John A Larsen
Best known as a Supervising Sound Editor based on credits in that role in 18 films, with $5,795,715,276 worldwide aggregate box office (rank #16) |
Best-known technical roles: X-Men: Days of Future Past (Supervising Sound Editor), Night at the Museum (Supervising Sound Editor), X-Men Origins: Wolverine (Supervising Sound Editor), The Wolverine (Re-recording Mixer), X-Men: The Last Stand (Supervising Sound Editor) |
Most productive collaborators: Hugh Jackman, Lauren Shuler Donner, Helen Jarvis, Ben Stiller, Shawn Levy |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Supervising Sound Editor | 18 | $2,596,528,470 | $3,199,186,806 | $5,795,715,276 |
Re-recording Mixer | 1 | $132,556,852 | $283,900,000 | $416,456,852 | |
Sound Editor | 1 | $172,825,435 | $239,974,565 | $412,800,000 | |
Sound Effects Editor | 1 | $86,134 | $0 | $86,134 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Re-recording Mixer at the Domestic Box Office (Rank 201-300) | 245 | $132,556,852 |
Top Grossing Sound Editor at the Domestic Box Office (Rank 101-200) | 142 | $172,825,435 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 901-1,000) | 954 | $86,134 |
Top Grossing Supervising Sound Editor at the Domestic Box Office | 18 | $2,596,528,470 |
Top Grossing Re-recording Mixer at the International Box Office (Rank 101-200) | 185 | $283,900,000 |
Top Grossing Sound Editor at the International Box Office | 95 | $239,974,565 |
Top Grossing Supervising Sound Editor at the International Box Office | 19 | $3,199,186,806 |
Top Grossing Re-recording Mixer at the Worldwide Box Office (Rank 201-300) | 211 | $416,456,852 |
Top Grossing Sound Editor at the Worldwide Box Office (Rank 101-200) | 102 | $412,800,000 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 901-1,000) | 967 | $86,134 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office | 16 | $5,795,715,276 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Sep 19, 2014 | The Maze Runner | Supervising Sound Editor | $102,427,862 | $245,891,999 | $348,319,861 |
May 23, 2014 | X-Men: Days of Future Past | Supervising Sound Editor | $233,921,534 | $513,941,241 | $747,862,775 |
Jul 26, 2013 | The Wolverine | Re-recording Mixer | $132,556,852 | $283,900,000 | $416,456,852 |
Jun 11, 2010 | The A-Team | Supervising Sound Editor | $77,222,099 | $100,019,072 | $177,241,171 |
May 22, 2009 | Night at the Museum: Battle… | Supervising Sound Editor | $177,243,721 | $224,987,342 | $402,231,063 |
May 1, 2009 | X-Men Origins: Wolverine | Supervising Sound Editor | $179,883,157 | $194,942,603 | $374,825,760 |
Jun 15, 2007 | Fantastic Four: Rise of the… | Supervising Sound Editor | $131,921,738 | $157,558,953 | $289,480,691 |
Dec 22, 2006 | Night at the Museum | Supervising Sound Editor | $250,863,268 | $328,583,139 | $579,446,407 |
May 26, 2006 | X-Men: The Last Stand | Supervising Sound Editor | $234,362,462 | $224,898,484 | $459,260,946 |
Apr 8, 2005 | Fever Pitch | Supervising Sound Editor | $42,071,069 | $8,000,000 | $50,071,069 |
Jan 14, 2005 | Elektra | Supervising Sound Editor | $24,409,722 | $32,414,911 | $56,824,633 |
Jul 16, 2004 | I, Robot | Supervising Sound Editor | $144,801,023 | $203,828,562 | $348,629,585 |
Dec 12, 2003 | Stuck On You | Supervising Sound Editor | $33,832,741 | $29,704,423 | $63,537,164 |
May 2, 2003 | X-Men 2 | Supervising Sound Editor | $214,949,694 | $191,398,936 | $406,348,630 |
Feb 14, 2003 | Daredevil | Supervising Sound Editor | $102,543,518 | $80,239,000 | $182,782,518 |
Dec 25, 2002 | Catch Me if You Can | Supervising Sound Editor | $164,606,800 | $191,005,491 | $355,612,291 |
Jul 27, 2001 | Planet of the Apes | Supervising Sound Editor | $180,011,740 | $182,200,000 | $362,211,740 |
Jul 14, 2000 | X-Men | Supervising Sound Editor | $157,299,717 | $139,572,650 | $296,872,367 |
Jun 26, 1998 | Doctor Dolittle | Supervising Sound Editor | $144,156,605 | $150,000,000 | $294,156,605 |
Dec 16, 1988 | Rain Man | Sound Editor | $172,825,435 | $239,974,565 | $412,800,000 |
Jan 25, 1985 | Fandango | Sound Effects Editor | $86,134 | $86,134 | |
Averages | $138,190,328 | $186,153,069 | $315,478,965 | ||
Totals | 21 | $2,901,996,891 | $3,723,061,371 | $6,625,058,262 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Re-recording Mixer at the Domestic Box Office (Rank 201-300) | 245 | $132,556,852 |
Top Grossing Sound Editor at the Domestic Box Office (Rank 101-200) | 142 | $172,825,435 |
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 901-1,000) | 954 | $86,134 |
Top Grossing Supervising Sound Editor at the Domestic Box Office | 18 | $2,596,528,470 |
Top Grossing Re-recording Mixer at the International Box Office (Rank 101-200) | 185 | $283,900,000 |
Top Grossing Sound Editor at the International Box Office | 95 | $239,974,565 |
Top Grossing Supervising Sound Editor at the International Box Office | 19 | $3,199,186,806 |
Top Grossing Re-recording Mixer at the Worldwide Box Office (Rank 201-300) | 211 | $416,456,852 |
Top Grossing Sound Editor at the Worldwide Box Office (Rank 101-200) | 102 | $412,800,000 |
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 901-1,000) | 967 | $86,134 |
Top Grossing Supervising Sound Editor at the Worldwide Box Office | 16 | $5,795,715,276 |