Tom S. Parker
| Best known as a Screenwriter based on credits in that role in 4 films, with $418,058,121 worldwide aggregate box office (rank #735) |
| Best-known technical roles: The Flintstones (Screenwriter), Major League II (Screenwriter), Getting Even With Dad (Screenwriter), Stay Tuned (Screenwriter) |
| Most productive collaborators: Brian Levant, John Goodman, Rick Moranis, Jim Jennewein, Elizabeth Perkins |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 4 | $190,089,329 | $227,968,792 | $418,058,121 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) | 707 | $190,089,329 |
| Top Grossing Screenwriter at the International Box Office (Rank 701-800) | 782 | $227,968,792 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 701-800) | 734 | $418,058,121 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jun 17, 1994 | Getting Even With Dad | Screenwriter | $18,195,538 | $18,195,538 | |
| May 27, 1994 | The Flintstones | Screenwriter | $130,531,208 | $227,968,792 | $358,500,000 |
| Mar 30, 1994 | Major League II | Screenwriter | $30,626,182 | $30,626,182 | |
| Aug 14, 1992 | Stay Tuned | Screenwriter | $10,736,401 | $10,736,401 | |
| Averages | $47,522,332 | $227,968,792 | $104,514,530 | ||
| Totals | 4 | $190,089,329 | $227,968,792 | $418,058,121 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jun 17, 1994 | Getting Even With Dad | $5,579,480 | 1,955 | $18,195,538 | $18,195,538 | 100.0% |
| May 27, 1994 | The Flintstones | $37,182,745 | 2,587 | $130,531,208 | $358,500,000 | 36.4% |
| Mar 30, 1994 | Major League II | $7,040,777 | 2,167 | $30,626,182 | $30,626,182 | 100.0% |
| Aug 14, 1992 | Stay Tuned | $3,532,540 | 1,605 | $10,736,401 | $10,736,401 | 100.0% |
| Averages | $13,333,886 | 2,079 | $47,522,332 | $104,514,530 | 84.1% | |
| Totals | 4 | $190,089,329 | $418,058,121 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 701-800) | 707 | $190,089,329 |
| Top Grossing Screenwriter at the International Box Office (Rank 701-800) | 782 | $227,968,792 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 701-800) | 734 | $418,058,121 |