Nicole Holofcener
Best known as a Screenwriter based on credits in that role in 7 films, with $78,251,581 worldwide aggregate box office (rank #2,059) |
Best-known technical roles: Enough Said (Director), Enough Said (Screenwriter), The Last Duel (Screenwriter), Can You Ever Forgive Me? (Screenwriter), You Hurt My Feelings (Director) |
Best-known acting roles: Herself (Only in Theaters) |
Most productive collaborators: Julia Louis-Dreyfus, Matt Damon, Ridley Scott, Adam Driver, Anthony Bregman |
Born: March 22, 1960 (64 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Inverviewee | 1 | $35,093 | $0 | $35,093 |
In Technical Roles | Screenwriter | 7 | $46,353,385 | $31,898,196 | $78,251,581 |
Director | 4 | $26,592,039 | $8,958,624 | $35,550,663 | |
Producer | 1 | $4,830,788 | $484,944 | $5,315,732 | |
Executive Producer | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Stars at the Domestic Box Office (Rank 75,401-75,500) | 75,439 | $35,093 |
Top Stars at the Worldwide Box Office (Rank 81,301-81,400) | 81,397 | $35,093 |
Top Grossing Director at the Domestic Box Office (Rank 1,401-1,500) | 1,474 | $26,592,039 |
Top Grossing Producer at the Domestic Box Office (Rank 3,701-3,800) | 3,763 | $4,830,788 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,901-2,000) | 1,953 | $46,353,385 |
Top Grossing Director at the International Box Office (Rank 2,601-2,700) | 2,605 | $8,958,624 |
Top Grossing Producer at the International Box Office (Rank 6,101-6,200) | 6,166 | $484,944 |
Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200) | 2,154 | $31,898,196 |
Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) | 1,999 | $35,550,663 |
Top Grossing Producer at the Worldwide Box Office (Rank 4,901-5,000) | 4,968 | $5,315,732 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,001-2,100) | 2,059 | $78,251,581 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture
February 24th, 2019
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2018 Awards Season: Oscars Nominations: Final Look
February 24th, 2019
It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning.
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2018 - Awards Season: Independent Spirit Awards - Winners
February 23rd, 2019
The Independent Spirit Awards nominations kicked off the 2018 Awards Season and the winners are announced just before the end. If Beale Street Could Talk only had three nominations, but it won all three awards. This could be a good Omen for tomorrow’s Oscar ceremony.
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2018 Awards Season: Oscar Highlight: Best Adapted Screenplay
February 19th, 2019
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two Screenwriting Categories, starting with Best Adapted Screenplay, which is not among the most competitive categories, but it isn’t inconceivable that there will be an upset.
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2018 - Awards Season: WGA - Winners
February 18th, 2019
The Writers Guild of America announced their winners last night and I don’t know what to say. None of the favorites won and two of the winners were not even nominated for Oscars.
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2018 Awards Season: Oscar Nominations
January 23rd, 2019
The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each.
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2018 - Awards Season: BAFTA - Nominations
January 12th, 2019
The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here.
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2018 - Awards Season: WGA - Nominations
January 10th, 2019
The Writers Guild of America has a lot of categories, as they hand out nearly 30 awards. However, only three of them are for theatrical releases. The list of nominees include several major Awards Season players and not a lot of surprises. There are some clear patterns emerging, but also some surprising results.
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2018 - Awards Season: Independent Spirit Awards - Nominations
November 17th, 2018
The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio.
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2014 - Awards Season: Slave Earns Independence
November 28th, 2013
Independent Spirit Award started the Awards Season this week, handing out its nominations. 12 Years a Slave led the way with seven nominations, but it wasn't the only film to pick up multiple nominations.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Nov 18, 2022 | Only in Theaters | Herself | $35,093 | $35,093 | |
Averages | $35,093 | n/a | $35,093 | ||
Totals | 1 | $35,093 | n/a | $35,093 |
Latest Ranking on All Acting Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Live Action Stars at the Domestic Box Office (Rank 72,201-72,300) | 72,241 | $35,093 |
Top Below the Line Stars at the Domestic Box Office (Rank 60,201-60,300) | 60,232 | $35,093 |
Top Stars at the Domestic Box Office (Rank 75,401-75,500) | 75,439 | $35,093 |
Top Live Action Stars at the Worldwide Box Office (Rank 77,801-77,900) | 77,844 | $35,093 |
Top Below the Line Stars at the Worldwide Box Office (Rank 63,001-63,100) | 63,011 | $35,093 |
Top Stars at the Worldwide Box Office (Rank 81,301-81,400) | 81,397 | $35,093 |
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 26, 2023 | You Hurt My Feelings | Director Screenwriter Producer |
$4,830,788 | $484,944 | $5,315,732 |
Oct 15, 2021 | The Last Duel | Screenwriter | $10,853,945 | $19,226,058 | $30,080,003 |
Mar 2, 2021 | Sophie Jones | Executive Producer | |||
Oct 19, 2018 | Can You Ever Forgive Me? | Screenwriter | $8,803,865 | $3,713,514 | $12,517,379 |
Sep 14, 2018 | The Land of Steady Habits | Director Screenwriter |
|||
May 15, 2015 | Every Secret Thing | Screenwriter | $103,536 | $103,536 | |
Sep 18, 2013 | Enough Said | Director Screenwriter |
$17,550,872 | $8,070,577 | $25,621,449 |
Jun 28, 2002 | Lovely and Amazing | Director Screenwriter |
$4,210,379 | $403,103 | $4,613,482 |
Averages | $7,725,564 | $6,379,639 | $13,041,930 | ||
Totals | 8 | $46,353,385 | $31,898,196 | $78,251,581 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 26, 2023 | You Hurt My Feelings | $1,396,448 | 912 | $4,830,788 | $5,315,732 | 90.9% |
Sep 14, 2018 | The Land of Steady Habits | |||||
Sep 18, 2013 | Enough Said | $232,800 | 835 | $17,550,872 | $25,621,449 | 68.5% |
Jun 28, 2002 | Lovely and Amazing | $91,910 | 175 | $4,210,379 | $4,613,482 | 91.3% |
Averages | $573,719 | 641 | $8,864,013 | $11,850,221 | 83.5% | |
Totals | 4 | $26,592,039 | $35,550,663 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 26, 2023 | You Hurt My Feelings | $1,396,448 | 912 | $4,830,788 | $5,315,732 | 90.9% |
Averages | $1,396,448 | 912 | $4,830,788 | $5,315,732 | 90.9% | |
Totals | 1 | $4,830,788 | $5,315,732 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 26, 2023 | You Hurt My Feelings | $1,396,448 | 912 | $4,830,788 | $5,315,732 | 90.9% |
Oct 15, 2021 | The Last Duel | $4,759,151 | 3,065 | $10,853,945 | $30,080,003 | 36.1% |
Oct 19, 2018 | Can You Ever Forgive Me? | $161,510 | 555 | $8,803,865 | $12,517,379 | 70.3% |
Sep 14, 2018 | The Land of Steady Habits | |||||
May 15, 2015 | Every Secret Thing | $11,083 | 20 | $103,536 | $103,536 | 100.0% |
Sep 18, 2013 | Enough Said | $232,800 | 835 | $17,550,872 | $25,621,449 | 68.5% |
Jun 28, 2002 | Lovely and Amazing | $91,910 | 175 | $4,210,379 | $4,613,482 | 91.3% |
Averages | $1,108,817 | 927 | $7,725,564 | $13,041,930 | 76.2% | |
Totals | 7 | $46,353,385 | $78,251,581 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,401-1,500) | 1,474 | $26,592,039 |
Top Grossing Producer at the Domestic Box Office (Rank 3,701-3,800) | 3,763 | $4,830,788 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 1,901-2,000) | 1,953 | $46,353,385 |
Top Grossing Director at the International Box Office (Rank 2,601-2,700) | 2,605 | $8,958,624 |
Top Grossing Producer at the International Box Office (Rank 6,101-6,200) | 6,166 | $484,944 |
Top Grossing Screenwriter at the International Box Office (Rank 2,101-2,200) | 2,154 | $31,898,196 |
Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) | 1,999 | $35,550,663 |
Top Grossing Producer at the Worldwide Box Office (Rank 4,901-5,000) | 4,968 | $5,315,732 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,001-2,100) | 2,059 | $78,251,581 |