Jill Bilcock
Best known as an Editor based on credits in that role in 9 films, with $567,776,120 worldwide aggregate box office (rank #303) |
Best-known technical roles: Road to Perdition (Editor), Moulin Rouge (Editor), Romeo+Juliet (Editor), Romeo+Juliet (Associate Producer), The Young Victoria (Editor) |
Most productive collaborators: Baz Luhrmann, Craig Pearce, John Leguizamo, Martin Brown, Nicole Kidman |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Editor | 9 | $223,657,913 | $344,118,207 | $567,776,120 |
Associate Producer | 1 | $46,338,728 | $101,203,653 | $147,542,381 | |
Co-Executive Producer | 1 | $17,669 | $4,368,290 | $4,385,959 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Associate Producer at the Domestic Box Office (Rank 801-900) | 811 | $46,338,728 |
Top Grossing Editor at the Domestic Box Office (Rank 301-400) | 332 | $223,657,913 |
Top Grossing Associate Producer at the International Box Office (Rank 501-600) | 510 | $101,203,653 |
Top Grossing Editor at the International Box Office (Rank 201-300) | 285 | $344,118,207 |
Top Grossing Associate Producer at the Worldwide Box Office (Rank 601-700) | 622 | $147,542,381 |
Top Grossing Editor at the Worldwide Box Office (Rank 301-400) | 303 | $567,776,120 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 14, 2021 | High Ground | Editor | $2,312,552 | $2,312,552 | |
Mar 10, 2020 | Ride Like a Girl | Editor | $9,619,183 | $9,619,183 | |
Mar 26, 2015 | Kill Me Three Times | Editor | $24,296 | $10,185 | $34,481 |
Mar 29, 2013 | Mental | Co-Executive Producer Editor |
$17,669 | $4,368,290 | $4,385,959 |
Dec 18, 2009 | The Young Victoria | Editor | $11,001,272 | $20,877,619 | $31,878,891 |
Nov 23, 2005 | The Libertine | Editor | $4,835,065 | $4,613,558 | $9,448,623 |
Jul 12, 2002 | Road to Perdition | Editor | $104,054,514 | $79,300,000 | $183,354,514 |
May 18, 2001 | Moulin Rouge | Editor | $57,386,369 | $121,813,167 | $179,199,536 |
Nov 1, 1996 | Romeo+Juliet | Editor Associate Producer |
$46,338,728 | $101,203,653 | $147,542,381 |
Averages | $31,951,130 | $38,235,356 | $63,086,236 | ||
Totals | 9 | $223,657,913 | $344,118,207 | $567,776,120 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Associate Producer at the Domestic Box Office (Rank 801-900) | 811 | $46,338,728 |
Top Grossing Editor at the Domestic Box Office (Rank 301-400) | 332 | $223,657,913 |
Top Grossing Associate Producer at the International Box Office (Rank 501-600) | 510 | $101,203,653 |
Top Grossing Editor at the International Box Office (Rank 201-300) | 285 | $344,118,207 |
Top Grossing Associate Producer at the Worldwide Box Office (Rank 601-700) | 622 | $147,542,381 |
Top Grossing Editor at the Worldwide Box Office (Rank 301-400) | 303 | $567,776,120 |