Rawson Marshall Thurber
Best known as a Director based on credits in that role in 8 films, with $957,914,827 worldwide aggregate box office (rank #205) |
Best-known technical roles: We’re the Millers (Director), Central Intelligence (Director), Central Intelligence (Screenwriter), Skyscraper (Director), Skyscraper (Screenwriter) |
Best-known acting roles: Handsome Pants Catcher (Central Intelligence), The Ultimate Border Guard (We’re the Millers) |
Born: February 9, 1975 (49 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 2 | $277,834,990 | $207,176,091 | $485,011,081 |
In Technical Roles | Director | 8 | $460,662,129 | $497,252,698 | $957,914,827 |
Screenwriter | 4 | $310,187,727 | $379,830,541 | $690,018,268 | |
Producer | 1 | $68,420,120 | $236,438,001 | $304,858,121 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Featured Blu-ray and DVD Review: Skyscraper
October 7th, 2018
Skyscraper didn’t live up to expectations at the box office. It didn’t really bomb and might still break even eventually, but it wasn’t a $100 million hit like a lot of people thought it would become. Were audiences smart to stay away? Is it worth checking out? Are there enough extras to lift it to the purchase level?
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2018 Preview: July
July 1st, 2018
June was amazing, with two absolute monster hits and a solid $100 million hit. By the end of the month, 2018’s lead over 2017 will be well over $500 million, or close to 10%. Even if 2018 only managed to maintain this lead in terms of raw numbers for the rest of the year, it will be a massive jump at the box office. As for July, there are a couple of potential monster hits, Ant-Man and the Wasp and Mission: Impossible—Fallout, plus four potential $100 million hits. Last July, there was only one monster hit, Spider-Man: Homecoming, and three $100 million hits. I don’t think 2018 will match 2017 at the top, but 2018 appears to have more depth and that should put it a little ahead over the full month.
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2016 Preview: June
June 1st, 2016
May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jun 17, 2016 | Central Intelligence | Handsome Pants Ca… | $127,440,871 | $89,753,934 | $217,194,805 |
Aug 7, 2013 | We’re the Millers | The Ultimate Bord… | $150,394,119 | $117,422,157 | $267,816,276 |
Averages | $138,917,495 | $103,588,046 | $242,505,541 | ||
Totals | 2 | $277,834,990 | $207,176,091 | $485,011,081 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 17, 2016 | Central Intelligence | $35,535,250 | 3,508 | $127,440,871 | $217,194,805 | 58.7% |
Aug 7, 2013 | We’re the Millers | $26,419,396 | 3,445 | $150,394,119 | $267,816,276 | 56.2% |
Averages | $30,977,323 | 3,477 | $138,917,495 | $242,505,541 | 57.4% | |
Totals | 2 | $277,834,990 | $485,011,081 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
Announced (Undated)
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
2020-2029 | Red Notice | Director | |||
Nov 5, 2021 | Red Notice | Director Screenwriter |
$173,638 | $173,638 | |
Jul 13, 2018 | Skyscraper | Director Screenwriter Producer |
$68,420,120 | $236,438,001 | $304,858,121 |
Jun 17, 2016 | Central Intelligence | Director Screenwriter |
$127,440,871 | $89,753,934 | $217,194,805 |
Aug 7, 2013 | We’re the Millers | Director | $150,394,119 | $117,422,157 | $267,816,276 |
Apr 10, 2009 | The Mysteries of Pittsburgh | Director | $80,283 | $80,283 | |
Jun 18, 2004 | Dodgeball: A True Underdog … | Director Screenwriter |
$114,326,736 | $53,464,968 | $167,791,704 |
Averages | $92,132,426 | $99,450,540 | $159,652,471 | ||
Totals | 7 | $460,662,129 | $497,252,698 | $957,914,827 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
2020-2029 | Red Notice | |||||
Nov 5, 2021 | Red Notice | $173,638 | ||||
Jul 13, 2018 | Skyscraper | $24,905,015 | 3,822 | $68,420,120 | $304,858,121 | 22.4% |
Jun 17, 2016 | Central Intelligence | $35,535,250 | 3,508 | $127,440,871 | $217,194,805 | 58.7% |
Aug 7, 2013 | We’re the Millers | $26,419,396 | 3,445 | $150,394,119 | $267,816,276 | 56.2% |
Apr 10, 2009 | The Mysteries of Pitts… | $32,783 | 20 | $80,283 | $80,283 | 100.0% |
Jun 18, 2004 | Dodgeball: A True Unde… | $30,070,196 | 3,020 | $114,326,736 | $167,791,704 | 68.1% |
Averages | $23,392,528 | 2,763 | $92,132,426 | $159,652,471 | 61.1% | |
Totals | 7 | $460,662,129 | $957,914,827 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jul 13, 2018 | Skyscraper | $24,905,015 | 3,822 | $68,420,120 | $304,858,121 | 22.4% |
Averages | $24,905,015 | 3,822 | $68,420,120 | $304,858,121 | 22.4% | |
Totals | 1 | $68,420,120 | $304,858,121 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 5, 2021 | Red Notice | $173,638 | ||||
Jul 13, 2018 | Skyscraper | $24,905,015 | 3,822 | $68,420,120 | $304,858,121 | 22.4% |
Jun 17, 2016 | Central Intelligence | $35,535,250 | 3,508 | $127,440,871 | $217,194,805 | 58.7% |
Jun 18, 2004 | Dodgeball: A True Unde… | $30,070,196 | 3,020 | $114,326,736 | $167,791,704 | 68.1% |
Averages | $30,170,154 | 3,450 | $103,395,909 | $172,504,567 | 49.8% | |
Totals | 4 | $310,187,727 | $690,018,268 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 101-200) | 193 | $460,662,129 |
Top Grossing Producer at the Domestic Box Office (Rank 1,401-1,500) | 1,449 | $68,420,120 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 401-500) | 411 | $310,187,727 |
Top Grossing Director at the International Box Office (Rank 201-300) | 229 | $497,252,698 |
Top Grossing Producer at the International Box Office (Rank 701-800) | 735 | $236,438,001 |
Top Grossing Screenwriter at the International Box Office (Rank 401-500) | 453 | $379,830,541 |
Top Grossing Director at the Worldwide Box Office (Rank 201-300) | 205 | $957,914,827 |
Top Grossing Producer at the Worldwide Box Office (Rank 901-1,000) | 936 | $304,858,121 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 401-500) | 431 | $690,018,268 |