South Korea Box Office for Une Vie (2016)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $23,459 | Details |
| Worldwide Box Office | $920,307 | Details |
| Further financial details... | ||
Synopsis
Upon finishing her schooling in a convent, young aristocrat Jeanne marries local Viscount Juliende Lamare, who soon reveals himself to be a miserly and unfaithful husband. As she navigates his chronic infidelity, pressure from her family and community, and the alternating joys and burdens of motherhood, Jeanne’s rosy illusions about her privileged world are slowly stripped away.
Metrics
Movie Details
| South Korea Releases: | March 27th, 2017 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 119 minutes |
| Keywords: | Coming of Age, Non-Chronological, Money Troubles, Infidelity, Voiceover/Narration, Relationships Gone Wrong, 1800s, Historical Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | TS Productions, France 3 Cinema, Versus Productions, F Commie Film, CN5 Productions, Canal Plus, France Television, Cine Plus, Centre National du Cinema et de L Image Animee, Region Haute-Normandie, Procirep, Angoa Intl, Indefilms 4, Eurimages, MEDIA Program , Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, Tax Shelter du Gouvernemant Federal , Inver Invest, VOO ET BETV |
| Production Countries: | Belgium, France |
| Languages: | French |
Theater Averages: Galaxy Grabs $33,704 on Theater Average Chart
May 10th, 2017
Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters.
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Limited and VOD Releases: Lovers of Limited Releases
May 5th, 2017
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It is one of those weeks where it is hard to find a film with high box office potential. Last Men in Aleppo is the best movie, but as a documentary, it likely won’t expand significantly. Chuck has a great cast, but it’s reviews are merely good. Maybe The Lovers will do the best.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/04/07 | - | $5,011 | 18 | $278 | $10,043 | 2 | |
| 2017/04/14 | - | $4,117 | -18% | 18 | $229 | $18,791 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 8/11/2017 | $0 | 0 | 0 | 0 | $44,908 | 1/1/2019 |
| France | 11/25/2016 | $263,133 | 0 | 0 | 0 | $674,736 | 8/17/2018 |
| Italy | 6/2/2017 | $21,667 | 0 | 0 | 0 | $40,892 | 6/14/2017 |
| Netherlands | 7/28/2017 | $21,361 | 20 | 20 | 40 | $47,533 | 8/10/2017 |
| North America | 5/5/2017 | $11,483 | 2 | 4 | 16 | $37,626 | |
| Portugal | 8/11/2017 | $3,601 | 4 | 4 | 11 | $13,139 | 9/26/2017 |
| South Korea | 3/27/2017 | $0 | 0 | 18 | 36 | $23,459 | 5/24/2017 |
| Spain | 10/6/2017 | $22,195 | 32 | 32 | 32 | $22,195 | 10/12/2017 |
| United Kingdom | 1/12/2018 | $15,819 | 6 | 6 | 6 | $15,819 | 1/17/2018 |
| Worldwide Total | $920,307 | 1/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Judith Chemla | Jeanne |
Supporting Cast
| Jean-Pierre Darroussin | Baron |
| Yolande Moreau | Baroness |
| Swann Arlaud | Julien |
| Clotilde Hesme | Gilberte de Fourville |
| Nina Meurisse | Rosalie |
| Olivier Perrier | Abbot Picot |
| Finnegan Oldfield | Paul (20 years old) |
| Alain Beigel | Georges de Fourville |
| Lucette Beudin | Ludivine |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Stephane Brize | Director |
| Stephane Brize | Screenwriter |
| Florence Vignon | Screenwriter |
| Guy de Maupassant | Story based on the novel by |
| Milena Poylo | Producer |
| Gilles Sacuto | Producer |
| Olivier Baumont | Piano forte and Original Score by |
| Christophe Desenclos | Line Producer |
| Emile Louis | Assistant Director |
| Brigitte Moidon | Casting Director |
| Coralie Amedeo | Casting Director |
| Antoine Heberle | Director of Photography |
| Valerie Saradjian | Production Designer |
| Madeline Fontaine | Costume Designer |
| Anne Klotz | Editor |
| Pascal Jasmes | Sound Designer |
| Alain Sironval | Sound Designer |
| Emmanuel de Boissieu | Sound Designer |
| Herve Guyader | Sound Designer |
| Kim Nguyen | Location Manager |
| Delphine Passant | Post Production Manager |
| Nicolas Sacré | Post Production Manager |
| Michaël Crotto | Still Photographer |