United Kingdom Box Office for Jay & Silent Bob Reboot (2019)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $99,799 | Details |
Worldwide Box Office | $4,730,228 | Details |
Home Market Performance | ||
North America DVD Sales | $607,885 | Details |
North America Blu-ray Sales | $2,105,933 | Details |
Total North America Video Sales | $2,713,818 | |
Further financial details... |
Synopsis
When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again!
Metrics
Movie Details
Production Budget: | $10,000,000 |
United Kingdom Releases: | November 29th, 2019 (Wide), released as Jay & Silent Bob Reboot |
Video Release: | January 21st, 2020 by Lionsgate Home Entertainment |
MPAA Rating: | R for pervasive strong crude sexual content, language throughout, drug use and some nudity. (Rating bulletin 2590 (Cert #52197), 8/7/2019) |
Running Time: | 95 minutes |
Franchise: | View Askewniverse |
Keywords: | Buddy Comedy, Delayed Sequel, Ensemble, Gratuitous Cameos, Angels, Breaking the Fourth Wall, Narcotics, Movie Business, Road Trip, Dysfunctional Family, LGBTQ+, Relationships Gone Wrong, Scene in End Credits, Same Actor, Multiple Roles |
Source: | Based on Movie |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | View Askew, Saban Films, Destro Films, Mewesings, SModcast Pictures, Hideout Pictures, Miramax Films, Intercut Capital |
Production Countries: | United States |
Languages: | English |
Home Market Releases for January 21st, 2020
January 21st, 2020
It’s an odd week for the home market, as there are four wide releases coming out this week, which is more than most weeks. However, none of them were $100 million hits domestically, so it feels slow on top. That said, The Addams Family did come close to that mark and Zombieland: Double Tap was a solid midlevel hit. As for high quality releases, Jay And Silent Bob Reboot will very likely please fans of the franchise, but I’m unsure about its ability draw in newcomers. Finally, the Pain & Glory is the best of the best and only the lack of substantial extras prevents it from winning Pick of the Week with ease. Zombieland: Double Tap has much better extras, so it a contender for Pick of the Week as well. Pain & Glory does win, but it is relatively close.
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Theater Averages: Frozen Floats on Water
November 28th, 2019
Frozen II led the way on yet another chart, this time the theater average chart, earning an average of $29,339 during its opening weekend. Dark Waters was right behind with an average of $25,652 in four theaters, which does suggest at least some potential to expand. Jay and Silent Bob Reboot continues its impressive road show run earning an average of $16,140 in five theaters. Citizen K was the final film in the $10,000 club with an opening of $10,571 in its lone theater.
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Theater Averages: Making Waves
November 20th, 2019
Waves led the way on the theater average chart with an opening weekend average of $33,583 in four theaters. Jay and Silent Bob Reboot was in second place with an average of $16,899 in ten theaters. Its road show has been a success so far, but the film did cost $10 million to make, so it will need to continue to have strong weekend numbers for a long time to break even. Recorder: The Marion Stokes Project opened with $12,140 in its lone theater. Honey Boy fell from an average of $75,266 in four theaters to an average of just $11,957 in 17. That’s still a good average, but its odds of expanding even semi-wide have been lowered dramatically.
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Weekend Estimates: Ford and Ferrari v Top Five
November 17th, 2019
If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run.
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Theater Averages: Honey is in the Money
November 14th, 2019
Honey Boy easily led the way on the theater average chart earning just over $300,000 in four theaters for an average of $75,266. Jay and Silent Bob Reboot was way back with an average of $15,613 in 15 theaters during its fourth week of release. Granted, it is a road show with greatly inflated ticket prices, but it also has very limited showings, so this is a fantastic run. The final film in the $10,000 club was Better Days with an opening weekend of nearly $1 million in 70 theaters for an average of $14,136.
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Theater Averages: The Irishman Enters Witness Protection
November 7th, 2019
It appears Netflix will not be reporting box office numbers for The Irishman. We’ve seen reports by third parties that the film earned $350,000 in eight theaters for an opening weekend average of $43,750. The only confirmed member of the $10,000 club was Jay and Silent Bob Reboot, which earned an average of $15,097 in 15 theaters. However, it is a roadshow tour and ticket prices for some shows are greatly inflated. This is still an impressive number, but don’t expect it to expand truly wide.
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Theater Averages: Most New Releases Struggle, but Holdovers Thrive
October 31st, 2019
There was only one new release in the $10,000 club, No Safe Spaces, which earned $45,548 in its lone theater. While this is a great start, its reviews suggest it won’t stick around long, as the film is preaching to the choir. Jojo Rabbit expanded from five to 55 theaters, but still managed an impressive average of $18,983. Parasite was next with an average $14,158 in 129 theaters during its third weekend of release. Jay and Silent Bob Reboot expanded to 17 theaters, and earned an average of $12,774. It will likely continue to expand, as a lot of shows on its road tour were sold out weeks in advance.
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Theater Averages: Jay and Silent Bob Give Limited Releases a Kick in the Pants
October 24th, 2019
It was an amazing week on the theater average chart with five films in the $10,000 club, incluing three new releases that earned averages of more than $50,000. Jay and Silent Bob Reboot opened with two days of special engagements where the film earned just over $1 million, before having a roadshow performance in one theater over the weekend earning $93,520. However, this wasn’t a usual run and tickets range from about $50 to over $200 for the VIP packages at some shows. That said, even with normal ticket prices, it would still have earned a spot in the $10,000 club. Second place went to Jojo Rabbit with an impressive opening of average $69,911 in five theaters. This is more than enough to expand significantly, perhaps even enough to justify a wide expansion. The Lighthouse also opened well enough to justify significant expansions earning an average of $53,475 in eight theaters. Parasite was the only holdover in the $10,000 club earning an average of $37,616 in 33 theaters. The film topped $1 million over the weekend and it has plenty of room to grow. The final film in the $10,000 club was The Cave, which earned an average of $10,593 in two theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/11/29 | 14 | $99,799 | 48 | $2,079 | $99,799 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/6/2020 | $0 | 0 | 21 | 28 | $21,218 | 3/24/2020 |
North America | 10/15/2019 | $93,520 | 1 | 788 | 95 | $4,589,490 | 10/26/2022 |
United Kingdom | 11/29/2019 | $99,799 | 48 | 48 | 48 | $99,799 | 12/4/2019 |
Rest of World | $19,721 | ||||||
Worldwide Total | $4,730,228 | 10/26/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Kevin Smith | Silent Bob |
Jason Mewes | Jay |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Kevin Smith | Director |
Kevin Smith | Screenwriter |
Jordan Monsanto | Producer |
Liz Destro | Producer |
Tracey Landon | Line Producer |
Jason Mewes | Executive Producer |
Jennifer Schwalbach | Executive Producer |
Bill Block | Executive Producer |
R. Bryan Wright | Executive Producer |
David Pomier | Executive Producer |
William V. Bromley Jr | Executive Producer |
Shanan Becker | Executive Producer |
Jonathan Saba | Executive Producer |
Ness Saban | Executive Producer |
Ali Jazayeri | Executive Producer |
David Gendron | Executive Producer |
Michael Hansen | Executive Producer |
Mickey Gooch, Jr. | Executive Producer |
Diane Gooch | Executive Producer |
Sayres Heady | Executive Producer |
Kevin Smith | Editor |
Yaron Levy | Director of Photography |
Nate Jones | Production Designer |
Melissa Walker | Costume Designer |
Amine Ramer | Music Supervisor |
James Venable | Composer |