Reed Morano
Best known as a Cinematographer based on credits in that role in 8 films, with $25,951,339 worldwide aggregate box office (rank #793) |
Best-known technical roles: The Place Beyond the Pines (Additional Photography), And So It Goes (Cinematographer), The Rhythm Section (Director), The Skeleton Twins (Cinematographer), Kill Your Darlings (Cinematographer) |
Most productive collaborators: Blake Lively, Jude Law, Mark Burnell, Sterling K. Brown, Raza Jaffrey |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Cinematographer | 8 | $21,589,843 | $4,361,496 | $25,951,339 |
Director | 3 | $5,437,971 | $548,228 | $5,986,199 | |
Additional Photography | 1 | $21,403,519 | $25,607,930 | $47,011,449 | |
Executive Producer | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office (Rank 601-700) | 636 | $21,589,843 |
Top Grossing Director at the Domestic Box Office (Rank 2,501-2,600) | 2,511 | $5,437,971 |
Top Grossing Cinematographer at the International Box Office (Rank 1,001-1,100) | 1,019 | $4,361,496 |
Top Grossing Director at the International Box Office (Rank 6,301-6,400) | 6,304 | $548,228 |
Top Grossing Cinematographer at the Worldwide Box Office (Rank 701-800) | 793 | $25,951,339 |
Top Grossing Director at the Worldwide Box Office (Rank 4,001-4,100) | 4,080 | $5,986,199 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2020 Preview: January
January 1st, 2020
It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
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2015 - Awards Season: Independent Spirit Awards - Nominations
November 25th, 2015
Awards Season begins with the Independent Spirit Awards nominations. There were definitely some surprise nominees this year, but that also meant there were some unfortunate snubs as well. The overall leader was Carol, which just opened this past weekend. This is great timing and should help its box office numbers, as well as its chances throughout Awards Season. Its six nominations were one ahead of Beasts of No Nation and Spotlight. (One of Spotlight's was the Robert Altman Award, which has no nominations, just one winner.)
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jan 31, 2020 | The Rhythm Section | Director | $5,437,971 | $545,072 | $5,983,043 |
Unknown | This Teacher | Executive Producer | |||
Sep 14, 2018 | I Think We’re Alone Now | Director Director of Photography |
$3,156 | $3,156 | |
Oct 16, 2015 | Meadowland | Director Director of Photography |
|||
Sep 19, 2014 | Autumn Blood | Director of Photography | |||
Sep 12, 2014 | The Skeleton Twins | Director of Photography | $5,284,309 | $512,883 | $5,797,192 |
Jul 25, 2014 | And So It Goes | Director of Photography | $15,160,801 | $2,759,212 | $17,920,013 |
Oct 18, 2013 | Kill Your Darlings | Director of Photography | $1,029,949 | $1,054,866 | $2,084,815 |
Mar 29, 2013 | The Place Beyond the Pines | Additional Photography | $21,403,519 | $25,607,930 | $47,011,449 |
Sep 5, 2012 | For Ellen | Director of Photography | $12,396 | $8,350 | $20,746 |
Jul 6, 2012 | The Magic of Belle Isle | Director of Photography | $102,388 | $23,029 | $125,417 |
Averages | $6,918,762 | $3,814,312 | $9,868,229 | ||
Totals | 11 | $48,431,333 | $30,514,498 | $78,945,831 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jan 31, 2020 | The Rhythm Section | $2,715,384 | 3,049 | $5,437,971 | $5,983,043 | 90.9% |
Sep 14, 2018 | I Think We’re Alone Now | $3,156 | ||||
Oct 16, 2015 | Meadowland | |||||
Averages | $2,715,384 | 3,049 | $5,437,971 | $2,993,100 | 90.9% | |
Totals | 3 | $5,437,971 | $5,986,199 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office (Rank 601-700) | 636 | $21,589,843 |
Top Grossing Director at the Domestic Box Office (Rank 2,501-2,600) | 2,511 | $5,437,971 |
Top Grossing Cinematographer at the International Box Office (Rank 1,001-1,100) | 1,019 | $4,361,496 |
Top Grossing Director at the International Box Office (Rank 6,301-6,400) | 6,304 | $548,228 |
Top Grossing Cinematographer at the Worldwide Box Office (Rank 701-800) | 793 | $25,951,339 |
Top Grossing Director at the Worldwide Box Office (Rank 4,001-4,100) | 4,080 | $5,986,199 |