21 Bridges (2019)

21 Bridges
Theatrical Performance
Domestic Box Office $28,539,757Details
International Box Office $14,117,874Details
Worldwide Box Office $42,657,631
Home Market Performance
Est. Domestic DVD Sales $2,189,140 Details
Est. Domestic Blu-ray Sales $2,594,522 Details
Total Est. Domestic Video Sales $4,783,662
Further financial details...

Synopsis

An embattled NYPD detective is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. As the night unfolds, lines become blurred on who he is pursuing, and who is in pursuit of him. When the search intensifies, extreme measures are taken to prevent the killers from escaping Manhattan as the authorities close all 21 bridges to prevent any entry or exit from the iconic island.

Metrics

Opening Weekend:$9,261,268 (32.5% of total gross)
Legs:3.08 (domestic box office/biggest weekend)
Domestic Share:66.9% (domestic box office/worldwide)
Production Budget:$33,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:2,665 opening theaters/2,665 max. theaters, 3.8 weeks average run per theater
Infl. Adj. Dom. BO $33,586,470

Latest Ranking on Cumulative Box Office Lists


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Movie Details

Domestic Releases: November 22nd, 2019 (Wide) by STX Entertainment
International Releases: November 22nd, 2019 (Wide) (Australia)
November 22nd, 2019 (Wide) (Hong Kong)
November 22nd, 2019 (Wide), released as 21 tiltas (Lithuania)
November 22nd, 2019 (Wide) (United Kingdom)
December 5th, 2019 (Wide), released as 21 МОСТ (Russia (CIS))
... Show all releases
Video Release: February 18th, 2020 by Universal Home Entertainment
March 30th, 2020 by Sony Pictures
MPAA Rating: R for violence and language throughout.
(Rating bulletin 2603 (Cert #52300), 11/6/2019)
Running Time: 103 minutes
Comparisons: vs. En kongelig affære
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Keywords: NYPD, Set in New York, Set in New York City, Manhunt, Corrupt Cops, Action Thriller, Crime, Narcotics, Young Child Dealing with the Death of a Parent, Father’s Footsteps
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: AGBO, MWM Studios, H Brothers, STX Films, XCeption Content
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Thanksgiving (All Movies, 3-Day) 238 $5,587,111 Nov 29, 2019 10
Thanksgiving (All Movies, 3-Day, Inflation Adjusted) 324 $6,991,615 Nov 29, 2019 10
Thanksgiving (All Movies, 5-Day) 225 $7,681,362 Nov 29, 2019 10

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 22, 2019 4 $9,261,268   2,665 $3,475   $9,261,268 1
Nov 29, 2019 6 $5,587,111 -40% 2,665 $2,096   $19,220,781 2
Dec 6, 2019 7 $2,865,050 -49% 2,465 $1,162   $23,917,746 3
Dec 13, 2019 10 $1,183,802 -59% 1,533 $772   $26,355,168 4
Dec 27, 2019 20 $226,725   229 $990   $27,656,920 6
Jan 3, 2020 18 $391,579 +73% 476 $823   $28,265,017 7
Jan 10, 2020 34 $67,003 -83% 141 $475   $28,485,460 8
Jan 17, 2020 42 $17,989 -73% 51 $353   $28,529,653 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 21, 2019 P $700,000     0     $700,000  
Nov 22, 2019 4 $3,333,513     2,665 $1,251   $3,333,513 1
Nov 23, 2019 4 $3,575,205 +7%   2,665 $1,342   $6,908,718 2
Nov 24, 2019 4 $2,352,550 -34%   2,665 $883   $9,261,268 3
Nov 25, 2019 4 $878,028 -63%   2,665 $329   $10,139,296 4
Nov 26, 2019 4 $1,400,123 +59%   2,665 $525   $11,539,419 5
Nov 27, 2019 7 $1,010,083 -28%   2,665 $379   $12,549,502 6
Nov 28, 2019 6 $1,084,168 +7%   2,665 $407   $13,633,670 7
Nov 29, 2019 6 $2,169,644 +100% -35% 2,665 $814   $15,803,314 8
Nov 30, 2019 6 $2,248,550 +4% -37% 2,665 $844   $18,051,864 9
Dec 1, 2019 6 $1,168,917 -48% -50% 2,665 $439   $19,220,781 10
Dec 2, 2019 6 $378,093 -68% -57% 2,665 $142   $19,598,874 11
Dec 3, 2019 6 $677,756 +79% -52% 2,665 $254   $20,276,630 12
Dec 4, 2019 6 $400,117 -41% -60% 2,665 $150   $20,676,747 13
Dec 5, 2019 6 $375,949 -6% -65% 2,665 $141   $21,052,696 14
Dec 6, 2019 7 $814,218 +117% -62% 2,465 $330   $21,866,914 15
Dec 7, 2019 7 $1,255,584 +54% -44% 2,465 $509   $23,122,498 16
Dec 8, 2019 7 $795,248 -37% -32% 2,465 $323   $23,917,746 17
Dec 9, 2019 7 $278,201 -65% -26% 2,465 $113   $24,195,947 18
Dec 10, 2019 7 $485,012 +74% -28% 2,465 $197   $24,680,959 19
Dec 11, 2019 7 $288,397 -41% -28% 2,465 $117   $24,969,356 20
Dec 12, 2019 7 $202,010 -30% -46% 2,465 $82   $25,171,366 21
Dec 13, 2019 10 $335,081 +66% -59% 1,533 $219   $25,506,447 22
Dec 14, 2019 10 $518,095 +55% -59% 1,533 $338   $26,024,542 23
Dec 15, 2019 10 $330,626 -36% -58% 1,533 $216   $26,355,168 24
Dec 16, 2019 10 $136,687 -59% -51% 1,533 $89   $26,491,855 25
Dec 17, 2019 10 $234,117 +71% -52% 1,533 $153   $26,725,972 26
Dec 18, 2019 10 $139,134 -41% -52% 1,533 $91   $26,865,106 27
Dec 19, 2019 14 $70,017 -50% -65% 1,533 $46   $26,935,123 28
Dec 20, 2019 - $62,139 -11% -81% 350 $178   $26,997,262 29
Dec 21, 2019 - $94,252 +52% -82% 350 $269   $27,091,514 30
Dec 22, 2019 - $81,403 -14% -75% 350 $233   $27,172,917 31
Dec 23, 2019 - $55,166 -32% -60% 350 $158   $27,228,083 32
Dec 24, 2019 15 $58,604 +6% -75% 350 $167   $27,286,687 33
Dec 25, 2019 - $79,206 +35% -43% 229 $346   $27,365,893 34
Dec 26, 2019 - $64,302 -19% -8% 229 $281   $27,430,195 35
Dec 27, 2019 - $77,534 +21% +25% 229 $339   $27,507,729 36
Dec 28, 2019 - $86,822 +12% -8% 229 $379   $27,594,551 37
Dec 29, 2019 - $62,369 -28% -23% 229 $272   $27,656,920 38
Dec 30, 2019 - $46,099 -26% -16% 229 $201   $27,703,019 39
Dec 31, 2019 - $44,250 -4% -24% 229 $193   $27,747,269 40
Jan 1, 2020 - $85,026 +92% +7% 229 $371   $27,832,295 41
Jan 2, 2020 - $41,143 -52% -36% 229 $180   $27,873,438 42
Jan 3, 2020 - $122,753 +198% +58% 476 $258   $27,996,191 43
Jan 4, 2020 - $174,145 +42% +101% 476 $366   $28,170,336 44
Jan 5, 2020 - $94,681 -46% +52% 476 $199   $28,265,017 45
Jan 6, 2020 - $38,442 -59% -17% 476 $81   $28,303,459 46
Jan 7, 2020 - $57,749 +50% +31% 476 $121   $28,361,208 47
Jan 8, 2020 - $37,042 -36% -56% 476 $78   $28,398,250 48
Jan 9, 2020 - $20,207 -45% -51% 476 $42   $28,418,457 49
Jan 10, 2020 - $18,283 -10% -85% 141 $130   $28,436,740 50
Jan 11, 2020 - $29,812 +63% -83% 141 $211   $28,466,552 51
Jan 12, 2020 - $18,908 -37% -80% 141 $134   $28,485,460 52
Jan 13, 2020 - $6,692 -65% -83% 141 $47   $28,492,152 53
Jan 14, 2020 - $8,654 +29% -85% 141 $61   $28,500,806 54
Jan 15, 2020 - $6,006 -31% -84% 141 $43   $28,506,812 55
Jan 16, 2020 - $4,852 -19% -76% 141 $34   $28,511,664 56
Jan 17, 2020 - $5,219 +8% -71% 51 $102   $28,516,883 57
Jan 18, 2020 - $7,522 +44% -75% 51 $147   $28,524,405 58
Jan 19, 2020 - $5,248 -30% -72% 51 $103   $28,529,653 59
Jan 20, 2020 - $3,899 -26% -42% 51 $76   $28,533,552 60
Jan 21, 2020 - $2,054 -47% -76% 51 $40   $28,535,606 61
Jan 22, 2020 - $1,949 -5% -68% 51 $38   $28,537,555 62
Jan 23, 2020 - $2,202 +13% -55% 51 $43   $28,539,757 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 22, 2019 5 $13,633,670   2,665 $5,116   $13,633,670 1
Nov 29, 2019 6 $7,419,026 -46% 2,665 $2,784   $21,052,696 2
Dec 6, 2019 7 $4,118,670 -44% 2,465 $1,671   $25,171,366 3
Dec 13, 2019 10 $1,763,757 -57% 1,533 $1,151   $26,935,123 4
Dec 20, 2019 18 $495,072 -72% 229 $2,162   $27,430,195 5
Dec 27, 2019 20 $443,243 -10% 229 $1,936   $27,873,438 6
Jan 3, 2020 18 $545,019 +23% 476 $1,145   $28,418,457 7
Jan 10, 2020 34 $93,207 -83% 141 $661   $28,511,664 8
Jan 17, 2020 41 $28,093 -70% 51 $551   $28,539,757 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/3/2020 $61,417 117 117 150 $105,469 1/20/2020
Australia 11/22/2019 $335,417 203 209 634 $850,489 12/31/2019
Brazil 12/13/2019 $329,231 190 190 269 $829,719 12/28/2019
Bulgaria 2/28/2020 $9,310 0 0 0 $23,384 3/11/2020
China 3/18/2021 $2,330,000 51,862 51,862 54,322 $4,320,000 4/14/2021
France 1/3/2020 $700,641 214 235 631 $1,343,442 1/29/2020
Germany 4/2/2021 $2,906 0 0 0 $867,970 4/12/2021
Hong Kong 11/22/2019 $0 0 0 0 $437,725 1/5/2020
Italy 1/9/2020 $492,645 0 0 0 $972,999 10/19/2022
Lithuania 11/22/2019 $10,354 10 10 15 $17,247 12/10/2019
Mexico 12/6/2019 $258,652 0 0 0 $514,004 12/17/2019
New Zealand 12/20/2019 $1,123 9 9 23 $3,008 10/19/2022
Portugal 12/13/2019 $49,566 42 49 138 $164,892 10/19/2022
Russia (CIS) 12/5/2019 $207,482 633 633 1,107 $359,678 10/19/2022
Slovenia 2/28/2020 $6,488 10 12 22 $11,879 4/8/2020
South Korea 1/1/2020 $255,097 225 225 531 $885,144 11/25/2020
Spain 2/21/2020 $239,243 238 238 465 $431,046 3/5/2020
United Kingdom 11/22/2019 $840,557 407 407 1,050 $1,979,779 12/12/2019
 
International Total$14,117,874 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 23, 2020433,635 33,635$562,041$562,0411
Mar 1, 20201015,487-54% 49,122$278,147$840,1882
Sep 6, 20201221,060 104,748$337,171$1,600,47329

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 23, 2020534,799 34,799$772,879$772,8791
Mar 1, 20201513,679-61% 48,478$262,902$1,035,7812
Sep 6, 2020817,866 131,727$286,035$2,518,09129

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Netflix Daily Charts

DateRankDays In
Top 10
Vierwership
Score
Nov 22, 2021101 1
Nov 23, 202172 5
Nov 24, 202173 9

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Chadwick Boseman Andre Davis

Supporting Cast

Sienna Miller Detective
Stephan James Michael
Keith David Deputy Chief Spencer
Alexander Siddig Adi
Taylor Kitsch Ray
J.K. Simmons Captain McKenna
Louis Cancelmi Bush
Victoria Cartagena Yolanda
Gary Carr Hawk
Morocco Omari Deputy Mayor Mott
Chris Ghaffari Brad Gales
Dale Pavinkski Mosto’s Manager-Tom Cheaver
Christian Isaiah Young Andre
Sarah Ellen Stephens Young Vonetta Davis
Jamie Neumann Leigh
Peter Patrikios Leigh’s Boyfriend
Jayson Ward Williams Ear Hair IA Suit
Suzette Azariah Gunn Lipstick Spots
Khalil McMillan Metallic IA Suit
John Douglas Thompson Reverend
Jennifer Onvie Chemist
Obi Abili Sgt. Butchco
Andy Truschinski Sgt. Dugan
Darren Lipari Lt. Kelly
Monica Hernandez Maria
Adriane Lenox Older Vonetta Davis
Narci Regina Waitress
Sophia Blum Uniformed Tech
Stephen Medvidick LMSI Tech
Zena-Marie Ghanney CSU Tech
Kaylah Timoney Club Goer
Justine Smith Club Goer
Joseph D. Fisher Cop
Danny Plaza Cop
Dwayne Alistair Thomas Henchman
Ryan Love Henchman
Joseph Lawrence Henchman
Sean Close Buddy
John O’Donnell Buddy’s Friend
Katie McClellan Parallax Receptionist
Mike Rainey Hotel Cop
Craig Newman Anchor
Cheryl Singleton NY1 Anchor
Pat Kiernan NY1 Anchor
Vivian Lee NY1 Reporter
Robin Rieger ND News Anchor
Brooke Stacy Mills ND News Reporter
Emily Grace Murray ND News Reporter
Chrisdine King ND News Reporter
David Adams SWAT
Robert Poletick Police Lawyer
John Jezior Hotel Cook
Tony Giorgio Ceremonial Lieutenant
Sunny DeLeon Female Employee
James Bodnar Cops at Pan Am
Jason Iannacone Cop at Pan Am
Juan Encarnacion Cop at ADI’s
Raymond DeBendictis Cop at ADI’s

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brian Kirk Director
Adam Mervis Screenwriter
Matthew Michael Carnahan Screenwriter
Adam Mervis Story by
Logan Coles Producer
Chadwick Boseman Producer
Mike LaRocca Producer
Joe Russo Producer
Robert Simonds Producer
Anthony Russo Producer
Gigi Pritzker Producer
Rachel Shane Executive Producer
Adrian Alperovich Executive Producer
Mike LaRocca Executive Producer
Adam Fogelson Executive Producer
Wang Zhongjun Executive Producer
Wang Zhonglei Executive Producer
Felice Bee Executive Producer
Mark Kamine Executive Producer
Todd Makurath Executive Producer
Paul Cameron Director of Photography
Greg Berry Production Designer
Tim Murrell Editor
David Robinson Costume Designer
Henry Jackman Composer
Alex Nelson Belcher Composer
Jason Markey Music Supervisor
Malcolm Gray Co-Producer
Melissa Rucker Co-Producer
Avy Kaufman Casting Director
Mark Kamine Unit Production Manager
John B. West Unit Production Manager
Michele Shelley Ziegler* First Assistant Director
Xanthus Valan Second Assistant Director
Spiro Razatos Second Unit Director
Spiro Razatos Stunt Coordinator
Matteo De Cosmo Art Director
Regina Graves Set Decorator
Melissa Brockman Visual Effects Producer
Charles S. Rowe Script Supervisor
Damian Elias Canelos Sound Mixer
Staci Hagenbaugh Location Manager
Rita Squitiere Costume Supervisor
Pamela Peitzman Make up
Diane Dixon Hairstylist
Ray Santoleri Make up
Janice Innella Hairstylist
Joseph D. Weber Set Designer
Stuart MacPhee Post-Production Supervisor
Timothy Feeley First Assistant Editor
Jac Rubenstein Dialogue Editor
Michael Feuser Dialogue Editor
Larry Zipf Sound Designer
Wyatt Sprague Sound Effects Editor
Lee Salevan Sound Effects Editor
Igor Nikolic Foley Editor
Skip Lievsay Re-recording Mixer
Paul Urmson Re-recording Mixer
Paul Urmson Supervising Sound Editor
Felipe Pacheco Music Editor
Maverick Dugger Additional Music
Chris Fogel Score Mixer
Andy Gill Second Unit Director
Andy Gill Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 18th, 2020

February 19th, 2020

Jojo Rabbit

There are not a lot of major releases on this week’s list, but what we lack in quantity, we more than make up for in quality. In fact, there are five contenders for Pick of the Week and a couple of other smaller releases that might end up in my collection soon. It is going to be a rough week on my wallet. These include a couple of Oscar contenders, A Beautiful Day in the Neighborhood and Jojo Rabbit; a couple of animated releases, The Point! and Tex Avery: Screwball Classics: Volume 1; and a TV on DVD Megaset, Unbreakable Kimmy Schmidt: The Complete Series. All five releases are worth picking up, but I’m going with Jojo Rabbit as this week’s Pick of the Week. More...

Weekend Wrap-Up: Thanksgiving Shows 2019 still has some Spark Left

December 2nd, 2019

Frozen II

2019 hasn’t been a great year and has consistently been behind 2018. However, 2018 was the biggest ever year at the box office and 2019 has been in a battle for second place for much of the year. Thanksgiving beat expectations and the overall performances over the Thanksgiving weekend really helped 2019’s chances to secure second place. Frozen II broke records earning first place for its three-day and five-day Thanksgiving weekends. In fact, its three-day weekend haul of $85.98 million would have landed in third place on the all-time five-day chart. Additionally, both new releases, Knives Out and Queen and Slim, topped expectations leading to a robust box office. Granted, the overall box office was a little lower, down 12%, from last weekend at $180 million. This is common for Thanksgiving, as the Wednesday and Thursday holidays are so popular with moviegoers that they reduce the box office potential of the Friday through Sunday weekend. This is 56% higher than the same weekend last year, but this is due to a misalignment in the holidays. This Thanksgiving was 16.5% lower than last year’s Thanksgiving, but the misalignment of the holidays does have an effect there as well, so it isn’t a perfect comparison either. Next weekend will be a lot better when it comes to the year-over-year comparison. Year-to-date, 2019 is still behind 2018 by a large margin, but 2019 was able to close to the gap a bit to 6.0% or $640 million at $10.03 billion to $10.67 billion. Getting that gap lower is the goal for December, as it is virtually impossible that 2019 will catch up completely. I would be really impressed if they can cut that gap in half. More...

Weekend Wrap-Up: Frozen has Fantastic Opening with $130.26 million

November 26th, 2019

Frozen II

Frozen II beat expectations over the weekend, and earned several records along the way. In fact, its three-day opening of $130.26 million is better than the previous 5-day Thanksgiving weekend for an animated film, a record previously held by Frozen. The other two new releases, A Beautiful Day in the Neighborhood and 21 Bridges, missed expectations, but were close enough that the overall box office was very healthy. In fact, the box office rose 89% from last weekend to $204 million. This was 5.7% lower than the same weekend last year, but this weekend last year was Thanksgiving, so being down by 5.7% during a holiday misalignment is a fantastic result. We did lose the weekday holidays, so year-over-year, 2019 lost a lot of ground to 2018 and is now behind last year’s pace by 7.4% or $770 million at $9.71 billion to $10.48 billion. We should gain a lot next weekend, thanks to Thanksgiving, and by the first weekend of December, things will settle down. More...

Weekend Estimates: Frozen II Sets Animation Records with $127 million

November 24th, 2019

Frozen II

It didn’t look like Frozen II would match our $125 million prediction based on Friday’s estimate, but if weekend estimates hold, it will did so with $127.0 million. This is not only the highest opening weekend for an Animated film in November, but anytime outside of summer. This greater-than-anticipated internal multiplier stronger suggests better legs overall. It is a family film opening just before Thanksgiving, so it was expected to have long legs regardless, but its reviews and its A minus from CinemaScore were merely good and not great. Add in the sequel effect and the film leg’s wouldn’t be nearly as stunning as the first Frozen’s legs were. However, after this result, I’m a lot more confident the film will still be at least a truly wide release come January, if not a saturation level release, as its predecessor was. More...

Friday Estimates: Frozen II Sets Fire to the Record Book

November 23rd, 2019

Frozen II

As expected, Frozen II started with a record-breaking Friday, as the film pulled in $41.8 million during its opening day, the best day in November for an animated film. Combine this start with its reviews and its A minus from CinemaScore and the film should have decent legs. The audience reaction is a little disappointing, so I think our prediction of $125 million is unlikely. It will come close enough to become a huge hit domestically. In fact, it is on pace to smash the November 3-day weekend for an animated film by the middle of Saturday and the five-day Thanksgiving weekend for any film by the middle of Sunday, and it isn’t even Thanksgiving. Those records are currently held by The Incredibles ($70.5 million) and The Hunger Games: Catching Fire ($109.9 million). The Incredibles record will obviously be broken, but we’ll have to wait until next week to see what Thanksgiving looks like. Frozen II is the fastest-starting November animated release of all time, but I don’t think it will have the legs to catch Frozen’s domestic total, unless it is able to remain in saturation level wide release until the New Year. More...

Thursday Night Previews: Frozen Gets Off to a Hot Start

November 22nd, 2019

Frozen II

Frozen II is giving box office watchers a reason to celebrate after earning $8.5 million during its previews on Thursday, setting the record for an animated film in November. This is not as much as The Lion King ($23 million) or Toy Story 4 ($12 million) made during their previews, but those two films opened during summer holidays and family films’ performances during previews is proportional to the number of kids who are on holidays. A better comparison is Aladdin, which earned $7 million during its previews back in May before the vast majority of kids were out of school. It turned that preview into an opening weekend haul of $91 million. This film does have better reviews and I think there isn’t much difference between a sequel and a remake when it comes to legs, so that should help this film’s legs. I’m cautiously optimistic that the film will match our $125 million weekend prediction. We will know more when we get Friday’s estimates. More...

Weekend Predictions: Can Frozen Heat Up the Box Office?

November 21st, 2019

Frozen II

The winter holiday season unofficially began on the first weekend of November and so far performance at the box office has been less than acceptable. That needs to—and should—turn around this weekend. According to most industry trackers, Frozen II should break records. Its reviews are far from award-worthy, but they are great for a family film. On the other hand, A Beautiful Day in the Neighborhood’s reviews are award-worthy and the film should have really long legs, especially if major nominations start rolling in. Finally, 21 Bridges has the weakest reviews and the lowest box office potential of the three wide releases this week. This weekend last year was led by the one-two punch of Ralph Breaks the Internet and Creed II. Frozen II should easily earn more than those two’s combined $92 million. Unfortunately, last year there were four films that topped $20 million over the weekend, while this year there will be only one. Last year’s depth will likely result in 2019 losing yet another weekend in the year-over-year competition. At least it should be close. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

An embattled NYPD detective is thrust into a citywide manhunt for a pair of cop killers after uncovering a massive and unexpected conspiracy. As the night unfolds, lines become blurred on who he is pursuing, and who is in pursuit of him. When the search intensifies, extreme measures are taken to prevent the killers from escaping Manhattan as the authorities close all 21 bridges to prevent any entry or exit from the iconic island.

Metrics

Opening Weekend:$9,261,268 (32.5% of total gross)
Legs:3.08 (domestic box office/biggest weekend)
Domestic Share:66.9% (domestic box office/worldwide)
Production Budget:$33,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:2,665 opening theaters/2,665 max. theaters, 3.8 weeks average run per theater
Infl. Adj. Dom. BO $33,586,470

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Movie Details

Domestic Releases: November 22nd, 2019 (Wide) by STX Entertainment
International Releases: November 22nd, 2019 (Wide) (Australia)
November 22nd, 2019 (Wide) (Hong Kong)
November 22nd, 2019 (Wide), released as 21 tiltas (Lithuania)
November 22nd, 2019 (Wide) (United Kingdom)
December 5th, 2019 (Wide), released as 21 МОСТ (Russia (CIS))
... Show all releases
Video Release: February 18th, 2020 by Universal Home Entertainment
March 30th, 2020 by Sony Pictures
MPAA Rating: R for violence and language throughout.
(Rating bulletin 2603 (Cert #52300), 11/6/2019)
Running Time: 103 minutes
Comparisons: vs. En kongelig affære
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Keywords: NYPD, Set in New York, Set in New York City, Manhunt, Corrupt Cops, Action Thriller, Crime, Narcotics, Young Child Dealing with the Death of a Parent, Father’s Footsteps
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: AGBO, MWM Studios, H Brothers, STX Films, XCeption Content
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Thanksgiving (All Movies, 3-Day) 238 $5,587,111 Nov 29, 2019 10
Thanksgiving (All Movies, 3-Day, Inflation Adjusted) 324 $6,991,615 Nov 29, 2019 10
Thanksgiving (All Movies, 5-Day) 225 $7,681,362 Nov 29, 2019 10

Leading Cast

Chadwick Boseman Andre Davis

Supporting Cast

Sienna Miller Detective
Stephan James Michael
Keith David Deputy Chief Spencer
Alexander Siddig Adi
Taylor Kitsch Ray
J.K. Simmons Captain McKenna
Louis Cancelmi Bush
Victoria Cartagena Yolanda
Gary Carr Hawk
Morocco Omari Deputy Mayor Mott
Chris Ghaffari Brad Gales
Dale Pavinkski Mosto’s Manager-Tom Cheaver
Christian Isaiah Young Andre
Sarah Ellen Stephens Young Vonetta Davis
Jamie Neumann Leigh
Peter Patrikios Leigh’s Boyfriend
Jayson Ward Williams Ear Hair IA Suit
Suzette Azariah Gunn Lipstick Spots
Khalil McMillan Metallic IA Suit
John Douglas Thompson Reverend
Jennifer Onvie Chemist
Obi Abili Sgt. Butchco
Andy Truschinski Sgt. Dugan
Darren Lipari Lt. Kelly
Monica Hernandez Maria
Adriane Lenox Older Vonetta Davis
Narci Regina Waitress
Sophia Blum Uniformed Tech
Stephen Medvidick LMSI Tech
Zena-Marie Ghanney CSU Tech
Kaylah Timoney Club Goer
Justine Smith Club Goer
Joseph D. Fisher Cop
Danny Plaza Cop
Dwayne Alistair Thomas Henchman
Ryan Love Henchman
Joseph Lawrence Henchman
Sean Close Buddy
John O’Donnell Buddy’s Friend
Katie McClellan Parallax Receptionist
Mike Rainey Hotel Cop
Craig Newman Anchor
Cheryl Singleton NY1 Anchor
Pat Kiernan NY1 Anchor
Vivian Lee NY1 Reporter
Robin Rieger ND News Anchor
Brooke Stacy Mills ND News Reporter
Emily Grace Murray ND News Reporter
Chrisdine King ND News Reporter
David Adams SWAT
Robert Poletick Police Lawyer
John Jezior Hotel Cook
Tony Giorgio Ceremonial Lieutenant
Sunny DeLeon Female Employee
James Bodnar Cops at Pan Am
Jason Iannacone Cop at Pan Am
Juan Encarnacion Cop at ADI’s
Raymond DeBendictis Cop at ADI’s

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brian Kirk Director
Adam Mervis Screenwriter
Matthew Michael Carnahan Screenwriter
Adam Mervis Story by
Logan Coles Producer
Chadwick Boseman Producer
Mike LaRocca Producer
Joe Russo Producer
Robert Simonds Producer
Anthony Russo Producer
Gigi Pritzker Producer
Rachel Shane Executive Producer
Adrian Alperovich Executive Producer
Mike LaRocca Executive Producer
Adam Fogelson Executive Producer
Wang Zhongjun Executive Producer
Wang Zhonglei Executive Producer
Felice Bee Executive Producer
Mark Kamine Executive Producer
Todd Makurath Executive Producer
Paul Cameron Director of Photography
Greg Berry Production Designer
Tim Murrell Editor
David Robinson Costume Designer
Henry Jackman Composer
Alex Nelson Belcher Composer
Jason Markey Music Supervisor
Malcolm Gray Co-Producer
Melissa Rucker Co-Producer
Avy Kaufman Casting Director
Mark Kamine Unit Production Manager
John B. West Unit Production Manager
Michele Shelley Ziegler* First Assistant Director
Xanthus Valan Second Assistant Director
Spiro Razatos Second Unit Director
Spiro Razatos Stunt Coordinator
Matteo De Cosmo Art Director
Regina Graves Set Decorator
Melissa Brockman Visual Effects Producer
Charles S. Rowe Script Supervisor
Damian Elias Canelos Sound Mixer
Staci Hagenbaugh Location Manager
Rita Squitiere Costume Supervisor
Pamela Peitzman Make up
Diane Dixon Hairstylist
Ray Santoleri Make up
Janice Innella Hairstylist
Joseph D. Weber Set Designer
Stuart MacPhee Post-Production Supervisor
Timothy Feeley First Assistant Editor
Jac Rubenstein Dialogue Editor
Michael Feuser Dialogue Editor
Larry Zipf Sound Designer
Wyatt Sprague Sound Effects Editor
Lee Salevan Sound Effects Editor
Igor Nikolic Foley Editor
Skip Lievsay Re-recording Mixer
Paul Urmson Re-recording Mixer
Paul Urmson Supervising Sound Editor
Felipe Pacheco Music Editor
Maverick Dugger Additional Music
Chris Fogel Score Mixer
Andy Gill Second Unit Director
Andy Gill Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 18th, 2020

February 19th, 2020

Jojo Rabbit

There are not a lot of major releases on this week’s list, but what we lack in quantity, we more than make up for in quality. In fact, there are five contenders for Pick of the Week and a couple of other smaller releases that might end up in my collection soon. It is going to be a rough week on my wallet. These include a couple of Oscar contenders, A Beautiful Day in the Neighborhood and Jojo Rabbit; a couple of animated releases, The Point! and Tex Avery: Screwball Classics: Volume 1; and a TV on DVD Megaset, Unbreakable Kimmy Schmidt: The Complete Series. All five releases are worth picking up, but I’m going with Jojo Rabbit as this week’s Pick of the Week. More...

Weekend Wrap-Up: Thanksgiving Shows 2019 still has some Spark Left

December 2nd, 2019

Frozen II

2019 hasn’t been a great year and has consistently been behind 2018. However, 2018 was the biggest ever year at the box office and 2019 has been in a battle for second place for much of the year. Thanksgiving beat expectations and the overall performances over the Thanksgiving weekend really helped 2019’s chances to secure second place. Frozen II broke records earning first place for its three-day and five-day Thanksgiving weekends. In fact, its three-day weekend haul of $85.98 million would have landed in third place on the all-time five-day chart. Additionally, both new releases, Knives Out and Queen and Slim, topped expectations leading to a robust box office. Granted, the overall box office was a little lower, down 12%, from last weekend at $180 million. This is common for Thanksgiving, as the Wednesday and Thursday holidays are so popular with moviegoers that they reduce the box office potential of the Friday through Sunday weekend. This is 56% higher than the same weekend last year, but this is due to a misalignment in the holidays. This Thanksgiving was 16.5% lower than last year’s Thanksgiving, but the misalignment of the holidays does have an effect there as well, so it isn’t a perfect comparison either. Next weekend will be a lot better when it comes to the year-over-year comparison. Year-to-date, 2019 is still behind 2018 by a large margin, but 2019 was able to close to the gap a bit to 6.0% or $640 million at $10.03 billion to $10.67 billion. Getting that gap lower is the goal for December, as it is virtually impossible that 2019 will catch up completely. I would be really impressed if they can cut that gap in half. More...

Weekend Wrap-Up: Frozen has Fantastic Opening with $130.26 million

November 26th, 2019

Frozen II

Frozen II beat expectations over the weekend, and earned several records along the way. In fact, its three-day opening of $130.26 million is better than the previous 5-day Thanksgiving weekend for an animated film, a record previously held by Frozen. The other two new releases, A Beautiful Day in the Neighborhood and 21 Bridges, missed expectations, but were close enough that the overall box office was very healthy. In fact, the box office rose 89% from last weekend to $204 million. This was 5.7% lower than the same weekend last year, but this weekend last year was Thanksgiving, so being down by 5.7% during a holiday misalignment is a fantastic result. We did lose the weekday holidays, so year-over-year, 2019 lost a lot of ground to 2018 and is now behind last year’s pace by 7.4% or $770 million at $9.71 billion to $10.48 billion. We should gain a lot next weekend, thanks to Thanksgiving, and by the first weekend of December, things will settle down. More...

Weekend Estimates: Frozen II Sets Animation Records with $127 million

November 24th, 2019

Frozen II

It didn’t look like Frozen II would match our $125 million prediction based on Friday’s estimate, but if weekend estimates hold, it will did so with $127.0 million. This is not only the highest opening weekend for an Animated film in November, but anytime outside of summer. This greater-than-anticipated internal multiplier stronger suggests better legs overall. It is a family film opening just before Thanksgiving, so it was expected to have long legs regardless, but its reviews and its A minus from CinemaScore were merely good and not great. Add in the sequel effect and the film leg’s wouldn’t be nearly as stunning as the first Frozen’s legs were. However, after this result, I’m a lot more confident the film will still be at least a truly wide release come January, if not a saturation level release, as its predecessor was. More...

Friday Estimates: Frozen II Sets Fire to the Record Book

November 23rd, 2019

Frozen II

As expected, Frozen II started with a record-breaking Friday, as the film pulled in $41.8 million during its opening day, the best day in November for an animated film. Combine this start with its reviews and its A minus from CinemaScore and the film should have decent legs. The audience reaction is a little disappointing, so I think our prediction of $125 million is unlikely. It will come close enough to become a huge hit domestically. In fact, it is on pace to smash the November 3-day weekend for an animated film by the middle of Saturday and the five-day Thanksgiving weekend for any film by the middle of Sunday, and it isn’t even Thanksgiving. Those records are currently held by The Incredibles ($70.5 million) and The Hunger Games: Catching Fire ($109.9 million). The Incredibles record will obviously be broken, but we’ll have to wait until next week to see what Thanksgiving looks like. Frozen II is the fastest-starting November animated release of all time, but I don’t think it will have the legs to catch Frozen’s domestic total, unless it is able to remain in saturation level wide release until the New Year. More...

Thursday Night Previews: Frozen Gets Off to a Hot Start

November 22nd, 2019

Frozen II

Frozen II is giving box office watchers a reason to celebrate after earning $8.5 million during its previews on Thursday, setting the record for an animated film in November. This is not as much as The Lion King ($23 million) or Toy Story 4 ($12 million) made during their previews, but those two films opened during summer holidays and family films’ performances during previews is proportional to the number of kids who are on holidays. A better comparison is Aladdin, which earned $7 million during its previews back in May before the vast majority of kids were out of school. It turned that preview into an opening weekend haul of $91 million. This film does have better reviews and I think there isn’t much difference between a sequel and a remake when it comes to legs, so that should help this film’s legs. I’m cautiously optimistic that the film will match our $125 million weekend prediction. We will know more when we get Friday’s estimates. More...

Weekend Predictions: Can Frozen Heat Up the Box Office?

November 21st, 2019

Frozen II

The winter holiday season unofficially began on the first weekend of November and so far performance at the box office has been less than acceptable. That needs to—and should—turn around this weekend. According to most industry trackers, Frozen II should break records. Its reviews are far from award-worthy, but they are great for a family film. On the other hand, A Beautiful Day in the Neighborhood’s reviews are award-worthy and the film should have really long legs, especially if major nominations start rolling in. Finally, 21 Bridges has the weakest reviews and the lowest box office potential of the three wide releases this week. This weekend last year was led by the one-two punch of Ralph Breaks the Internet and Creed II. Frozen II should easily earn more than those two’s combined $92 million. Unfortunately, last year there were four films that topped $20 million over the weekend, while this year there will be only one. Last year’s depth will likely result in 2019 losing yet another weekend in the year-over-year competition. At least it should be close. More...

2019 Preview: November

November 1st, 2019

Frozen II

Joker single-handedly saved October. Had the film merely matched expectations, then the month would had suffered a major loss in the year-over-year competition. We sill lost a little ground, but not so much that we will look to October as the reason 2019 missed last year’s pace. As for November, we have some potential monster hits with Frozen II leading the way. If that film doesn’t earn at least $1 billion worldwide, I will be shocked. Additionally, every week has at least one movie coming out that has a somewhat realistic shot at $100 million, although not all of them will get there. Unfortunately, last November was much better, with five films that topped $100 million, including three that earned more than $200 million. I think 2019 will be better at the top, but it just won’t have the depth to keep pace with last year. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 22, 2019 4 $9,261,268   2,665 $3,475   $9,261,268 1
Nov 29, 2019 6 $5,587,111 -40% 2,665 $2,096   $19,220,781 2
Dec 6, 2019 7 $2,865,050 -49% 2,465 $1,162   $23,917,746 3
Dec 13, 2019 10 $1,183,802 -59% 1,533 $772   $26,355,168 4
Dec 27, 2019 20 $226,725   229 $990   $27,656,920 6
Jan 3, 2020 18 $391,579 +73% 476 $823   $28,265,017 7
Jan 10, 2020 34 $67,003 -83% 141 $475   $28,485,460 8
Jan 17, 2020 42 $17,989 -73% 51 $353   $28,529,653 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 21, 2019 P $700,000     0     $700,000  
Nov 22, 2019 4 $3,333,513     2,665 $1,251   $3,333,513 1
Nov 23, 2019 4 $3,575,205 +7%   2,665 $1,342   $6,908,718 2
Nov 24, 2019 4 $2,352,550 -34%   2,665 $883   $9,261,268 3
Nov 25, 2019 4 $878,028 -63%   2,665 $329   $10,139,296 4
Nov 26, 2019 4 $1,400,123 +59%   2,665 $525   $11,539,419 5
Nov 27, 2019 7 $1,010,083 -28%   2,665 $379   $12,549,502 6
Nov 28, 2019 6 $1,084,168 +7%   2,665 $407   $13,633,670 7
Nov 29, 2019 6 $2,169,644 +100% -35% 2,665 $814   $15,803,314 8
Nov 30, 2019 6 $2,248,550 +4% -37% 2,665 $844   $18,051,864 9
Dec 1, 2019 6 $1,168,917 -48% -50% 2,665 $439   $19,220,781 10
Dec 2, 2019 6 $378,093 -68% -57% 2,665 $142   $19,598,874 11
Dec 3, 2019 6 $677,756 +79% -52% 2,665 $254   $20,276,630 12
Dec 4, 2019 6 $400,117 -41% -60% 2,665 $150   $20,676,747 13
Dec 5, 2019 6 $375,949 -6% -65% 2,665 $141   $21,052,696 14
Dec 6, 2019 7 $814,218 +117% -62% 2,465 $330   $21,866,914 15
Dec 7, 2019 7 $1,255,584 +54% -44% 2,465 $509   $23,122,498 16
Dec 8, 2019 7 $795,248 -37% -32% 2,465 $323   $23,917,746 17
Dec 9, 2019 7 $278,201 -65% -26% 2,465 $113   $24,195,947 18
Dec 10, 2019 7 $485,012 +74% -28% 2,465 $197   $24,680,959 19
Dec 11, 2019 7 $288,397 -41% -28% 2,465 $117   $24,969,356 20
Dec 12, 2019 7 $202,010 -30% -46% 2,465 $82   $25,171,366 21
Dec 13, 2019 10 $335,081 +66% -59% 1,533 $219   $25,506,447 22
Dec 14, 2019 10 $518,095 +55% -59% 1,533 $338   $26,024,542 23
Dec 15, 2019 10 $330,626 -36% -58% 1,533 $216   $26,355,168 24
Dec 16, 2019 10 $136,687 -59% -51% 1,533 $89   $26,491,855 25
Dec 17, 2019 10 $234,117 +71% -52% 1,533 $153   $26,725,972 26
Dec 18, 2019 10 $139,134 -41% -52% 1,533 $91   $26,865,106 27
Dec 19, 2019 14 $70,017 -50% -65% 1,533 $46   $26,935,123 28
Dec 20, 2019 - $62,139 -11% -81% 350 $178   $26,997,262 29
Dec 21, 2019 - $94,252 +52% -82% 350 $269   $27,091,514 30
Dec 22, 2019 - $81,403 -14% -75% 350 $233   $27,172,917 31
Dec 23, 2019 - $55,166 -32% -60% 350 $158   $27,228,083 32
Dec 24, 2019 15 $58,604 +6% -75% 350 $167   $27,286,687 33
Dec 25, 2019 - $79,206 +35% -43% 229 $346   $27,365,893 34
Dec 26, 2019 - $64,302 -19% -8% 229 $281   $27,430,195 35
Dec 27, 2019 - $77,534 +21% +25% 229 $339   $27,507,729 36
Dec 28, 2019 - $86,822 +12% -8% 229 $379   $27,594,551 37
Dec 29, 2019 - $62,369 -28% -23% 229 $272   $27,656,920 38
Dec 30, 2019 - $46,099 -26% -16% 229 $201   $27,703,019 39
Dec 31, 2019 - $44,250 -4% -24% 229 $193   $27,747,269 40
Jan 1, 2020 - $85,026 +92% +7% 229 $371   $27,832,295 41
Jan 2, 2020 - $41,143 -52% -36% 229 $180   $27,873,438 42
Jan 3, 2020 - $122,753 +198% +58% 476 $258   $27,996,191 43
Jan 4, 2020 - $174,145 +42% +101% 476 $366   $28,170,336 44
Jan 5, 2020 - $94,681 -46% +52% 476 $199   $28,265,017 45
Jan 6, 2020 - $38,442 -59% -17% 476 $81   $28,303,459 46
Jan 7, 2020 - $57,749 +50% +31% 476 $121   $28,361,208 47
Jan 8, 2020 - $37,042 -36% -56% 476 $78   $28,398,250 48
Jan 9, 2020 - $20,207 -45% -51% 476 $42   $28,418,457 49
Jan 10, 2020 - $18,283 -10% -85% 141 $130   $28,436,740 50
Jan 11, 2020 - $29,812 +63% -83% 141 $211   $28,466,552 51
Jan 12, 2020 - $18,908 -37% -80% 141 $134   $28,485,460 52
Jan 13, 2020 - $6,692 -65% -83% 141 $47   $28,492,152 53
Jan 14, 2020 - $8,654 +29% -85% 141 $61   $28,500,806 54
Jan 15, 2020 - $6,006 -31% -84% 141 $43   $28,506,812 55
Jan 16, 2020 - $4,852 -19% -76% 141 $34   $28,511,664 56
Jan 17, 2020 - $5,219 +8% -71% 51 $102   $28,516,883 57
Jan 18, 2020 - $7,522 +44% -75% 51 $147   $28,524,405 58
Jan 19, 2020 - $5,248 -30% -72% 51 $103   $28,529,653 59
Jan 20, 2020 - $3,899 -26% -42% 51 $76   $28,533,552 60
Jan 21, 2020 - $2,054 -47% -76% 51 $40   $28,535,606 61
Jan 22, 2020 - $1,949 -5% -68% 51 $38   $28,537,555 62
Jan 23, 2020 - $2,202 +13% -55% 51 $43   $28,539,757 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 22, 2019 5 $13,633,670   2,665 $5,116   $13,633,670 1
Nov 29, 2019 6 $7,419,026 -46% 2,665 $2,784   $21,052,696 2
Dec 6, 2019 7 $4,118,670 -44% 2,465 $1,671   $25,171,366 3
Dec 13, 2019 10 $1,763,757 -57% 1,533 $1,151   $26,935,123 4
Dec 20, 2019 18 $495,072 -72% 229 $2,162   $27,430,195 5
Dec 27, 2019 20 $443,243 -10% 229 $1,936   $27,873,438 6
Jan 3, 2020 18 $545,019 +23% 476 $1,145   $28,418,457 7
Jan 10, 2020 34 $93,207 -83% 141 $661   $28,511,664 8
Jan 17, 2020 41 $28,093 -70% 51 $551   $28,539,757 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/3/2020 $61,417 117 117 150 $105,469 1/20/2020
Australia 11/22/2019 $335,417 203 209 634 $850,489 12/31/2019
Brazil 12/13/2019 $329,231 190 190 269 $829,719 12/28/2019
Bulgaria 2/28/2020 $9,310 0 0 0 $23,384 3/11/2020
China 3/18/2021 $2,330,000 51,862 51,862 54,322 $4,320,000 4/14/2021
France 1/3/2020 $700,641 214 235 631 $1,343,442 1/29/2020
Germany 4/2/2021 $2,906 0 0 0 $867,970 4/12/2021
Hong Kong 11/22/2019 $0 0 0 0 $437,725 1/5/2020
Italy 1/9/2020 $492,645 0 0 0 $972,999 10/19/2022
Lithuania 11/22/2019 $10,354 10 10 15 $17,247 12/10/2019
Mexico 12/6/2019 $258,652 0 0 0 $514,004 12/17/2019
New Zealand 12/20/2019 $1,123 9 9 23 $3,008 10/19/2022
Portugal 12/13/2019 $49,566 42 49 138 $164,892 10/19/2022
Russia (CIS) 12/5/2019 $207,482 633 633 1,107 $359,678 10/19/2022
Slovenia 2/28/2020 $6,488 10 12 22 $11,879 4/8/2020
South Korea 1/1/2020 $255,097 225 225 531 $885,144 11/25/2020
Spain 2/21/2020 $239,243 238 238 465 $431,046 3/5/2020
United Kingdom 11/22/2019 $840,557 407 407 1,050 $1,979,779 12/12/2019
 
International Total$14,117,874 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 23, 2020433,635 33,635$562,041$562,0411
Mar 1, 20201015,487-54% 49,122$278,147$840,1882
Sep 6, 20201221,060 104,748$337,171$1,600,47329

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 23, 2020534,799 34,799$772,879$772,8791
Mar 1, 20201513,679-61% 48,478$262,902$1,035,7812
Sep 6, 2020817,866 131,727$286,035$2,518,09129

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Netflix Daily Charts

DateRankDays In
Top 10
Vierwership
Score
Nov 22, 2021101 1
Nov 23, 202172 5
Nov 24, 202173 9

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.