Eric Warren Singer
Best known as a Screenwriter based on credits in that role in 7 films, with $1,799,906,053 worldwide aggregate box office (rank #119) |
Best-known technical roles: Top Gun: Maverick (Screenwriter), American Hustle (Screenwriter), American Hustle (Executive Producer), Only the Brave (Screenwriter), The International (Screenwriter) |
Most productive collaborators: Joseph Kosinski, Tom Cruise, Miles Teller, Ehren Kruger, Glen Powell |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 7 | $912,621,855 | $887,284,198 | $1,799,906,053 |
Executive Producer | 1 | $150,098,456 | $107,760,487 | $257,858,943 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Executive Producer at the Domestic Box Office (Rank 1,001-1,100) | 1,026 | $150,098,456 |
Top Grossing Screenwriter at the Domestic Box Office | 81 | $912,621,855 |
Top Grossing Executive Producer at the International Box Office (Rank 1,501-1,600) | 1,535 | $107,760,487 |
Top Grossing Screenwriter at the International Box Office (Rank 101-200) | 167 | $887,284,198 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 1,201-1,300) | 1,261 | $257,858,943 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 101-200) | 119 | $1,799,906,053 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Preview: March
March 1st, 2018
February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month.
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2017 Preview: October
October 1st, 2017
September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
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2014 Awards Season: Oscar Highlight: Best Original Screenplay
February 25th, 2014
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we will look at the two writing categories, starting with Best Original Screenplay. This race is twice as competitive as the Best Adapted Screenplay, by that I mean it is a two-way race for the Oscar and not a runaway race.
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2014 Awards Season: WGA: A.I. and Pirates Told the Right Stories
February 1st, 2014
WGAs handed out their awards on Saturday and depending on who you talk to, there were a couple of major upsets. There was certainly at least one upset, but the other awards are less surprising.
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2014 Awards Season: Oscars Understand the Gravity of the Situation
January 16th, 2014
The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises.
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2014 Awards Season: WGA: Nominees Have Stories to Tell
January 5th, 2014
WGAs announced their nominations this weekend and there were a couple of surprises to talk about. The top of that list is 12 Years a Slave, which was deemed ineligible because it wasn't written under WGA jurisdiction. This makes using the WGAs as an Oscar guide less reliable. On the other hand, several Oscar favorites showed up as well, including American Hustle, Nebraska, and others that have picked up major nominations this year.
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2014 Awards Season: Slave Hustles to the Top
December 14th, 2013
Hollywood Foreign Press Association announced their Golden Globe nominations this week, and a clear picture is forming. 12 Years a Slave was again the recipient of the most nominations, but this time it was a tie, as it and American Hustle both grabbed seven nominations. If you look down the list of other multi-nominated films, you will find a number of familiar faces.
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All Acting Credits
All Technical Credits
Announced (Undated)
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 27, 2022 | Top Gun: Maverick | Screenwriter | $718,732,821 | $744,908,585 | $1,463,641,406 |
Oct 20, 2017 | Only the Brave | Screenwriter | $18,340,051 | $6,215,126 | $24,555,177 |
Dec 13, 2013 | American Hustle | Screenwriter Executive Producer |
$150,098,456 | $107,760,487 | $257,858,943 |
Feb 13, 2009 | The International | Screenwriter | $25,450,527 | $28,400,000 | $53,850,527 |
Averages | $228,155,464 | $221,821,050 | $449,976,513 | ||
Totals | 4 | $912,621,855 | $887,284,198 | $1,799,906,053 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 27, 2022 | Top Gun: Maverick | $126,707,459 | 4,751 | $718,732,821 | $1,463,641,406 | 49.1% |
Oct 20, 2017 | Only the Brave | $6,002,665 | 2,577 | $18,340,051 | $24,555,177 | 74.7% |
Dec 13, 2013 | American Hustle | $740,455 | 2,629 | $150,098,456 | $257,858,943 | 58.2% |
Feb 13, 2009 | The International | $9,331,739 | 2,364 | $25,450,527 | $53,850,527 | 47.3% |
Averages | $35,695,580 | 3,080 | $228,155,464 | $449,976,513 | 57.3% | |
Totals | 4 | $912,621,855 | $1,799,906,053 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Executive Producer at the Domestic Box Office (Rank 1,001-1,100) | 1,026 | $150,098,456 |
Top Grossing Screenwriter at the Domestic Box Office | 81 | $912,621,855 |
Top Grossing Executive Producer at the International Box Office (Rank 1,501-1,600) | 1,535 | $107,760,487 |
Top Grossing Screenwriter at the International Box Office (Rank 101-200) | 167 | $887,284,198 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 1,201-1,300) | 1,261 | $257,858,943 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 101-200) | 119 | $1,799,906,053 |