Michael Hill
Best known as an Editor based on credits in that role in 8 films, with $888,745,271 worldwide aggregate box office (rank #221) |
Best-known technical roles: Ransom (Editor), Lady Bird (Music Supervisor), Parenthood (Editor), Backdraft (Editor), Far and Away (Editor) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Editor | 8 | $606,187,952 | $282,557,319 | $888,745,271 |
Music Supervisor | 7 | $50,316,812 | $33,196,091 | $83,512,903 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Editor at the Domestic Box Office (Rank 101-200) | 155 | $606,187,952 |
Top Grossing Music Supervisor at the Domestic Box Office (Rank 201-300) | 205 | $50,316,812 |
Top Grossing Editor at the International Box Office (Rank 301-400) | 318 | $282,557,319 |
Top Grossing Music Supervisor at the International Box Office (Rank 201-300) | 204 | $33,196,091 |
Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 221 | $888,745,271 |
Top Grossing Music Supervisor at the Worldwide Box Office (Rank 201-300) | 204 | $83,512,903 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Aug 14, 2019 | Adam | Music Supervisor | $103,252 | $103,252 | |
Mar 16, 2018 | Keep The Change | Music Supervisor | $202,788 | $19,273 | $222,061 |
Nov 3, 2017 | Lady Bird | Music Supervisor | $48,958,273 | $31,162,671 | $80,120,944 |
Oct 14, 2016 | Ordinary World | Music Supervisor | |||
Oct 24, 2014 | Laggies | Music Supervisor | $440,338 | $1,822,098 | $2,262,436 |
Oct 24, 2014 | 23 Blast | Music Supervisor | $549,185 | $549,185 | |
Jun 8, 2012 | Dark Horse | Music Supervisor | $166,228 | $88,797 | $255,025 |
Nov 8, 1996 | Ransom | Editor | $136,492,681 | $172,207,319 | $308,700,000 |
Mar 18, 1994 | The Paper | Editor | $36,768,310 | $9,600,000 | $46,368,310 |
May 22, 1992 | Far and Away | Editor | $58,883,840 | $58,883,840 | |
May 24, 1991 | Backdraft | Editor | $77,868,585 | $74,500,000 | $152,368,585 |
Aug 2, 1989 | Parenthood | Editor | $100,047,830 | $26,250,000 | $126,297,830 |
May 20, 1988 | Willow | Editor | $57,269,863 | $57,269,863 | |
Jun 21, 1985 | Cocoon | Editor | $76,257,348 | $76,257,348 | |
Mar 9, 1984 | Splash | Editor | $62,599,495 | $62,599,495 | |
Averages | $50,500,366 | $35,083,712 | $69,447,012 | ||
Totals | 15 | $656,504,764 | $315,753,410 | $972,258,174 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Editor at the Domestic Box Office (Rank 101-200) | 155 | $606,187,952 |
Top Grossing Music Supervisor at the Domestic Box Office (Rank 201-300) | 205 | $50,316,812 |
Top Grossing Editor at the International Box Office (Rank 301-400) | 318 | $282,557,319 |
Top Grossing Music Supervisor at the International Box Office (Rank 201-300) | 204 | $33,196,091 |
Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 221 | $888,745,271 |
Top Grossing Music Supervisor at the Worldwide Box Office (Rank 201-300) | 204 | $83,512,903 |