Bud Smith
Best known as an Editor based on credits in that role in 5 films, with $597,929,312 worldwide aggregate box office (rank #297) |
Best-known technical roles: The Exorcist (Editor), The Replacements (Editor), The Karate Kid (Editor), Darkman (Supervising Film Editor), Johnny Be Good (Director) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Editor | 5 | $391,814,905 | $206,114,407 | $597,929,312 |
Executive Producer | 2 | $2,687,691 | $0 | $2,687,691 | |
Supervising Film Editor | 1 | $32,942,739 | $0 | $32,942,739 | |
Director | 1 | $17,500,399 | $0 | $17,500,399 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,701-1,800) | 1,770 | $17,500,399 |
Top Grossing Editor at the Domestic Box Office (Rank 201-300) | 228 | $391,814,905 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 5,101-5,200) | 5,123 | $2,687,691 |
Top Grossing Editor at the International Box Office (Rank 301-400) | 378 | $206,114,407 |
Top Grossing Director at the Worldwide Box Office (Rank 2,701-2,800) | 2,723 | $17,500,399 |
Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 297 | $597,929,312 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 6,201-6,300) | 6,285 | $2,687,691 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jun 13, 2014 | Alone Yet Not Alone | Executive Producer | $795,755 | $795,755 | |
Oct 21, 2011 | The Mighty Macs | Executive Producer | $1,891,936 | $1,891,936 | |
Dec 25, 2003 | Young Black Stallion | Editor | $6,751,389 | $2,887,000 | $9,638,389 |
Aug 11, 2000 | The Replacements | Editor | $44,737,059 | $5,317,452 | $50,054,511 |
Aug 24, 1990 | Darkman | Supervising Film Editor | $32,942,739 | $32,942,739 | |
Mar 25, 1988 | Johnny Be Good | Director | $17,500,399 | $17,500,399 | |
Feb 27, 1987 | Some Kind of Wonderful | Editor | $18,553,948 | $18,553,948 | |
Jun 22, 1984 | The Karate Kid | Editor | $90,815,558 | $42,823 | $90,858,381 |
Dec 26, 1973 | The Exorcist | Editor | $230,956,951 | $197,867,132 | $428,824,083 |
Averages | $49,438,415 | $51,528,602 | $72,340,016 | ||
Totals | 9 | $444,945,734 | $206,114,407 | $651,060,141 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Mar 25, 1988 | Johnny Be Good | $5,249,388 | 1,194 | $17,500,399 | $17,500,399 | 100.0% |
Averages | $5,249,388 | 1,194 | $17,500,399 | $17,500,399 | 100.0% | |
Totals | 1 | $17,500,399 | $17,500,399 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,701-1,800) | 1,770 | $17,500,399 |
Top Grossing Editor at the Domestic Box Office (Rank 201-300) | 228 | $391,814,905 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 5,101-5,200) | 5,123 | $2,687,691 |
Top Grossing Editor at the International Box Office (Rank 301-400) | 378 | $206,114,407 |
Top Grossing Director at the Worldwide Box Office (Rank 2,701-2,800) | 2,723 | $17,500,399 |
Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 297 | $597,929,312 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 6,201-6,300) | 6,285 | $2,687,691 |