Brad Ingelsby
| Best known as a Screenwriter based on credits in that role in 5 films, with $102,519,119 worldwide aggregate box office (rank #1,979) |
| Best-known technical roles: Run All Night (Screenwriter), The Way Back (Screenwriter), The Way Back (Executive Producer), Out of the Furnace (Screenwriter), Our Friend (Screenwriter) |
| Most productive collaborators: Liam Neeson, Jaume Collet-Serra, Joel Kinnaman, Roy Lee, Brooklyn Weaver |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 5 | $52,277,155 | $50,241,964 | $102,519,119 |
| Executive Producer | 2 | $13,827,151 | $981,694 | $14,808,845 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 3,801-3,900) | 3,868 | $13,827,151 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,801-1,900) | 1,868 | $52,277,155 |
| Top Grossing Executive Producer at the International Box Office (Rank 6,101-6,200) | 6,143 | $981,694 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,901-2,000) | 1,964 | $50,241,964 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 4,501-4,600) | 4,595 | $14,808,845 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,901-2,000) | 1,979 | $102,519,119 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2020 Preview: March
March 1st, 2020
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The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January.
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2015 Preview: March
March 1st, 2015
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February was strong thanks to The SpongeBob Movie: Sponge Out of Water and Fifty Shades of Grey, both of which beat expectations. This March could actually be even better, as there are three or four films that have a decent shot at earning $100 million or more. The top film will likely be Cinderella, which has a real shot at $200 million. Insurgent will almost assuredly get beyond the $100 million mark, while Get Hard, Home, and perhaps Chappie will also get to the century mark. Last March, there were four $100 million hits, led by Divergent, which pulled in $150 million. While this March should be better than February, I'm not sure it will be better than last March. I don't think March 2015 will be much worse than last year, but I think its percentage lead will be chipped away at by the end of the month.
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2013 Preview: December
December 1st, 2013
We had some good news and some bad news in November. The bad news is the overall weakness at the box office continued and 2013 lost its lead over 2012. Strong runs by The Hunger Games: Catching Fire and Frozen did help it bounce back in the end, but 2013 is still going to have a tough time topping 2012. Looking forward to December, we find about a dozen wide releases, sort of. There are several films that are opening in limited release that are expected to expand wide by the end of the month, but I'm not sure that will be the case for all of them. The Hobbit: The Desolation of Smaug should be the easy winner this month and if it is a little lucky, it might even top its predecessor at the box office. There is a huge amount of hype surrounding Anchorman 2: The Legend Continues and it could double the first film's box office numbers. On the other hand, those two films might be the only two December wide releases to reach $100 million. There are a few that have the potential to get to the century mark, if they are big players during Awards Season. Obviously some of the films coming out this month will win awards, but there's already a lot of competition in theaters before the month begins. There were three $100 million movies last December, led by The Hobbit: An Unexpected Journey, so while it could be close, it looks like December will lose in the year-over-year comparison. This is really bad news, as 2013 can't afford to go out on a losing streak if it wants to top 2012.
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All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jan 22, 2021 | Our Friend | Screenwriter | $657,511 | $56,744 | $714,255 |
| Mar 6, 2020 | The Way Back | Screenwriter Executive Producer |
$13,590,514 | $972,895 | $14,563,409 |
| Jun 14, 2019 | American Woman | Screenwriter Executive Producer |
$236,637 | $8,799 | $245,436 |
| Mar 13, 2015 | Run All Night | Screenwriter | $26,461,644 | $45,100,000 | $71,561,644 |
| Dec 4, 2013 | Out of the Furnace | Screenwriter | $11,330,849 | $4,103,526 | $15,434,375 |
| Averages | $10,455,431 | $10,048,393 | $20,503,824 | ||
| Totals | 5 | $52,277,155 | $50,241,964 | $102,519,119 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jan 22, 2021 | Our Friend | $250,160 | 818 | $657,511 | $714,255 | 92.1% |
| Mar 6, 2020 | The Way Back | $8,170,315 | 2,718 | $13,590,514 | $14,563,409 | 93.3% |
| Jun 14, 2019 | American Woman | $110,552 | 117 | $236,637 | $245,436 | 96.4% |
| Mar 13, 2015 | Run All Night | $11,012,305 | 3,171 | $26,461,644 | $71,561,644 | 37.0% |
| Dec 4, 2013 | Out of the Furnace | $5,220,288 | 2,101 | $11,330,849 | $15,434,375 | 73.4% |
| Averages | $4,952,724 | 1,785 | $10,455,431 | $20,503,824 | 78.4% | |
| Totals | 5 | $52,277,155 | $102,519,119 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Executive Producer at the Domestic Box Office (Rank 3,801-3,900) | 3,868 | $13,827,151 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,801-1,900) | 1,868 | $52,277,155 |
| Top Grossing Executive Producer at the International Box Office (Rank 6,101-6,200) | 6,143 | $981,694 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,901-2,000) | 1,964 | $50,241,964 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 4,501-4,600) | 4,595 | $14,808,845 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,901-2,000) | 1,979 | $102,519,119 |