John Logan
Best known as a Screenwriter based on credits in that role in 19 films, with $4,291,345,679 worldwide aggregate box office (rank #27) |
Best-known technical roles: Skyfall (Screenwriter), Spectre (Screenwriter), Spectre (Story Creator), Rango (Screenwriter), Rango (Story Creator) |
Most productive collaborators: Johnny Depp, Martin Scorsese, Gore Verbinski, Daniel Craig, Sam Mendes |
Born: September 24, 1961 (63 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 19 | $1,444,559,766 | $2,846,785,913 | $4,291,345,679 |
Story Creator | 4 | $510,193,189 | $1,171,650,162 | $1,681,843,351 | |
Producer | 4 | $55,008,759 | $108,123,075 | $163,131,834 | |
Executive Producer | 1 | $0 | $0 | $0 | |
Director | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Producer at the Domestic Box Office (Rank 1,601-1,700) | 1,676 | $55,008,759 |
Top Grossing Screenwriter at the Domestic Box Office | 37 | $1,444,559,766 |
Top Grossing Story Creator at the Domestic Box Office | 73 | $510,193,189 |
Top Grossing Producer at the International Box Office (Rank 1,201-1,300) | 1,256 | $108,123,075 |
Top Grossing Screenwriter at the International Box Office | 24 | $2,846,785,913 |
Top Grossing Story Creator at the International Box Office | 40 | $1,171,650,162 |
Top Grossing Producer at the Worldwide Box Office (Rank 1,301-1,400) | 1,390 | $163,131,834 |
Top Grossing Screenwriter at the Worldwide Box Office | 27 | $4,291,345,679 |
Top Grossing Story Creator at the Worldwide Box Office | 43 | $1,681,843,351 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2017 Preview: May
May 1st, 2017
April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth.
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2015 Preview: November
November 1st, 2015
October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Apr 18, 2025 | Michael | Producer Screenwriter |
|||
2022 | Untitled Bee Gees Movie | Screenwriter | |||
Aug 5, 2022 | They/Them | Director Screenwriter |
|||
May 19, 2017 | Alien: Covenant | Screenwriter | $74,262,031 | $164,259,216 | $238,521,247 |
Jun 10, 2016 | Genius | Screenwriter Producer |
$1,361,045 | $5,904,238 | $7,265,283 |
Nov 6, 2015 | Spectre | Screenwriter Story by |
$200,074,175 | $679,003,169 | $879,077,344 |
Aug 29, 2014 | Jamie Marks Is Dead | Executive Producer | |||
Nov 8, 2012 | Skyfall | Screenwriter | $304,360,277 | $806,166,704 | $1,110,526,981 |
Jan 20, 2012 | Coriolanus | Producer Screenwriter |
$749,641 | $1,787,066 | $2,536,707 |
Nov 23, 2011 | Hugo | Screenwriter | $73,864,507 | $106,183,277 | $180,047,784 |
Mar 4, 2011 | Rango | Screenwriter Story Creator |
$123,477,607 | $122,246,993 | $245,724,600 |
Dec 21, 2007 | Sweeney Todd: The Demon Bar… | Screenwriter Producer |
$52,898,073 | $100,431,771 | $153,329,844 |
Dec 17, 2004 | The Aviator | Screenwriter | $102,608,827 | $105,762,065 | $208,370,892 |
Dec 5, 2003 | The Last Samurai | Screenwriter Story Creator |
$111,110,575 | $345,700,000 | $456,810,575 |
Jul 2, 2003 | Sinbad: Legend of the Seven… | Screenwriter | $26,483,452 | $54,284,432 | $80,767,884 |
Dec 13, 2002 | Star Trek: Nemesis | Screenwriter | $43,254,409 | $24,058,417 | $67,312,826 |
Mar 8, 2002 | The Time Machine | Screenwriter | $56,684,819 | $42,298,771 | $98,983,590 |
May 5, 2000 | Gladiator | Screenwriter | $187,683,805 | $263,999,794 | $451,683,599 |
Dec 22, 1999 | Any Given Sunday | Screenwriter Story Creator |
$75,530,832 | $24,700,000 | $100,230,832 |
Oct 22, 1999 | Bats | Screenwriter | $10,155,691 | $10,155,691 | |
Averages | $90,284,985 | $189,785,728 | $268,209,105 | ||
Totals | 20 | $1,444,559,766 | $2,846,785,913 | $4,291,345,679 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Aug 5, 2022 | They/Them | |||||
Averages | n/a | n/a | n/a | n/a | 0.0% | |
Totals | 1 | n/a | n/a |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 18, 2025 | Michael | |||||
Jun 10, 2016 | Genius | $98,274 | 152 | $1,361,045 | $7,265,283 | 18.7% |
Jan 20, 2012 | Coriolanus | $61,136 | 21 | $749,641 | $2,536,707 | 29.6% |
Dec 21, 2007 | Sweeney Todd: The Demo… | $9,300,805 | 1,507 | $52,898,073 | $153,329,844 | 34.5% |
Averages | $3,153,405 | 560 | $18,336,253 | $54,377,278 | 27.6% | |
Totals | 4 | $55,008,759 | $163,131,834 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 18, 2025 | Michael | |||||
2022 | Untitled Bee Gees Movie | |||||
Aug 5, 2022 | They/Them | |||||
May 19, 2017 | Alien: Covenant | $36,160,621 | 3,772 | $74,262,031 | $238,521,247 | 31.1% |
Jun 10, 2016 | Genius | $98,274 | 152 | $1,361,045 | $7,265,283 | 18.7% |
Nov 6, 2015 | Spectre | $70,403,148 | 3,929 | $200,074,175 | $879,077,344 | 22.8% |
Nov 8, 2012 | Skyfall | $88,364,714 | 3,526 | $304,360,277 | $1,110,526,981 | 27.4% |
Jan 20, 2012 | Coriolanus | $61,136 | 21 | $749,641 | $2,536,707 | 29.6% |
Nov 23, 2011 | Hugo | $11,364,505 | 2,608 | $73,864,507 | $180,047,784 | 41.0% |
Mar 4, 2011 | Rango | $38,079,323 | 3,923 | $123,477,607 | $245,724,600 | 50.3% |
Dec 21, 2007 | Sweeney Todd: The Demo… | $9,300,805 | 1,507 | $52,898,073 | $153,329,844 | 34.5% |
Dec 17, 2004 | The Aviator | $858,021 | 2,530 | $102,608,827 | $208,370,892 | 49.2% |
Dec 5, 2003 | The Last Samurai | $24,271,354 | 2,938 | $111,110,575 | $456,810,575 | 24.3% |
Jul 2, 2003 | Sinbad: Legend of the … | $6,874,477 | 3,086 | $26,483,452 | $80,767,884 | 32.8% |
Dec 13, 2002 | Star Trek: Nemesis | $18,513,305 | 2,711 | $43,254,409 | $67,312,826 | 64.3% |
Mar 8, 2002 | The Time Machine | $22,610,437 | 2,958 | $56,684,819 | $98,983,590 | 57.3% |
May 5, 2000 | Gladiator | $34,819,017 | 3,188 | $187,683,805 | $451,683,599 | 41.6% |
Dec 22, 1999 | Any Given Sunday | $13,584,625 | 2,505 | $75,530,832 | $100,230,832 | 75.4% |
Oct 22, 1999 | Bats | $4,717,902 | 2,560 | $10,155,691 | $10,155,691 | 100.0% |
Averages | $23,755,104 | 2,620 | $90,284,985 | $268,209,105 | 43.8% | |
Totals | 19 | $1,444,559,766 | $4,291,345,679 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Producer at the Domestic Box Office (Rank 1,601-1,700) | 1,676 | $55,008,759 |
Top Grossing Screenwriter at the Domestic Box Office | 37 | $1,444,559,766 |
Top Grossing Story Creator at the Domestic Box Office | 73 | $510,193,189 |
Top Grossing Producer at the International Box Office (Rank 1,201-1,300) | 1,256 | $108,123,075 |
Top Grossing Screenwriter at the International Box Office | 24 | $2,846,785,913 |
Top Grossing Story Creator at the International Box Office | 40 | $1,171,650,162 |
Top Grossing Producer at the Worldwide Box Office (Rank 1,301-1,400) | 1,390 | $163,131,834 |
Top Grossing Screenwriter at the Worldwide Box Office | 27 | $4,291,345,679 |
Top Grossing Story Creator at the Worldwide Box Office | 43 | $1,681,843,351 |