Malcolm Campbell
| Best known as an Editor based on credits in that role in 6 films, with $642,709,667 worldwide aggregate box office (rank #284) |
| Best-known technical roles: Ace Ventura: When Nature Calls (Editor), Coming to America (Editor), Keeping the Faith (Editor), My Favorite Martian (Editor), Double Take (Editor) |
| Most productive collaborators: John Landis, George Folsey, Jr., Gary Barber, Eddie Murphy, Arsenio Hall |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Editor | 6 | $369,722,031 | $272,987,636 | $642,709,667 |
| Associate Editor | 1 | $57,229,890 | $15,389 | $57,245,279 | |
| Screenwriter | 1 | $6,000 | $861,949 | $867,949 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Editor at the Domestic Box Office (Rank 201-300) | 250 | $369,722,031 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 9,401-9,500) | 9,445 | $6,000 |
| Top Grossing Editor at the International Box Office (Rank 301-400) | 327 | $272,987,636 |
| Top Grossing Screenwriter at the International Box Office (Rank 5,201-5,300) | 5,241 | $861,949 |
| Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 284 | $642,709,667 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 7,601-7,700) | 7,657 | $867,949 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Jan 1, 2021 | Herself | Screenwriter | $6,000 | $861,949 | $867,949 |
| Jan 12, 2001 | Double Take | Editor | $29,823,162 | $29,823,162 | |
| Apr 14, 2000 | Keeping the Faith | Editor | $37,036,404 | $8,300,000 | $45,336,404 |
| Feb 12, 1999 | My Favorite Martian | Editor | $36,850,101 | $36,850,101 | |
| Nov 10, 1995 | Ace Ventura: When Nature Calls | Editor | $108,360,063 | $104,039,937 | $212,400,000 |
| Jun 29, 1988 | Coming to America | Editor | $128,152,301 | $160,647,699 | $288,800,000 |
| Jun 24, 1983 | Twilight Zone: The Movie | Editor | $29,500,000 | $29,500,000 | |
| Jun 20, 1980 | The Blues Brothers | Associate Editor | $57,229,890 | $15,389 | $57,245,279 |
| Averages | $53,369,740 | $54,772,995 | $87,602,862 | ||
| Totals | 8 | $426,957,921 | $273,864,974 | $700,822,895 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jan 1, 2021 | Herself | $6,000 | 40 | $6,000 | $867,949 | 0.7% |
| Averages | $6,000 | 40 | $6,000 | $867,949 | 0.7% | |
| Totals | 1 | $6,000 | $867,949 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Editor at the Domestic Box Office (Rank 201-300) | 250 | $369,722,031 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 9,401-9,500) | 9,445 | $6,000 |
| Top Grossing Editor at the International Box Office (Rank 301-400) | 327 | $272,987,636 |
| Top Grossing Screenwriter at the International Box Office (Rank 5,201-5,300) | 5,241 | $861,949 |
| Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 284 | $642,709,667 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 7,601-7,700) | 7,657 | $867,949 |