Mollie Goldstein
| Best known as an Editor based on credits in that role in 4 films, with $2,039,514 worldwide aggregate box office (rank #1,809) |
| Best-known technical roles: The Art of Getting By (Executive Producer), Little Men (Editor), The Art of Getting By (Producer) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Editor | 4 | $702,537 | $1,336,977 | $2,039,514 |
| Producer | 1 | $1,430,241 | $558,794 | $1,989,035 | |
| Executive Producer | 1 | $1,430,241 | $558,794 | $1,989,035 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Editor at the Domestic Box Office (Rank 1,601-1,700) | 1,657 | $702,537 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 5,701-5,800) | 5,779 | $1,430,241 |
| Top Grossing Producer at the Domestic Box Office (Rank 4,901-5,000) | 4,921 | $1,430,241 |
| Top Grossing Editor at the International Box Office (Rank 1,501-1,600) | 1,598 | $1,336,977 |
| Top Grossing Executive Producer at the International Box Office (Rank 6,601-6,700) | 6,680 | $558,794 |
| Top Grossing Producer at the International Box Office (Rank 6,101-6,200) | 6,143 | $558,794 |
| Top Grossing Editor at the Worldwide Box Office (Rank 1,801-1,900) | 1,809 | $2,039,514 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 6,701-6,800) | 6,744 | $1,989,035 |
| Top Grossing Producer at the Worldwide Box Office (Rank 6,201-6,300) | 6,286 | $1,989,035 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Aug 21, 2020 | The 24th | Editor | |||
| May 1, 2018 | Most Likely to Murder | Editor | |||
| Aug 5, 2016 | Little Men | Editor | $702,537 | $1,336,977 | $2,039,514 |
| Jan 23, 2015 | We'll Never Have Paris | Editor | |||
| Jun 17, 2011 | The Art of Getting By | Producer Executive Producer |
$1,430,241 | $558,794 | $1,989,035 |
| Averages | $1,066,389 | $947,886 | $2,014,275 | ||
| Totals | 5 | $2,132,778 | $1,895,771 | $4,028,549 | |
Producer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jun 17, 2011 | The Art of Getting By | $679,160 | 610 | $1,430,241 | $1,989,035 | 71.9% |
| Averages | $679,160 | 610 | $1,430,241 | $1,989,035 | 71.9% | |
| Totals | 1 | $1,430,241 | $1,989,035 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Editor at the Domestic Box Office (Rank 1,601-1,700) | 1,657 | $702,537 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 5,701-5,800) | 5,779 | $1,430,241 |
| Top Grossing Producer at the Domestic Box Office (Rank 4,901-5,000) | 4,921 | $1,430,241 |
| Top Grossing Editor at the International Box Office (Rank 1,501-1,600) | 1,598 | $1,336,977 |
| Top Grossing Executive Producer at the International Box Office (Rank 6,601-6,700) | 6,680 | $558,794 |
| Top Grossing Producer at the International Box Office (Rank 6,101-6,200) | 6,143 | $558,794 |
| Top Grossing Editor at the Worldwide Box Office (Rank 1,801-1,900) | 1,809 | $2,039,514 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 6,701-6,800) | 6,744 | $1,989,035 |
| Top Grossing Producer at the Worldwide Box Office (Rank 6,201-6,300) | 6,286 | $1,989,035 |