Malcolm D. Lee
| Best known as a Director based on credits in that role in 13 films, with $742,957,235 worldwide aggregate box office (rank #258) |
| Best-known technical roles: Girls Trip (Director), Girls Trip (Producer), Space Jam: A New Legacy (Director), Night School (Director), Night School (Executive Producer) |
| Best-known acting roles: (Girls Trip) |
| Most productive collaborators: Kevin Hart, Tiffany Haddish, Regina Hall, Kenya Barris, Rob Riggle |
| Born: January 11, 1970 (54 years old) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Supporting | 1 | $115,108,515 | $25,777,838 | $140,886,353 |
| Leading | 1 | $0 | $0 | $0 | |
| In Technical Roles | Director | 13 | $563,843,895 | $179,113,340 | $742,957,235 |
| Producer | 4 | $185,633,710 | $28,088,353 | $213,722,063 | |
| Screenwriter | 2 | $70,525,195 | $2,310,515 | $72,835,710 | |
| Executive Producer | 2 | $131,369,181 | $27,180,654 | $158,549,835 | |
| Character Creator | 1 | $70,525,195 | $2,310,515 | $72,835,710 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Featured Blu-ray and DVD Review: Night School
December 29th, 2018
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Night School struggled with critics, but did quite well with over $100 million worldwide. Were critics right? Or was there a reason audiences seemed to connect to the film?
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2018 Preview: September
September 1st, 2018
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Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month.
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2017 Preview: July
July 1st, 2017
I hate it when the first of the month lands on a Saturday. By the time this story goes live, we will still have almost no box office data for Despicable Me 3, so we won’t know if June ended on a positive note. Fortunately, Wonder Woman beat expectations and might end up as the biggest hit of the summer, at least for a little while. July begins with Spider-Man: Homecoming, which should make at least $300 million and is the last film being released this summer that has a shot at being a $400 million hit domestically. It is very likely that nothing else this month will come within $100 million of that movie, so that could help its legs. There are a few potential $100 million hits, including War for the Planet of the Apes, Dunkirk, and a couple of other long shots. Last July had a similar feel with The Secret Life of Pets topping the list with well over $300 million, while there were five other $100 million hits. This July would have to beat expectations substantially to match this performance. I’m not confident 2017 will be able to maintain its pace at the box office. I’m worried at least one big film will struggled and 2017 will end the month behind 2016’s pace.
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2016 Preview: April
April 1st, 2016
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March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
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2013 Preview: November
November 1st, 2013
October ended on a winning note, but it was the only time the entire month that 2013 topped 2012 in the year-over-year comparison. This is quite shocking, as Gravity crushed expectations with more than $200 million and counting. Even with that surprise monster hit, the month still couldn't keep pace with last year. Compared to October, November looks a lot better with three films that could be monster hits: Frozen, Thor: The Dark World, and The Hunger Games: Catching Fire. On the other hand, those are the only three movies with a 50/50 chance or better to top $100 million compared, while there were seven films that reached that milestone last November. The Hunger Games: Catching Fire should make more than last year's number one film, Skyfall, but the depth last year could prove too much to deal with. 2013 might dip below last year's pace sometime during the month, but hopefully it won't stay there too long.
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2013 Preview: April
April 1st, 2013
March is over and while it is a little too soon to tell where a few films will end their box office runs, it is clear Oz The Great and Powerful won the month. Some films beat expectations to become midlevel hits, like The Call, but it wasn't a great month at the box office, especially compared to last year. This month, there are only seven wide releases spread over four weeks. Only one of those films, Oblivion, has a shot at being anything more than a midlevel hit. None of the other six releases look like they will come close to $100 million, but none of them look like obvious bombs either. (Although I do have my worries when it comes to Scary Movie 5.) Last April was even weaker with no film earning $100 million, although Think Like a Man did come relatively close. We might actually see growth on the year-over-year comparison. We'd better, because 2013 is behind 2012's pace by a huge margin at the moment and things will get worse when May arrives.
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All Acting Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jul 21, 2017 | Girls Trip | $115,108,515 | $25,777,838 | $140,886,353 | |
| Averages | $115,108,515 | $25,777,838 | $140,886,353 | ||
| Totals | 1 | $115,108,515 | $25,777,838 | $140,886,353 | |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jul 30, 2021 | Finding Kendrick Johnson | Producer | |||
| Jul 16, 2021 | Space Jam: A New Legacy | Director | $70,592,228 | $72,723,621 | $143,315,849 |
| Sep 28, 2018 | Night School | Director Executive Producer |
$77,339,130 | $26,806,503 | $104,145,633 |
| Jul 21, 2017 | Girls Trip | Director Producer |
$115,108,515 | $25,777,838 | $140,886,353 |
| Apr 15, 2016 | Barbershop: The Next Cut | Director Executive Producer |
$54,030,051 | $374,151 | $54,404,202 |
| Nov 15, 2013 | The Best Man Holiday | Director Screenwriter Character Creator Producer |
$70,525,195 | $2,310,515 | $72,835,710 |
| Apr 12, 2013 | Scary Movie V | Director | $32,015,787 | $46,598,194 | $78,613,981 |
| Nov 7, 2008 | Soul Men | Director | $12,082,391 | $263,492 | $12,345,883 |
| Feb 8, 2008 | Welcome Home Roscoe Jenkins | Director | $42,436,517 | $1,171,110 | $43,607,627 |
| Sep 23, 2005 | Roll Bounce | Director | $17,380,866 | $52,206 | $17,433,072 |
| May 31, 2002 | Undercover Brother | Director | $38,230,435 | $2,565,710 | $40,796,145 |
| Oct 22, 1999 | The Best Man | Director | $34,102,780 | $470,000 | $34,572,780 |
| Averages | $51,258,536 | $16,283,031 | $67,541,567 | ||
| Totals | 12 | $563,843,895 | $179,113,340 | $742,957,235 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jul 16, 2021 | Space Jam: A New Legacy | $31,053,362 | 4,002 | $70,592,228 | $143,315,849 | 49.3% |
| Sep 28, 2018 | Night School | $27,257,615 | 3,019 | $77,339,130 | $104,145,633 | 74.3% |
| Jul 21, 2017 | Girls Trip | $31,201,920 | 2,648 | $115,108,515 | $140,886,353 | 81.7% |
| Apr 15, 2016 | Barbershop: The Next Cut | $20,242,415 | 2,676 | $54,030,051 | $54,404,202 | 99.3% |
| Nov 15, 2013 | The Best Man Holiday | $30,107,555 | 2,041 | $70,525,195 | $72,835,710 | 96.8% |
| Apr 12, 2013 | Scary Movie V | $14,157,367 | 3,402 | $32,015,787 | $78,613,981 | 40.7% |
| Nov 7, 2008 | Soul Men | $5,401,605 | 2,048 | $12,082,391 | $12,345,883 | 97.9% |
| Feb 8, 2008 | Welcome Home Roscoe Je… | $16,207,730 | 2,387 | $42,436,517 | $43,607,627 | 97.3% |
| Sep 23, 2005 | Roll Bounce | $7,570,366 | 1,661 | $17,380,866 | $17,433,072 | 99.7% |
| May 31, 2002 | Undercover Brother | $12,037,685 | 2,169 | $38,230,435 | $40,796,145 | 93.7% |
| Oct 22, 1999 | The Best Man | $9,031,660 | 1,350 | $34,102,780 | $34,572,780 | 98.6% |
| Averages | $18,569,935 | 2,491 | $51,258,536 | $67,541,567 | 84.5% | |
| Totals | 11 | $563,843,895 | $742,957,235 | |||
Producer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jul 30, 2021 | Finding Kendrick Johnson | |||||
| Jul 21, 2017 | Girls Trip | $31,201,920 | 2,648 | $115,108,515 | $140,886,353 | 81.7% |
| Nov 15, 2013 | The Best Man Holiday | $30,107,555 | 2,041 | $70,525,195 | $72,835,710 | 96.8% |
| Averages | $30,654,738 | 2,345 | $92,816,855 | $106,861,032 | 89.3% | |
| Totals | 3 | $185,633,710 | $213,722,063 | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 15, 2013 | The Best Man Holiday | $30,107,555 | 2,041 | $70,525,195 | $72,835,710 | 96.8% |
| Averages | $30,107,555 | 2,041 | $70,525,195 | $72,835,710 | 96.8% | |
| Totals | 1 | $70,525,195 | $72,835,710 | |||