Liana Liberato
| Best known as a Supporting Actress based on credits in that role in 8 films, with $123,430,534 worldwide aggregate box office (rank #26,891) |
| Best-known acting roles: Quinn (Scream VI), Kim (If I Stay), Young Amanda Collier (The Best of Me), Sister Emily (Novitiate), Annie Cameron (Trust) |
| Most productive collaborators: Denise Di Novi, Chloë Grace Moretz, R.J. Cutler, Mireille Enos, Joshua Leonard |
| Born: August 20, 1995 (29 years old) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Supporting | 8 | $77,838,218 | $45,592,316 | $123,430,534 |
| Leading | 4 | $120,016 | $3,196 | $123,212 | |
| Lead Ensemble Member | 2 | $108,470,057 | $60,712,062 | $169,182,119 |
Career Trend
This graph shows Liana Liberato’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top 100 Stars in Leading Roles at the Domestic Box Office (Rank 1,501-1,600) | 1,503 | $108,590,073 |
| Top Stars at the Domestic Box Office (Rank 10,201-10,300) | 10,204 | $186,428,291 |
| Top 100 Stars in Leading Roles at the International Box Office (Rank 2,201-2,300) | 2,204 | $60,715,258 |
| Top Stars at the International Box Office (Rank 20,201-20,300) | 20,230 | $106,307,574 |
| Top 100 Stars in Leading Roles at the Worldwide Box Office (Rank 1,801-1,900) | 1,821 | $169,305,331 |
| Top Stars at the Worldwide Box Office (Rank 14,901-15,000) | 14,933 | $292,735,865 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
VOD Releases: In Need of Assistance
April 24th, 2020
After a chaotic couple of weeks, the Video on Demand market has really slowed down. The Photograph is the only wide release to be featured here, but it is not among the best VOD releases. The only two I’m really interested in seeing are The Assistant and To the Stars.
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VOD Releases: Will these VOD Releases Rescue the Movie Industry?
March 26th, 2020
With the COVID-19 outbreak causing mass shutdowns of non-essential businesses in a lot of places, theatrical releases are, for the most part, non-existent. However, the movie industry is trying to rapidly adapt to this and so are we. They are fast-tracking lots of theatrical releases to VOD and we will be expanding our coverage of VOD releases. Like last week, there are a lot of fast-tracked theatrical releases coming out this week, but we also have the more typical VOD premieres to talk about. Of the former category, Bad Boys for Life is clearly leading the way, although Birds of Prey is coming out on Friday rather than Tuesday, so it gets a jump on the action. Of the latter category, Banana Split is the film that I’m most interested in seeing. Sadly, there are so many major VOD releases this week that I fear it will slip between the cracks.
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Home Market Releases for July 5th, 2016
July 4th, 2016
It's a strange week on the home market, as there are no first-run releases and very few other releases to make up the difference. There are some contenders for Pick of the Week, but all of them are foreign-language films, which is again odd. In fact, two of them, Only Yesterday and The Boy and the World, are animated. However, in the end, I went with The Mermaid, which deserves to be seen by more and Blu-ray is a great way to see it.
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2014 Preview: October
September 30th, 2014
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September is over and while it got off to a bad start, a really, really, truly terrible start, it actually ended on a bit of a strong note. Granted, no film has yet to reach $100 million, but The Maze Runner and The Equalizer both could get there in the end. As for October, we might go another month without a $100 million hit. There are a couple of films that have the potential to reach the century mark, Gone Girl and Fury. Hopefully they will get there, but given the recent box office woes, it is probably best to keep expectations low. Last October, there were two films that earned more than $100 million. Bad Grandpa just made it passed that mark. On the other hand, Gravity was a monster hit earning nearly $275 million. It you compare its run to this year's batch of films, it only ranks behind Guardians of the Galaxy. ... There's no way any film opening this month is going to match that. ... There no way the top two films will match that. ... The top three films might not match that. ... 2014 is going to get crushed in the year-over-year comparison and by the end of the month, it will be safe to say its chances of ever catching up to 2013 will be over. It is going to be a depressing month.
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Featured DVD Review: Haunt
June 10th, 2014
Haunt is an incredibly generic name for a horror movie. It is not surprising it struggled to find an audience with a name like that. However, was that the only reason? Or is the movie as generic as the name?
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Limited Releases are Looking Grand
March 7th, 2014
This week the list of limited releases includes The Grand Budapest Hotel, which is earning amazing buzz and arguably better reviews. It will likely dominate the per theater chart so much so that the rest of the films might suffer as as result. This would be too bad, because there are several other films that deserve to find an audience. Grand Piano and In Fear are both earning great reviews, but as horror films playing on Video on Demand, their box office numbers will be nothing more than an afterthought. There are also a couple of comedies I'm interested in seeing, Journey To The West and No Clue, although the latter is only playing in Canada.
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Limited Releases Will Make You Laugh
May 17th, 2013
I mentioned last week that every summer there is usually one limited release that has break out success and expands, if not wide, at least wide enough to earn a real measure of mainstream success. This week, we have that first film that might reach that level of success. Frances Ha not only has the best reviews on this week's list, but it also has an impressive pedigree. There are also a couple foreign language films that might find an audience on the art house circuit, Augustine and Pieta, but their chances to expand significantly are much more limited.
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All Acting Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 10, 2023 | Scream VI | Quinn | $108,391,107 | $60,672,743 | $169,063,850 |
| Sep 20, 2022 | Dig | ||||
| Mar 27, 2020 | Banana Split | Clara | |||
| Dec 31, 2018 | To the Stars | Maggie Richmond | $3,196 | $3,196 | |
| May 11, 2018 | Measure of a Man | Michelle Marks | |||
| Oct 27, 2017 | Novitiate | Sister Emily | $580,346 | $580,346 | |
| Apr 7, 2017 | 1 Mile to You | Henny | |||
| Oct 17, 2014 | The Best of Me | Young Amanda Collier | $26,766,213 | $14,293,205 | $41,059,418 |
| Aug 22, 2014 | If I Stay | Kim | $50,474,843 | $27,881,327 | $78,356,170 |
| Mar 7, 2014 | Haunt | Sam | $2,648,068 | $2,648,068 | |
| Jul 5, 2013 | Stuck in Love | Kate | $78,950 | $39,319 | $118,269 |
| Apr 2, 2013 | Erased | Amy Logan | |||
| Oct 14, 2011 | Trespass | Avery Miller | $16,816 | $769,716 | $786,532 |
| Apr 1, 2011 | Trust | Annie Cameron | $120,016 | $120,016 | |
| Averages | $26,632,613 | $15,186,796 | $32,526,207 | ||
| Totals | 14 | $186,428,291 | $106,307,574 | $292,735,865 | |
Leading or Lead Ensemble Roles
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Mar 10, 2023 | Scream VI | $44,447,270 | 3,676 | $108,391,107 | $169,063,850 | 64.1% |
| Mar 27, 2020 | Banana Split | |||||
| Dec 31, 2018 | To the Stars | $3,196 | ||||
| Apr 7, 2017 | 1 Mile to You | |||||
| Jul 5, 2013 | Stuck in Love | 5 | $78,950 | $118,269 | 66.8% | |
| Apr 1, 2011 | Trust | $58,214 | 28 | $120,016 | $120,016 | 100.0% |
| Averages | $22,252,742 | 1,236 | $36,196,691 | $42,326,333 | 77.0% | |
| Totals | 6 | $108,590,073 | $169,305,331 | |||
Supporting Roles
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Sep 20, 2022 | Dig | |||||
| May 11, 2018 | Measure of a Man | |||||
| Oct 27, 2017 | Novitiate | $22,724 | 163 | $580,346 | $580,346 | 100.0% |
| Oct 17, 2014 | The Best of Me | $10,003,827 | 2,936 | $26,766,213 | $41,059,418 | 65.2% |
| Aug 22, 2014 | If I Stay | $15,679,190 | 3,157 | $50,474,843 | $78,356,170 | 64.4% |
| Mar 7, 2014 | Haunt | $2,648,068 | ||||
| Apr 2, 2013 | Erased | |||||
| Oct 14, 2011 | Trespass | $16,816 | 10 | $16,816 | $786,532 | 2.1% |
| Averages | $6,430,639 | 1,567 | $19,459,555 | $24,686,107 | 57.9% | |
| Totals | 8 | $77,838,218 | $123,430,534 | |||