John Pogue
| Best known as a Director based on credits in that role in 5 films, with $18,413,804 worldwide aggregate box office (rank #2,727) |
| Best-known technical roles: The Fast and the Furious (Executive Producer), U.S. Marshals (Screenwriter), Ghost Ship (Screenwriter), Rollerball (Screenwriter), The Quiet Ones (Director) |
| Most productive collaborators: Jared Harris, Julianna Margulies, Steve Beck, Rob Cohen, Vin Diesel |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Director | 5 | $8,509,867 | $9,903,937 | $18,413,804 |
| Screenwriter | 4 | $115,447,503 | $55,002,296 | $170,449,799 | |
| Executive Producer | 1 | $144,512,310 | $61,946,062 | $206,458,372 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Director at the Domestic Box Office (Rank 2,201-2,300) | 2,280 | $8,509,867 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 1,001-1,100) | 1,080 | $144,512,310 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,101-1,200) | 1,126 | $115,447,503 |
| Top Grossing Director at the International Box Office (Rank 2,501-2,600) | 2,558 | $9,903,937 |
| Top Grossing Executive Producer at the International Box Office (Rank 2,001-2,100) | 2,072 | $61,946,062 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,801-1,900) | 1,893 | $55,002,296 |
| Top Grossing Director at the Worldwide Box Office (Rank 2,701-2,800) | 2,727 | $18,413,804 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 1,501-1,600) | 1,520 | $206,458,372 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,401-1,500) | 1,478 | $170,449,799 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2014 Preview: April
April 1st, 2014
March was stronger than expected when compared to 2013 with four films earning $100 million or more, led by Divergent. (Not all of them have gotten there yet, but they are certain to reach that milestone before they are done their box office runs.) It wasn't a blow-out victory, on the other hand, as a few weekends the ticket sales were lower in 2014 than they were during the same weekend in 2013. April looks really strong with Captain America: The Winter Soldier leading the way. This film should top $200 million over the weekend, while it isn't the only film that should crack the century mark, as Rio 2 is also on track for $100 million. This is great news, as no film last April reached $100 million. Granted, 42 came close and Oblivion wasn't far behind, but The Winter Soldier should earn more than those two films earned combined giving 2014 a comfortable lead over 2013 over the full month.
More...
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jun 7, 2022 | Eraser: Reborn | Director | |||
| Jul 28, 2020 | Deep Blue Sea 3 | Director | |||
| Nov 30, 2018 | Blood Brother | Director | |||
| Apr 25, 2014 | The Quiet Ones | Director Screenwriter |
$8,509,867 | $9,903,937 | $18,413,804 |
| Aug 2, 2011 | Quarantine 2: Terminal | Director | |||
| Oct 25, 2002 | Ghost Ship | Screenwriter | $30,113,491 | $38,236,393 | $68,349,884 |
| Feb 8, 2002 | Rollerball | Screenwriter | $18,990,542 | $6,861,966 | $25,852,508 |
| Jun 22, 2001 | The Fast and the Furious | Executive Producer | $144,512,310 | $61,946,062 | $206,458,372 |
| Mar 6, 1998 | U.S. Marshals | Screenwriter | $57,833,603 | $57,833,603 | |
| Averages | $51,991,963 | $29,237,090 | $75,381,634 | ||
| Totals | 9 | $259,959,813 | $116,948,358 | $376,908,171 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jun 7, 2022 | Eraser: Reborn | |||||
| Jul 28, 2020 | Deep Blue Sea 3 | |||||
| Nov 30, 2018 | Blood Brother | |||||
| Apr 25, 2014 | The Quiet Ones | $3,880,053 | 2,027 | $8,509,867 | $18,413,804 | 46.2% |
| Aug 2, 2011 | Quarantine 2: Terminal | |||||
| Averages | $3,880,053 | 2,027 | $8,509,867 | $18,413,804 | 46.2% | |
| Totals | 5 | $8,509,867 | $18,413,804 | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Apr 25, 2014 | The Quiet Ones | $3,880,053 | 2,027 | $8,509,867 | $18,413,804 | 46.2% |
| Oct 25, 2002 | Ghost Ship | $11,503,423 | 2,787 | $30,113,491 | $68,349,884 | 44.1% |
| Feb 8, 2002 | Rollerball | $9,013,548 | 2,762 | $18,990,542 | $25,852,508 | 73.5% |
| Mar 6, 1998 | U.S. Marshals | $16,863,988 | 2,817 | $57,833,603 | $57,833,603 | 100.0% |
| Averages | $10,315,253 | 2,598 | $28,861,876 | $42,612,450 | 65.9% | |
| Totals | 4 | $115,447,503 | $170,449,799 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Director at the Domestic Box Office (Rank 2,201-2,300) | 2,280 | $8,509,867 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 1,001-1,100) | 1,080 | $144,512,310 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,101-1,200) | 1,126 | $115,447,503 |
| Top Grossing Director at the International Box Office (Rank 2,501-2,600) | 2,558 | $9,903,937 |
| Top Grossing Executive Producer at the International Box Office (Rank 2,001-2,100) | 2,072 | $61,946,062 |
| Top Grossing Screenwriter at the International Box Office (Rank 1,801-1,900) | 1,893 | $55,002,296 |
| Top Grossing Director at the Worldwide Box Office (Rank 2,701-2,800) | 2,727 | $18,413,804 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 1,501-1,600) | 1,520 | $206,458,372 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,401-1,500) | 1,478 | $170,449,799 |