David S. Ward
Best known as a Screenwriter based on credits in that role in 8 films, with $355,162,524 worldwide aggregate box office (rank #801) |
Best-known technical roles: Sleepless in Seattle (Screenwriter), Major League (Director), Major League (Screenwriter), Major League II (Director), Major League II (Screenwriter) |
Born: October 25, 1945 (78 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 8 | $252,218,333 | $102,944,191 | $355,162,524 |
Director | 5 | $131,823,724 | $0 | $131,823,724 | |
Producer | 1 | $30,626,182 | $0 | $30,626,182 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 601-700) | 603 | $131,823,724 |
Top Grossing Producer at the Domestic Box Office (Rank 2,201-2,300) | 2,205 | $30,626,182 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 501-600) | 514 | $252,218,333 |
Top Grossing Screenwriter at the International Box Office (Rank 1,201-1,300) | 1,220 | $102,944,191 |
Top Grossing Director at the Worldwide Box Office (Rank 901-1,000) | 963 | $131,823,724 |
Top Grossing Producer at the Worldwide Box Office (Rank 3,001-3,100) | 3,006 | $30,626,182 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 801-900) | 801 | $355,162,524 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Feb 25, 2022 | I’ll Find You | Screenwriter | |||
Sep 22, 2006 | Flyboys | Screenwriter | $13,090,630 | $1,725,749 | $14,816,379 |
Mar 1, 1996 | Down Periscope | Director | $25,723,977 | $25,723,977 | |
Mar 30, 1994 | Major League II | Director Screenwriter Producer |
$30,626,182 | $30,626,182 | |
Sep 24, 1993 | The Program | Director Screenwriter |
$23,042,200 | $23,042,200 | |
Jun 25, 1993 | Sleepless in Seattle | Screenwriter | $126,680,884 | $101,218,442 | $227,899,326 |
Apr 7, 1989 | Major League | Director Screenwriter |
$49,793,054 | $49,793,054 | |
Feb 18, 1983 | The Sting II | Screenwriter | $6,347,072 | $6,347,072 | |
Feb 12, 1982 | Cannery Row | Director Screenwriter |
$2,638,311 | $2,638,311 | |
Averages | $34,742,789 | $51,472,096 | $47,610,813 | ||
Totals | 9 | $277,942,310 | $102,944,191 | $380,886,501 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Mar 1, 1996 | Down Periscope | $7,231,087 | 2,026 | $25,723,977 | $25,723,977 | 100.0% |
Mar 30, 1994 | Major League II | $7,040,777 | 2,167 | $30,626,182 | $30,626,182 | 100.0% |
Sep 24, 1993 | The Program | $6,821,931 | 1,661 | $23,042,200 | $23,042,200 | 100.0% |
Apr 7, 1989 | Major League | $8,836,265 | 1,615 | $49,793,054 | $49,793,054 | 100.0% |
Feb 12, 1982 | Cannery Row | $1,500,000 | 700 | $2,638,311 | $2,638,311 | 100.0% |
Averages | $6,286,012 | 1,634 | $26,364,745 | $26,364,745 | 100.0% | |
Totals | 5 | $131,823,724 | $131,823,724 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Mar 30, 1994 | Major League II | $7,040,777 | 2,167 | $30,626,182 | $30,626,182 | 100.0% |
Averages | $7,040,777 | 2,167 | $30,626,182 | $30,626,182 | 100.0% | |
Totals | 1 | $30,626,182 | $30,626,182 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Feb 25, 2022 | I’ll Find You | |||||
Sep 22, 2006 | Flyboys | $6,004,219 | 2,033 | $13,090,630 | $14,816,379 | 88.4% |
Mar 30, 1994 | Major League II | $7,040,777 | 2,167 | $30,626,182 | $30,626,182 | 100.0% |
Sep 24, 1993 | The Program | $6,821,931 | 1,661 | $23,042,200 | $23,042,200 | 100.0% |
Jun 25, 1993 | Sleepless in Seattle | $17,253,733 | 1,657 | $126,680,884 | $227,899,326 | 55.6% |
Apr 7, 1989 | Major League | $8,836,265 | 1,615 | $49,793,054 | $49,793,054 | 100.0% |
Feb 18, 1983 | The Sting II | $3,106,108 | 1,294 | $6,347,072 | $6,347,072 | 100.0% |
Feb 12, 1982 | Cannery Row | $1,500,000 | 700 | $2,638,311 | $2,638,311 | 100.0% |
Averages | $7,223,290 | 1,590 | $36,031,190 | $50,737,503 | 92.0% | |
Totals | 8 | $252,218,333 | $355,162,524 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 601-700) | 603 | $131,823,724 |
Top Grossing Producer at the Domestic Box Office (Rank 2,201-2,300) | 2,205 | $30,626,182 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 501-600) | 514 | $252,218,333 |
Top Grossing Screenwriter at the International Box Office (Rank 1,201-1,300) | 1,220 | $102,944,191 |
Top Grossing Director at the Worldwide Box Office (Rank 901-1,000) | 963 | $131,823,724 |
Top Grossing Producer at the Worldwide Box Office (Rank 3,001-3,100) | 3,006 | $30,626,182 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 801-900) | 801 | $355,162,524 |