Scott Rosenberg
Best known as a Screenwriter based on credits in that role in 11 films, with $3,237,809,716 worldwide aggregate box office (rank #46) |
Best-known technical roles: Jumanji: Welcome to the Jungle (Screenwriter), Jumanji: The Next Level (Screenwriter), Jumanji: The Next Level (Executive Producer), Venom (Screenwriter), Venom (Story Creator) |
Most productive collaborators: Matt Tolmach, Tom Hardy, Ruben Fleischer, Michelle Williams, Avi Arad |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 11 | $1,259,643,670 | $1,978,166,046 | $3,237,809,716 |
Story Creator | 1 | $213,511,408 | $642,569,645 | $856,081,053 | |
Executive Producer | 1 | $316,831,246 | $478,525,666 | $795,356,912 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Executive Producer at the Domestic Box Office (Rank 401-500) | 468 | $316,831,246 |
Top Grossing Screenwriter at the Domestic Box Office | 46 | $1,259,643,670 |
Top Grossing Story Creator at the Domestic Box Office (Rank 201-300) | 271 | $213,511,408 |
Top Grossing Executive Producer at the International Box Office (Rank 301-400) | 398 | $478,525,666 |
Top Grossing Screenwriter at the International Box Office | 44 | $1,978,166,046 |
Top Grossing Story Creator at the International Box Office (Rank 101-200) | 104 | $642,569,645 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 401-500) | 414 | $795,356,912 |
Top Grossing Screenwriter at the Worldwide Box Office | 46 | $3,237,809,716 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 101-200) | 141 | $856,081,053 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2019 Preview: December
December 1st, 2019
Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate.
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2018 Preview: October
October 1st, 2018
September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin.
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2017 Preview: December
December 1st, 2017
The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy.
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Featured Blu-ray: Beautiful Girls
March 26th, 2013
Echo Bridge Home Entertainment is a distributor that specializes in releasing bargain DVD and Blu-rays for films that are generally forgotten. I don't think it is unfair to say that. I was a little surprised to see they were releasing Beautiful Girls on Blu-ray, and it was the film's Blu-ray debut. Has this film been forgotten? Granted, it has been a while since I've seen this movie, but I remember really liking it. Is it as good as I remember? And is the Blu-ray worth picking up?
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Nov 17, 2023 | Dashing Through the Snow | Screenwriter | |||
Dec 13, 2019 | Jumanji: The Next Level | Screenwriter Executive Producer |
$316,831,246 | $478,525,666 | $795,356,912 |
Oct 5, 2018 | Venom | Screenwriter Screen Story by |
$213,511,408 | $642,569,645 | $856,081,053 |
Dec 20, 2017 | Jumanji: Welcome to the Jungle | Screenwriter | $404,508,916 | $557,123,891 | $961,632,807 |
Jan 17, 2003 | Kangaroo Jack | Screenwriter | $66,723,216 | $23,835,366 | $90,558,582 |
Jun 9, 2000 | Gone in 60 Seconds | Screenwriter | $101,643,008 | $131,000,000 | $232,643,008 |
Mar 31, 2000 | High Fidelity | Screenwriter | $27,277,055 | $20,604,608 | $47,881,663 |
Jul 24, 1998 | Disturbing Behavior | Screenwriter | $17,507,368 | $1,506,870 | $19,014,238 |
Jun 6, 1997 | Con Air | Screenwriter | $101,117,573 | $123,000,000 | $224,117,573 |
Feb 9, 1996 | Beautiful Girls | Screenwriter | $10,523,880 | $10,523,880 | |
Averages | $139,960,408 | $247,270,756 | $359,756,635 | ||
Totals | 10 | $1,259,643,670 | $1,978,166,046 | $3,237,809,716 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 17, 2023 | Dashing Through the Snow | |||||
Dec 13, 2019 | Jumanji: The Next Level | $59,251,543 | 4,227 | $316,831,246 | $795,356,912 | 39.8% |
Oct 5, 2018 | Venom | $80,255,756 | 4,250 | $213,511,408 | $856,081,053 | 24.9% |
Dec 20, 2017 | Jumanji: Welcome to th… | $36,169,328 | 3,849 | $404,508,916 | $961,632,807 | 42.1% |
Jan 17, 2003 | Kangaroo Jack | $16,580,209 | 2,848 | $66,723,216 | $90,558,582 | 73.7% |
Jun 9, 2000 | Gone in 60 Seconds | $25,336,048 | 3,089 | $101,643,008 | $232,643,008 | 43.7% |
Mar 31, 2000 | High Fidelity | $6,429,107 | 1,357 | $27,277,055 | $47,881,663 | 57.0% |
Jul 24, 1998 | Disturbing Behavior | $7,007,714 | 1,842 | $17,507,368 | $19,014,238 | 92.1% |
Jun 6, 1997 | Con Air | $24,131,738 | 2,941 | $101,117,573 | $224,117,573 | 45.1% |
Feb 9, 1996 | Beautiful Girls | $2,761,790 | 803 | $10,523,880 | $10,523,880 | 100.0% |
Averages | $28,658,137 | 2,801 | $139,960,408 | $359,756,635 | 57.6% | |
Totals | 10 | $1,259,643,670 | $3,237,809,716 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Executive Producer at the Domestic Box Office (Rank 401-500) | 468 | $316,831,246 |
Top Grossing Screenwriter at the Domestic Box Office | 46 | $1,259,643,670 |
Top Grossing Story Creator at the Domestic Box Office (Rank 201-300) | 271 | $213,511,408 |
Top Grossing Executive Producer at the International Box Office (Rank 301-400) | 398 | $478,525,666 |
Top Grossing Screenwriter at the International Box Office | 44 | $1,978,166,046 |
Top Grossing Story Creator at the International Box Office (Rank 101-200) | 104 | $642,569,645 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 401-500) | 414 | $795,356,912 |
Top Grossing Screenwriter at the Worldwide Box Office | 46 | $3,237,809,716 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 101-200) | 141 | $856,081,053 |