28,699 | 27 | 29 | 108 | $76,101 | 1/1/2019 |
North America | 1/12/2018 | $9,959,053 | 2,125 | 2,125 | 6,160 | $20,868,638 | |
Oman | 2/1/2018 | $8,135 | 10 | 10 | 10 | $8,136 | 1/1/2019 |
Portugal | 3/8/2018 | $14,430 | 21 | 21 | 51 | $52,602 | 4/10/2018 |
Qatar | 2/1/2018 | $16,126 | 12 | 12 | 13 | $20,070 | 1/1/2019 |
Romania | 2/2/2018 | $33,749 | 70 | 70 | 153 | $72,493 | 1/1/2019 |
South Africa | 1/26/2018 | $55,003 | 53 | 54 | 163 | $155,907 | 3/20/2018 |
Suriname | 1/11/2018 | $1,574 | 1 | 1 | 5 | $4,763 | 1/1/2019 |
Trinidad | 1/10/2018 | $45,248 | 21 | 21 | 61 | $116,558 | 1/1/2019 |
United Arab Emirates | 2/1/2018 | $69,171 | 56 | 56 | 56 | $69,171 | 1/1/2019 |
United Kingdom | 3/23/2018 | $37,202 | 103 | 103 | 117 | $74,716 | 4/17/2018 |
Worldwide Total | $21,709,539 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Taraji P. Henson | Mary Goodwin |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Babak Najafi | Director |
Paul Schiff | Producer |
Tai Duncan | Producer |
John Stuart | Screenwriter |
Christian Swegal | Screenwriter |
Steven Antin | Screenwriter |
John Stuart Newman | Story by |
Christian Swegal | Story by |
Glenn S. Gainor | Executive Producer |
Taraji P. Henson | Executive Producer |
Dan Laustsen | Director of Photography |
Carl Sprague | Production Designer |
Evan Schiff | Editor |
Fil Eisler | Composer |
Pilar McCurry | Music Supervisor |
Deborah Newhall | Costume Designer |
Anthony Raymond | Set Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.